Mood

Best of Satie

Gymnopedie N.1

Spotify

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

ᯤ Spotify

Erik Satie - Gymnopédie No.1

The Nocturnes, Op. 9 are a set of three nocturnes written by Frédéric Chopin between 1830 and 1832, published that year, and dedicated to Madame Camille Pleyel. 

The second nocturne of the work is widely regarded as Chopin's most famous piece, and is regularly featured in films, television programs and video games.

Audius Classical Music
https://audius.co/classicalmusic

Best of Chopin on Spotify
https://open.spotify.com/album/5RFPR9xUOAHPoTvuLMwqpC

Chopin on Amazon
https://www.amazon.com/Chopin-Essential-Collection-Fr%C3%A9d%C3%A9ric/dp/B00KNTJ8YC/

Chopin The Essential Collection

Nocturne in E Flat Major, Op. 9, No. 2

Frédéric Chopin - Nocturne Op.9 - No.2

Debussy's sublime summer prelude, 'La Fille aux Cheveux de Lin'.

The indicated 'Très calm et doucement expresiff' (Very calm and gentle in expressiveness) is quietly asserting tranquility. This is a piece to be savoured and experienced like a summer's gentle breeze; incentivised by the source for the prelude - the poem that bears the identical title of the prelude, written by Charles-Marie-René Leconte de Lisle in the mid-19th century (published in 1874). It is said that Debussy found the inspiration for the prelude within the poem, but for me, the prelude is almost a musical transcription of the poem. I include both the English translation (Laura L. Nagle, 2007) of Lisle's poem, and the original French version as well, below. Read the poem whilst listening to the recording and you will find more than a serendipitous likeness!  
____________________

The girl with the flaxen hair

Who sits upon the blooming lucerne,  
Singing from the earliest morn?  
It is the girl with the flaxen hair,  
The beauty with cherry-red lips.

Love, in the bright summer sun,  
Sang with the lark.

Your mouth has divine colours,
 My dear, and is tempting to kiss!
  Do you wish to chat upon the blooming grasses,  
Girl with long lashes and delicate curls?

Love, in the bright summer sun,  
Sang with the lark.

Do not say no, cruel girl!
  Do not say yes! I shall better understand  
A long gaze from your large eyes  
And your pink lips, o my beauty!

Love, in the bright summer sun,  
Sang with the lark.

Farewell to the deer, farewell to the hares  
And the red partridges!  I wish 
To kiss the flax of your hair,  
To press upon the crimson of your lips!

Love, in the bright summer sun,  
Sang with the lark.
  ____________________

La fille aux cheveux de lin

Sur la luzerne en fleur assise,  
Qui chante dès le frais matin?
  C'est la fille aux cheveux de lin,
  La belle aux lèvres de cerise.

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ta bouche a des couleurs divines,  
Ma chère, et tente le baiser!  
Sur l'herbe en fleur veux-tu causer,  
Fille aux cils longs, aux boucles fines?

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ne dis pas non, fille cruelle!  
Ne dis pas oui! J'entendrai mieux
  Le long regard de tes grands yeux
  Et ta lèvre rose, ô ma belle!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.

Adieu les daims, adieu les lièvres  
Et les rouges perdrix! Je veux
  Baiser le lin de tes cheveux,  
Presser la pourpre de tes lèvres!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.
  ____________________  
Charles-Marie-René Leconte de Lisle (1818 - 1894), "La fille aux cheveux de lin", from Poèmes antiques, in 'Chansons écossaises'
illustration: Monet - Monet - 'Woman with a Parasol, facing right', 1886, Musée D'Orsay, Paris

Claude Debussy - Prelude in G flat major - no. 8 from Book 1: 'La Fille aux Cheveux de Lin'

watch: https://www.youtube.com/watch?v=6wo6tXprWFs&list=RD6wo6tXprWFs&start_radio=1

Good Time (Owl City & Carly Rae Jepsen), lovely piano

Erik Satie - The Essential Collection

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Deezer

Je Te Veux

"Like Sunday, Like Rain"  __ soundtrack by "Ed Harcourt"

