Refractions

http://www.mixmag.net/read/last-magpie-premieres

For his latest record, Last Magpie returns to Hypercolour and the 'Separation' EP once again showcases his deft and varied skill sets. While the title track is trippy and analogue-centred, we're really feeling 'Silver' and we've got the first play.

The track starts off with a stomping groove and that's backed up by chunky riffs and clever little hi-hats. The whole thing transforms however once the beautifully serene piano chords are introduced, from there it's just a stairway to the clouds.

More exclusive music

Premiere: Last Magpie 'Silver'

Me and my friend MICK E and I created the first version of the 7vibes challenge. I sang on some songs to put some ideas that I had had for a long time on some songs but I'm not a singer, unfortunately I didn't have inspiration on the remix
Rules
Be open-minded and “crazy” if needed, push your creativity to the next level.
Each day of the 7DC runs from 8 a.m. to 5 a.m. of the following day.
You may complete a challenge the following day, but only once during the week.
Every track must be at least 3 minutes long. The longest a song can last is 5:00.
On one day of your choice, you must compose outside.
Record yourself as proof that the challenge is properly completed.
You can't listen to the other artist's tracks until the day of the meeting
Allow AI for lyrics but not for the arrangement  and the ideas 
1 Music video ( you choose the song and the day)
Most important: Have fun ;)


Day 1 (10 pushups)
1 track
Mood: extreme happiness
Write midi notes & automations only with the pencil tool.  
Andrew Lakes must sing on his track.

Day 2 (10 squats)
1 track
Mood: angriness - Breakbeat. 
Range (120-145bm)
MICK E must sing chorally on his track.

Day 3 (5 burpees)
1 track
Mood: sadness - compose on 1 speaker, everythinug’s mono.
1 track 
Mood: sadness - very dynamic challenge, stereo. 
Range ( free) maximum 300bpm
Day 4 (running 3 km)
1 track
Mood: chillness - Dubstep/DnB 170-190 bpm (not liquid but solid) 
1 remix (any style) of one of these: 
Stolen dance (Milky Chance) 
Beautiful (Kygo)
Fade into darkness (Avicii)




Day 5 (plank 20sec)
3 tracks 
Mood: depressed 
Theme 1: Love 
Theme 2: Mental
Theme 3: Contemplative (find an object)
Splice’s samples are forbidden.
Range  tracks ( 80bpm-190bpm)
Day 6 (bike 10km)
1 track
Mood autoducks 
Challenge between members of autoducks
Range ( Autobpm)
Day 7 (skating)

1 track
In the other’s style
(BONUS) 1 track stock music: tech-house, afro house, techno, mainstream.
Range stock ( stay in the mainstream bpm of genre) Afro-house (120-128) Tech house(120-130) Techno(145-160) 

Day 8 
Projects review and feedback

A sample pack of the 7DC will be created during the week
What’s inside of it: 
Drums one shot 
-Kick
-Clap\snare
-hats
-Percs
Drum loops 
Instrument loops
Fxs
-Impacts
-Riser
-Glitch
Vocals
-Pop
-Rap
Serum ½ presets





Day 5 Daydeep

DJ_HForce_remix_uretim_9097

age of disclosure

02 SRK - Street Talk

PREMEIRE > inverted-audio.com/premiere-smd-far-away-from-a-distance-lena-willikens-remix

@lenawillikens version of 'Far Away From A Distance' is as bold as it is fidgety. Driven by a restless bumpy arpeggio - or is it the sound of a bottle pouring its intoxicating liquid to the top edge? - the track takes off for an harum-scarum flight across murky post-industrial lowlands as thwacking claps beat their binary pulse at industrial pace.

DELI020

SMD - Far Away From A Distance (Lena Willikens Remix) [Delicacies]

He looked down upon the crystal clear water and yet saw little but black. He had been hoping that he might perhaps spot a glance of his reflection or a glimmer of hope beneath the deep blue but there was little to live beyond the depths. The boat sailed carelessly forwards through the night: beaten and bashed by the waves the storm must now be at its terrible worst. He kneeled down, looked up to the dirty clouds up above and said his last words before the sun presented itself once more. 

Worth Way is set to release a new four track EP on The Other Planet. Deep, heady house with a soulful edge and a twist of heart.

PREMIERE: Worth Way - Must Be [The Other Planet]

A beautiful, subtle jam through odd conversational field recordings, ocean ambience, layers of hypnotising pads and swells. Taken from @hugogerani's new EP on @cosicosirecords, for fans of Superconscious Records, Freak Out Cult and other left field house wonkiness.

A man of many monikers, you might also know Hugo as balearic psychedelic rocker @eleventeeneston or new wave specialist teaming up with Andras Fox on Wilson Tanner.

Read more & buy: Read more & buy: http://www.stampthewax.com/2017/06/07/premiere-hugo-gerani-m-u-s-i-c-take-you-no-bro/
Listen on Youtube: bit.ly/music-take-you-no-bro

Esplore

Listen on Youtube

Hugo Gerani - M-U-S-I-C Take You No Bro (STW Premiere)

As Mosaic reaches release number 40, Steve O'Sullivan dives into another studio collaboration with his new label mate and expert hand, Mike Schommer - bringing in the talents of Rod Modell on remix duties. 

