Name: BiomassRollCall by European Space Agency in Sample
Duration: 53 s
Description: GO! GO! GO! All stations reporting in at the European Space Agency's European Spacecraft Operations Centre before ESA's Biomass satellite is launched on 29 April 2025.

Sample

The joint ESA/Jaxa BepiColombo mission flew past Mercury for the first time on 1 October 2021, capturing data with the magnetometer onboard ESA’s Mercury Planetary Orbiter. A sonification of the magnetic field data is presented here.  
 
Two synthesizers can be heard, which are controlled by three characteristics of the magnetic field. The first synthesizer's pitch represents the slowly changing magnitude of the background magnetic field. First the solar wind is heard, then the increase and decrease of the planetary magnetic field, and then the solar wind again. The lower the pitch, the more intense the magnetic field. 
 
The pitch of the second synthesizer is controlled by the variations of the magnetic field magnitude. A more turbulent magnetic field is represented by a faster change in pitch. The magnetosheath crossing after closest approach is very prominent. 
 
Using the amplitude envelope as a control for the volume of the second synthesizer emphasises the different magnetospheric regions.
 
Full story 
https://www.esa.int/Science_Exploration/Space_Science/BepiColombo/BepiColombo_s_first_tastes_of_Mercury_science

Credit: ESA/BepiColombo/MPO-MAG/IGEP-IWF-IC-ISAS

Image credit: ESA/ATG medialab

Sound of the solar wind at Mercury

live recording @ orgelpark, Amsterdam 03 june 2023

Outline Of A Whisper

Listen to the eerie sound of a boom on board ESA’s Jupiter Icy Moons Explorer (Juice) spacecraft deploying in space during commissioning of the spacecraft in May 2023.

 

Tip: use headphones or surround speakers for the best experience – the forward and backward wobbles of the boom come through the left and right channels.

 

The vibration signal used to create the sound came from the accelerometer on board the main body of the spacecraft, which was switched on to monitor the reaction of the spacecraft to the boom’s deployment.

 

The larger the vibration measured by the accelerometer, the louder the sound in the sonification. We can imagine the boom like a human arm initially folded into the body; the first higher-pitched ‘ring’ that you hear is the elbow opening and the second lower-pitched ring is the shoulder stretching up.

 

Though the accelerometer measurements were not mandatory to validate the deployment, the engineers working on Juice were happy to see that they are very accurate. Turning the vibration signal into sound may help us understand the mechanics of the deployment.

 

The boom is one of four 'Langmuir probes' that are part of Juice's Radio & Plasma Wave Investigation experiment. These probes will provide crucial information on the electric fields and plasma environment around Jupiter's moons.

 

The sonification was prepared by Johannes Z. D. Mieth (TU Braunschweig) and Willi Exner (ESA).

 

#ESAJuice #Jupiter #ESA #EuropeanSpaceAgency

Sound of a Juice boom deploying

Broadcast to those within the beacon's reach.

Buy Cassette

Grady Steele 'Jolimont' [AV012]

Harmony / Balance

Enemy Of My Enemy

release on 28 November 2024 : www.wabi-sabi-tapes.bandcamp.com
@savvasmetaxas

Greek composer Savvas Metaxas is based in Thessaloniki, Greece. His music revolves around field recordings, experimentation and minimalism.

Savvas Metaxas - Folk Tales & the Rain (Side B extract)

Water ripples all around, and echoing sounds stretch out into a shady sub aquatic habitat. Its dark corners slowly burst into view as cresting noises reveal fresh caverns teeming with liquid life. This is Sueños Acuáticos, the latest sonic exploration from Lamina, a musical project by French artist, Clarice Calvo-Pinsolle. Built from years of carefully gathered field recordings, the album constructs immersive, detailed soundscapes where watery environments, caves, and forests intertwine with digital manipulations.

Rooted in the myth of the ‘Lamina’, a creature from Basque folklore, the project blends this oral tradition with technology to build a geological myth. The Lamina’s world—a nocturnal ecosystem of water and stone—serves as the foundation for the album’s sound design. Lamina reshapes these natural recordings into something new: stretching, pitching, and layering them to build intricate sound environments that feel simultaneously organic and synthetic. “I transform these sounds much like I would sculpt in ceramics,” explains Calvo-Pinsolle, “by adding, removing material, and imagining landscapes.

Drawing from hydrofeminist and posthuman ideas, particularly those in Astrida Neimanis’ Bodies of Water, the album treats sound like water—shifting, flowing, connecting, and buoying life. Tracks flow into one another without clear boundaries, much like the natural currents they represent. The result is a continuous listening experience, inviting deep focus on texture above melody.

