Name: 240427 by Matthieu Jacquot
Duration: 4 min 26 s
Description: behind the scenes reel : https://www.instagram.com/reel/C6PdoHnA_XW/

I find it crazy how nobody is listening to this at all

See https://llllllll.co/t/disquiet-junto-project-0508-germane-shepard/48968

Image:https://commons.wikimedia.org/wiki/File:Globular_Cluster_M10.jpg

Disquiet Junto 0508

A Swarm of Shepards (disquiet0508)

new stuffing

Nothing profound, just a quickie, inspired by my acquisition of the very cool Cascading Register from omiindustries (https://www.omiindustriies.com/cascading-register). That is what is generating the pitches in this generative piece. I used a scale I devised made from two six-note hexanies a whole tone apart (so twelve notes altogether.) 

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For the gearheads, here follows a summary of most of the stuff that I used.

Pitch generation: Cascading Register, clocked by Wogglebug, output quantized by uTune and VC Octave Switch.

Main two voices: Tiptop Buchla 258t -> Optomix -> Nutone -> Prism
Addition voice: Loquelic Iteritas -> Electus Versio

Not going to enumerate the modulation sources, of which there were several.

Recorded in Reaper with the following plugins: ReaEQ, Gong Amp, Blackhole.

Fanfare (for the Common Tunicate)

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

behind the scenes reel : https://www.instagram.com/reel/C6PdoHnA_XW/

240427

“Lively, relevant, dizzying electroacoustic music; music that seems to be daring us to try and catch it.” François Couture (Monsieur Délire)

@r-barrett (electronics) and Han-earl Park (guitar).

Music by Richard Barrett and Han-earl Park.
Recorded March 10, 2011 at @sonology, The Hague.
Recorded by Richard Barrett and Han-earl Park. Mixed by Richard Barrett.
Artwork by Carlos Santos.
Produced by Ernesto Rodrigues.

© + ℗ 2012 Creative Sources Recordings.

Numbers

Richard Barrett and Han-earl Park: ll . . . . . . .

Taken from the album 'Hence' released on LP and Download.

Hence

Oren Ambarchi & Jim O’Rourke with special guest U-zhaan 'Hence One' (excerpt) (EMEGO 249)

tidal source code : https://gist.github.com/err0r500/f3f196951b74cc765e02ee3254147eb0

Creative Code Paris - Code Kitchen #3

TheCircle

2007
En rangeant mes CD j'ai trouvé cet enregistrement live. Bonne écoute !
Illustration : https://www.instagram.com/__simplement_marie__?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==

Sonate pour guitare d'Alberto Ginastera - mvts. 3 et 4 [LIVE]

You'll find here all my unreleased tracks. 

If you don't find a track anymore, it's available in a release (see links)

240427

Matthieu Jacquot

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