Live recording of Robert Fripp's TRIO (track 5 from Starless and bible black).
Speculum is Alfredo Barrales, viola da gamba; Ramiro Morales, archlute and Ernesto Schmied, tenor renaissance recorder.

Trio by Robert Fripp (from Starless and Bible Black) • SPECULUM

Allemande from the Suite BWV 824 in A by Johann Sebastian Bach after an original by Georg Philip Telemann, arranged for solo recorder.
Voice flute by Frederick Morgan (a 415) + bell hole key by Daniel Bernaza
Recorded live at my studio

Allemande BWV 824  • J.S. Bach (G.Ph. Telemann)

This is the result of my first contact with an Access Virus Ti2. I recorded live two layers with the keyboard keeping a minimalistic approach in mind.

Eno's Little Nightmare • Ernesto Schmied

Synth impro inspired upon H.P.Lovecraft's myths.
R'lyeh, the sunken city.
"Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn"
(In his house at R'lyeh dead Cthulhu waits dreaming)

R'lyeh • Ernesto Schmied

Dubstep version of Harald Genzmer's "In the evening" (fragment) for bass recorder and electronic. My own elaboration upon the initial bars of the original for solo recorder mixed with electronic rhythms and effects.
Photograph by myself :=)

In the evening • H.Genzmer/E.Schmied

Blockflute & live electronics by Ernesto Schmied
(Usina de las Artes, Buenos Aires • 7-11-2014)

Soliloquio para flauta dulce • Francesco Marigo

Live improvisation upon Triste, 2nd American Prelude for piano by Alberto Ginastera.
Blockflute & live electronics by Ernesto Schmied

Live impro upon Triste (American prelude nº2) • Alberto Ginastera

LIve recording of Intrada by Otto Ketting.
Written in 1958 for trumpet in c or horn in F.

Intrada (1958) • Otto Ketting

Live performance of Favorito, brazilian tango by composer Ernesto Nazareth (1863•1934)
Recorder and electronics (Eventide H-9) by Ernesto Schmied

Favorito • Ernesto Nazareth

Live performance of Bach's BWV 924 Prelude adapted for tenor recorder and electronics

Prelude BWV 924 • J.S.Bach

Live performance of Bach's BWV 998 Prelude adapted for tenor recorder and electronics

Prelude BWV 998 • J.S.Bach

Live performance of Bach's BWV 999 Prelude freely adapted for bass recorder and electronics

Upon Prelude BWV 999 • J.S. Bach

Multilayered recording of the arrangement of Frame by Frame.
For tenor recorder by Geri Bollinger, bass recorder by Küng and 2 H-9 Eventide multieffect units.

Upon Frame by frame by King Crimson • Ernesto Schmied

Live performance of Bach's BWV 850 Prelude arranged for alto recorder

Prelude BWV 850 • J.S. Bach

Live performance of Bach's BWV 850 Prelude arranged for tenor recorder

Prelude BWV 856 • J.S. Bach

Flourished version of "Moet my lacen u vriendelic schijn" by Flemish composer Jacob Obrecht. Performed on renaissance Ganassi recorder, viola da gamba and lute.

Moet my lacen u vriendelic schijn • Jacob Obrecht

LIve recording of Santiago de Murcia's Cumbes arranged for soprano recorder and baroque guitar.
Juan Carlos de Mulder, baroque guitar
Ernesto Schmied, soprano recorder by Monika Musch

Cumbes • Santiago de Murcia

"Cougar on carcass" Trio
Barbara Byers, voice & oud
Nich Davies, drums
Ernesto Schmied, recorders & devices
Live recording at the Club (Banff Centre)
January 23rd 2016

Ayva Çiçek Açmış • Turkish song

Spatial improvisation upon Cage's name for tenor recorder and live electronics.
Played at Bentley's Chamber Studio.
January 19th 2016

Impro upon Cage • Ernesto Schmied

Multilayered recording of Paul Trapkus's Trio arranged for alto, tenor recorders and electronics (2 Eventide H-9 and Ableton Live).
I used this piece as an exercise of spatialization so I recommend the use of headphones.

Trio • Paul Trapkus

Live recording of Alberto Ginastera's "El árbol del 0lvido" arranged by José Luis Merlin.
Excerpt from a concert by José Luis Merlin, guitar & Ernesto Schmied, recorders

Canción del árbol del olvido • Alberto Ginastera

Two voiced canonic version of Pan, first piece of the Six Metamorphoses after Ovid Op. 49 originally written for solo oboe.
Played on tenor recorder

Canon upon "Pan" • Benjamin Britten

Live recording of improvisation for bass blockflute electronics and drums
Played at BIRS • Banff International Research Station on 9th Feb 2017
Andy Martinek • drums
Ernesto Schmied • bass blockflute and electronics
Johann Walter (1496-1570)

Impro upon Canon a 3 • Johann Walter

Live recording of a two voice canon by Ernesto Schmied
Inspired in H.P. Lovecraft's Myths
Bass blockflute and live time delayed canon using Eventide H9

The Outsider, H.P. Lovecraft • Ernesto Schmied

Live recording of The deep ones, inspired on Lovecraft's Myths

The deep ones, H.P. Lovecraft • Ernesto Schmied

Etude V, Adagio (Jacques Casterede)
Originally for flute adapted for tenor blockflute
Live recording

Etude V • Jacques Casterede

Cantiga de Santa Maria 179 "Ben sab' a que pód' e val" (Alfonso X)
Contrafactum "O Virgo Splendens*" (Llibre Vermell)
* O Virgo is a 3 voiced Caça (caccia) contained in the Llibre Vermell. I "modulated" (i.e. changed the mode of the scale) from the original mode of D to G mode, thus turning the Dorian original into Lidian.

Cantiga de Santa Maria 322 "A Virgen, que de Deus madre" (Alfonso X)
Contrafactum "Salterello" (London MS Add 29987)
The Salterello, as the rest of instrumental dances contained in this mss, has irregular metric phrasing but it fits well together with the Cantiga creating polyrythmic textures and some beautiful dissonances.

José Luis Pastor, vihuela de péñola & Medieval Spanish lute
Ernesto Schmied, blockflutes

Cantigas CSM 179 & 322 • Alfonso X

Etude IV, Andantino amabile (Édouard Sabon, 1817-1893)
Original for oboe or sax after harp works by Nicholas Charles Bochsa, 1789-1856
Adapted for blockflute
Live recording / Fred Morgan voice flute a: 415

Romantic étude • Édouard Sabon (after Nicholas Charles Bochsa)

Les Chants de Nectaire • works for solo flute by Charles Koechlin (1867-1950)
Lumière-Modération-Équilibre
Live recording
Tenor recorder a 415 by Friedrich von Huene

Les Chants de Nectaire - Lumière - Modération - Équilibre • Charles Koechlin

Prelude in D by Sylvius Leopold Weiss, originally written for lute and arranged for solo tenor recorder.
Tenor Friedrich von Huene "Loeki" (a 415)
Recorded live at my studio

Prelude in D • Sylvius Leopold Weiss

Allemande from the fourth French Suite BWV 815 in Bb by Johann Sebastian Bach, arranged for solo recorder.
Voice flute by Frederick Morgan (a 415) + bell hole key by Daniel Bernaza
Recorded live at my studio

Allemande BWV 815  • J.S. Bach

⭕️  Music saves us from utter nonsense  ⭕️
https://soundcloud.com/speculum-earlymusic
https://soundcloud.com/openmusic
https://soundcloud.com/parerga-paralipomena
https://soundcloud.com/leschantsduvent

Popular tracks by ⭕️Ernesto Schmied⭕️