Lamina is exploring the potential of the field recording as a compositional tool. Natural sounds, like trickling water or wind through trees, are processed out of recognition—or cliché. A sense of weightless immersion takes hold as Lamins’a music unfolds, and listeners float freely and choose their own adventure in the Lamina’s home. Less a set of songs than its own evolving environment, Sueños Acuáticos (‘Aquatic Dreams’ in English) is a meticulously constructed work in which we can freely float.

All tracks composed, recorded and mixed by Clarice Calvo-Pinsolle in Brussels in 2024
With the voice of Hochiwah on Aqualines

www.claricecalvopinsolle.com
lalamina.bandcamp.com
www.instagram.com/laminalalamina/

Mastered by Adam Badí Donoval
abdonoval.com

Artwork and design by Fen ToucheMoulin
www.instagram.com/touche_moulin/

Words by Tristan Bath
Photography by Michaela Cagáňová

Released by mappa as MAP054 in 2024
licence
mappa.bandcamp.com  
credits
released November 4, 2024

Lamina - Dissolution

Ever wonder how the International Space Station alarms sounds? This emergency alert is the last thing astronauts on the ISS ever want to hear as they work 400 km above Earth in the vacuum of space.   
 
This sound was sent to us by the Columbus Control Centre, near München, Germany, the operations centre for ESA astronauts and the Columbus laboratory, part of the orbiting weightless research centre.

The alarm is sounded on the International Space Station to alert astronauts to life-threatening emergencies such as loss of pressure or fire. The astronauts would immediately convene near their Soyuz spacecraft that serve as lifeboats, but these kind of emergencies are extremely rare and the alarm has sounded only a handful of times despite the Space Station having been inhabited since 2000. 

Most astronauts on a six-month space flight will only ever hear the sound during a practice session.

Regular 'fire-drills' are performed to make sure that even in a worst-case scenario everybody knows what to do. Mission controllers from the international partners that run the Space Station in Russia, USA, Europe and Japan re-enact scenarios with the astronauts in space. In critical situations the teams on ground need to communicate efficiently, act quickly and coordinate a solution between each other and the astronauts flying 400 km above them.

Image credit: ESA/NASA

Audio credit: ESA, CC BY-SA IGO 3.0 
http://www.esa.int/Services/Creative_Commons_Attribution-ShareAlike_3.0_IGO_CC_BY-SA_3.0_IGO_Licence

https://creativecommons.org/licenses/by-sa/3.0/igo/

International Space Station siren

release on 28 February 2025 : www.wabi-sabi-tapes.bandcamp.com
@mythudunitearea

MTUA is the moniker of Matthieu Reynaud, a composer and sound artist based in Lyon. He is an enthusiast of long, contemplative forms, he works on the physicality of sound matter, carving out its contours and striving to breathe his own narrative into it.

MTUA - Crown shyness

release on 2nd May 2025 : www.wabi-sabi-tapes.bandcamp.com
@manja-ristic

Manja Ristić is a Serbian violinist, sound artist, published poet, curator, and researcher. In her work, she sets ecosystems in resonance and translates the human activity that criss-crosses them.

Manja Ristić - Olovo (extract)

GO! GO! GO! All stations reporting in at the European Space Agency's European Spacecraft Operations Centre before ESA's Biomass satellite is launched on 29 April 2025.

BiomassRollCall

Oddity delivers a fresh EP that blends dreamy atmospheres with broken rhythms, glitchy textures, and subtle IDM influences. It's a thoughtful mix of delicate sound design and off-kilter grooves—ethereal but never static.

A solid addition to the Sickrose Audio catalogue for fans of experimental electronic with emotional depth.

Purchase

ATLVS

the pureness rare

stream/download the full piece here :
https://bremnar.bandcamp.com/album/the-avenue

The Avenue (excerpt)

History changed on 4 October 1957, when the Soviet Union successfully launched Sputnik I. The world's first artificial satellite was about the size of a beach ball (58 cm across), weighed only 83.6 kg and took about 98 minutes to orbit the Earth on its elliptical path. That launch ushered in new political, military, technological and scientific developments. While the Sputnik launch was a single event, it marked the start of the space age and the US-USSR space race.

This audio file is a recording of the telemetry signals transmitted by Sputnik from orbit - the first artificial signals ever delivered from space. Text credit: NASA (https://history.nasa.gov/sputnik/)

Image, audio credit: NASA CC BY-NC-SA

Sputnik 1957 - history's first artificial signals from space

Official SoundCloud channel of ESA - the European Space Agency. Most (not all) audio content here is licensed under CC BY-SA IGO 3.0. Please check individual credits to be certain. Can't find a track? Our channel used to be http://www.soundcloud.com/esaops - but not anymore. Try searching here for the track name or using keywords instead.

BiomassRollCall

European Space Agency

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