Etching two slices of dub heavy grooves that cover either side of the techno and house spectrum, their first effort emphasises the former on title track "Submerged" (B1). It doesn't pull any punches - precision moulded bass takes centre stage around evolving synths and classic delay action. 

Their 2nd "Depth Charge Dub" (B2) leans more towards the latter as the duo focus on the combination of a rolling sub, laidback percussion and subtle stabs that cycle gently around. 

The cherry on top comes in the form of Rod Modell's "DeepChord's Negative-Space Exploration Version" as he takes a 9 min trip to the hinterland of his sonic imagination, elegantly finding new layers and spatial effects. 

Call it what you will, 'dubbed out house with a splash of techno' or 'dubbed out techno with a splash of house' - this is heavyweight material.

MOSAIC040_B1_Submerged -

EOD - Phontron (030303 mix)

Yarni’s ‘Entkommen’ was a well-received debut album on this label last year, and now comes the first of two remixes EPs. AWITW, ATDHE, Harmonious, Lauer, Tales of Voodoo and IPG V Yarni all serve up brilliant new versions ahead of part two in September.
Night Noise regular AWITW opens things up and channels his Balearic senses on ‘Agitator’ creating a CFCF like vibe. It’s awash with rippling synths and beach-y grooves to carry you away.
Next up, IPG follow on from their recent disco hit with Hot Toddy, joining forces here with Yarni for a remix of ‘Granny’s Garden’ that is blissed out and dreamy thanks to the heavenly chords and gentle percussion. Then it’s, ATDHE a newcomer from Yarni’s hometown of Sheffield who breathes new life, broken beats & shimmering melodies into ‘Waterfall’.
For his remix, Dutch producer ‘Harmonious’ takes us on a beautifully harmonic journey with rubbery kicks powering along the thoughtful groove. After that is another newcomer in the form of Tales Of Voodoo who take the delightful ‘Goin Live in Rabat’, strip it back and turn it into a percussion heavy, Sergio Mendes styled slice of Latin tinged dance floor action. Last of all is an alternative disco remix of ’28 Years of It’ from Tuff City Kid member Lauer who uses all his know how to cook up a euphoric remix with big retro chords and effortlessly summery vibes. 
All six of these remixes offering something different but equally essential for the dance floor and mark another superb release from Night Noise Music.

Entkommen The Remixes Vol.1

LISTEN ON YOUTUBE

PREMIERE : Yarni - 28 years Of It (Lauer Disco Mix)

Bergen

I Can Hear the Birds

Bundeena

Out now on cassette + digital download: microfunk.bandcamp.com/album/tudes-2008-2013

Taken from ‘Études 2008-2013’ LP by @Bop.

"All tracks on this album were written between 2008 and 2013 in Saint-Petersburg, Russia. It was a time of early experimentation with micro-sound and an exploration of different aspects of my musical identity.

«Étude» is an instrumental composition often designed to perfect a particular musical skill. Whilst making these songs I have been discovering and practicing new techniques. Be it mindful glitch-programming, sampling dad’s jazz records, or testing limits of the simplest FL Studio synth 3xOSC. The main goals were pretty much the same every time, to find fresh formulas and unusual patterns for new audio experiences.

Some of the tracks were made before signing to Med School (Searching The Truth, Microfunk, Phantasmagoria). Some were not included in my first three albums for one reason or another (Banana Electro Bebop Jam, I’m Not A Human, Dub Forest, Punk’s Not Dead). Projects for ‘Insight’, ‘Galactic Glider’, ‘Trash Bin Galaxy’ were lost, and so I used the latest found rendered versions here.

Genre-wise this album is quite broad. From ambient and experimental dub to wonky jazzy hip-hop and post dubstep. But, despite the diversity of the material I think it still has a strong identity and tells a complete musical story, from our first minimalist manifesto ‘Microfunk’ and deep leftfield drum & bass rollers, to more experimental twisted and sometimes dark ideas on the B side.

Thank you for your support and I hope you find this musical journey interesting." — Bop

Microfunk pages:
youtube.com/microfunkmusic
instagram.com/microfunkmusic
www.facebook.com/microfunkmusic
twitter.com/microfunkmusic
vk.com/microfunkmusic

Artwork: www.manvswheel.com/
Motion: www.instagram.com/vera_ae/

Études 2008-2013

Bop - Insight [2013]

Martin Jenkins, more commonly known as the artist Pye Corner Audio, epitomizes Lapsus' commitment to cutting edge sound experimentation. In 2017, he beguiled the electronic music community by releasing the 'Where Things Are Hollow' EP, on Lapsus Records. Now we are delighted to announce the release of ‘Where Things Are Hollow 2’, consisting of three brand new original cuts and a breath-taking remix from none other than John Talabot.

'Where Things Are Hollow 2' explores a spectral and hypnagogic terrain, establishing an electronic sound that at times invokes Jenkins’ more dance friendly facet -'Self Synchronize', 'Weather The Storm'– while also offering his familiar iridescent dreamlike ambient textures –'Phase B'– that featured prominently on his first EP.

This second EP also includes a remix from John Talabot, unquestionably one of Spain’s most internationally recognised names over the last decade, who exquisitely reimagines 'Resist' -a song from the first EP-, transforming it into a cross between EBM and hypnotic techno.

https://soundcloud.com/pye-corner-audio
https://soundcloud.com/lapsus-records

Bergen

Ertoz

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