I love how each wave comes with something different before receding

TRANSFIXED

ACID

Get FLAC or MP3@320 version here:
http://subjex.bandcamp.com/track/manneken-acid

Subjex - Manneken Acid

As I mature and fine-tune my musical journey, I seem to gravitate more and more towards the contemporary classical genre. Why is that, and do you feel the same? I think, for me, it’s all about the connection. I want to feel emotion expressed from the composer’s soul through instruments attached to human hands. They feel like an extension of articulations flowing into sound. I also think that electronic music has that capability as well [I’ve recently acquired the Osmose from Expressive E, and let me tell you – it’s entirely something else]. And then, there is, of course, the blend of both where certain frequencies [especially the low end] can’t be generated entirely by organic means. Or when dense atmospheres and textures cloud the landscape with a gorgeous dew. This is how I feel about the latest album from the Melbourne-based composer Callum Mintzis, who first appeared on these pages a few years ago when I premiered his collaboration with Pat Jaffe in the video for V. Murmur. Mintzis is also collaborating with Tilman Robinson, who co-produced this latest album [and yes, I hear a bit of his conjuring touch]. The album is titled "And the Wind was my Dear Friend, Once Again", and across its seven pieces, Mintzis explores the mysteries of life through many philosophical questions posed alongside the release, but it is the music itself that will make you reach deep inside your own existence for the answers you will find.

And the Wind was my Dear Friend, Once Again

TRACK PREMIERE : Callum Mintzis - Once Again

There is something very special about the imperfections of old recording technology and sometimes things are so broken they kind of take on a life of their own. Over the years I have come to cherish a knackered old Polish Sochor tape delay in my studio which has so much wow and flutter the effect it imparts into delay and reverb is really quite special and I have resisted attempting to repair it for many years now as I fear that magic would be lost.

Today's happy accident was made by feeding a Roland D-50 via a Fairchild 664 L/C EQ and matching germanium preamp into the Sochor delay which was was pretty much all over the place as usual :-]

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2024.

Broken Old Sochor Tape Delay: L'entropie Magnétique..

Taken from 'Elevations' (MFM068)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://music-from-memory.bandcamp.com/
© 2024 Music From Memory

Elevations

Bike Shed

A1. Bike Shed (ft. Yadava)

Orbital Motion

Saying somethings progressive is like telling someone they need to wait until the end.. any way, here's some progressive tracks I made in 2008 when my patience and tracks were longer...
credits 2008 the wolfgirl liberation

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Entrance To A Funeral

Outlets

Softer Than Before

David Bowie & Brian Eno - Moss Garden (Edit)

Now in year three, the Slow Alarms project will be entering a final collaborative phase designed to degrade the audio via playback into different acoustic environments.

Slow Alarms

ACCESS

No. 5 Study for SLOW ALARMS

BRAT

Semantics

Self Hate Wraith

Let It Go

'Still Here' out now

Kllo's New Album 'Maybe We Could' out July 17
Pre-Order/Pre-Save @ https://ffm.to/kllo-maybe-we-could

#GetMorePlays #SCFirst

Stream / Purchase

Still Here

Second Language

For Want of Gelt

BEFORE LOVE CAME TO KILL US

DOPE

Music for 18 Musicians (Steve Reich) - Pulses + Section I

Pulses

Futurist. Gamer. Modernism. Archetypes. Promoter of thoughtful innovations. 
-Check out my show in the link below. 

Pulses

Erik Hall

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