'Cut Love' is taken from the album 'Cut Love Pt. 1' http://apple.co/211bvE8
Media Enquiries: james@mysticsons.com, liv@mysticsons.com
Management Enquiries: christine.diefenbach@gmail.com

Cut Love

cloudy day

Ultra-Beast is taken from the album 'Cut Love Pt. 2', out now: http://apple.co/1O0S2Ts
Produced by Tim Carr & Hayden Calnin

Visit Hayden @ www.facebook.com/haydencalninmusic
Media Enquiries: James@mysticsons.com, liv@mysticsons.com
Management Enquiries: christine.diefenbach@gmail.com

Cut Love Pt. 2

Ultra-Beast

Written in 1890, Debussy's Reverie was one of his first solo piano works to make an impact. Even at this early stage in his career, when he was still working out what kind of composer he wanted to be (he was apparently a fervent debater when it came to Wagnerism), it's clear to see traits of that signature Debussy sound.

However, the young Debussy had not quite developed the style and tricks that would earmark him as one of his generation's most notable talents. There are no fireworks here, no sudden explosions in texture that would come to characterise his later works - this is more of a meditation, the perfect precursor to exploring those later works.

The gently repetitive theme that opens the work feels like a descent into sleepy dream-world (as the title suggests), and as the textures become ever richer the dreams only become more lush and addictive. A fantastic early sign that this Debussy fellow was one to watch…

Source:

ClassicFM
http://www.classicfm.com/composers/debussy/music/debussy-reverie/

Retailers:

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Napster
https://us.napster.com/artist/claude-debussy/album/claude-debussy-the-essential-collection

Tidal
https://listen.tidal.com/album/26275698

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
www.youtube.com/c/indypoprecords

Claude Debussy - The Essential Collection

Rêverie, L.68

Tidal

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Rachmaninov - Symphony No. 2 in E minor, Op.27- 3rd Movement, Adagio.

Somewhere In Between

Dedico esta grabación con gran cariño a mis padres.

https://itunes.apple.com/us/album/debussy-deux-arabesques-single/id1109105473

Debussy: Deux Arabesques

Arabesque No. 1 in E Major, L. 66: Andante con moto

Claude Debussy: Première Arabesque

Erik Satie (1866–1925)
Erik Satie was a French composer and pianist, renowned for his unconventional and often humorous approach to music, which was ahead of its time and played a pivotal role in the development of modern music. Born on May 17, 1866, in Honfleur, France, Satie’s work was marked by a distinctive simplicity, originality, and wit, often challenging traditional forms and musical expectations.

Satie’s compositions are characterized by their minimalist, repetitive structures, unconventional harmonies, and unexpected juxtapositions of moods. His best-known works, such as Gymnopédies, Gnossiennes, and Trois morceaux en forme de poire, are celebrated for their introspective atmosphere, gentle rhythms, and subtle, evocative textures. These pieces, particularly the Gymnopédies, are considered some of the earliest examples of Impressionism in music, and they influenced not only the composers of his time, including Claude Debussy, but also the development of later movements such as minimalism and ambient music.

Beyond his music, Satie was a colorful and eccentric figure, known for his distinctive personality and his willingness to break with tradition. His work often reflected his unconventional philosophy of life, and he frequently infused his music with humor, surrealism, and even absurdity. He coined terms like "furniture music" to describe his experimental, ambient-style compositions, which anticipated the avant-garde developments of the 20th century.

Satie was a key figure in the French avant-garde movement and collaborated with notable artists, including Jean Cocteau and Pablo Picasso. Although he struggled financially and was often overlooked during his lifetime, his influence grew posthumously, and today he is regarded as one of the most innovative and idiosyncratic composers of the early 20th century.

The Erik Satie profile on SoundCloud is dedicated to showcasing his timeless compositions, offering a variety of interpretations of his works. From the iconic piano solos to orchestral arrangements, this profile brings Satie’s unique musical vision to life, allowing listeners to experience the subtle beauty, humor, and innovation that define his legacy.precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.

Je Te Veux

Erik Satie

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