Chick in the car and the car won't go, that's how we spell Chicago -- my favorite line of this funky tune -- especially while riding on the Chicago Loop or Lake Shore Drive :)

This shit is DOPE !!!!!!!!!! Love the song guys.

Flight Facilities second single Featuring vocals from Jess Higgs. Available 
USA http://itunes.apple.com/us/album/foreign-language-feat.-jess/id451319063
AUS http://itunes.apple.com/au/album/foreign-language-feat.-jess/id452992390?i=452992394
UK http://itunes.apple.com/gb/album/foreign-language/id451319063?i=451319084
FRA http://itunes.apple.com/fr/album/foreign-language-feat.-jess/id451319063
SWE http://itunes.apple.com/se/album/foreign-language-feat.-jess/id451319063
CAN - http://itunes.apple.com/ca/album/foreign-language-feat.-jess/id451319063
GER - http://itunes.apple.com/de/album/foreign-language-feat.-jess/id451319063
Vinyl available August 29th (Worldwide)

Buy on iTunes

Flight Facilities - Foreign Language feat. Jess

Our latest single... enjoy!
Featuring guest vocals from our good friend Navid Izadi

DIGITAL 
itunes.apple.com/gb/album/mink-sh…-ep/id1033546667 
pro.beatport.com/release/mink-and-shoes/1597874

VINYL 12'' (Out 25/09/15) 
www.piccadillyrecords.com/prod/Psychem…-105386.html 
www.juno.co.uk/…/psychemagik-nav…zadi-…/586463-01/

www.facebook.com/thecosmicforest
www.psychemagik.com

OUT NOW - Mink & Shoes feat Navid Izadi (Radio Version)

Taken from the EP 'Work', out now via Detail Records. 

Get 'Work' EP on vinyl: https://www.merchbar.com/dance-electronic-edm/marr-marcus/marr-marcus-faker-chet-work-ep-vinyl-record

Get it digitally here: geni.us/7xV

Musicians:
Marcus Marr - keyboards, bass, guitars, backing vocals, drum wrangling, extra men 
Chet Faker - Lead vocals, keyboards, synth bass 

Official lyrics:
I want to be something
I want to feel your heart
I want to never know you want me
I want to be something
I want to never be the one who lost

I need a cause so bad
I need a reason to be in this world
I'm a boy, I'm a man
I don't know where I stand
I don't know what I like but I like what I know
But I know so little
All I know is from being alone

I wanna steal something
I wanna play your part
I wanna see you play my hand
I wanna steal something
I wanna know you got my birthday card

I need a cause so bad
I need a reason to be in this world
I'm a boy, I'm a man
I don't know where I stand
I don't know what I like but I like what I know
But I know so little
All I know is from being alone

I want to be something
I want to feel your heart
I want to never know you want me
I want to be something
I want to never be the one who lost

I want to be something
I want to be something
I don't know what I like but I like what I know
But I know so little
All I know is from being alone

I'm a boy, I'm a man
I don't know where I stand
I'm a boy, I'm a man
I don't know where I stand
I'm a boy, I'm a man
I don't know where I stand
I'm a boy, I'm a man
I don't know where I stand

©Marcus Marr/Chet Faker

Birthday Card

Vocals: Josh Taylor
Guitar: Benny Bridges
Bass: Ulf Bonde

Fantastic Voyage Pt. 3 coming soon on Soul Clap Records
https://soundcloud.com/soulclaprecs
https://www.facebook.com/soulclaprecs

Listen on Spotify

Justin Jay & Friends - Let Go Ft. Josh Taylor [Soul Clap Records]

PRE-ORDER

Brother Piña (Ft. Miriam Makeba)[Fantastic Voyage]

Buy / Stream: https://tinyurl.com/zyhr2ou

Via @Juiceboxfm

DOWNLOAD

Dopamine

Give Me One Reason

Shir Khan Presents Black Jukebox 09

Holding Hands

PRE-ORDER: https://fanlink.to/CTTE3

RELEASED 20th April 2018

Legendary DJ, remixer and edit exponent Greg Wilson is back at it again with the third instalment of his hugely popular "Credit To The Edit" series. Almost a decade on from Volume 2, "Credit To The Edit – Vol. 3", released 20th April via Tirk Recordings, draws on music from the Disco and Rave eras, adding a seminal Hip Hop cut, a Balearic favourite, as well a few contemporary tracks from the last 10 years.

A groundbreaking DJ, Greg played a key role in introducing black electronic dance music to the UK via his early '80s residencies at Wigan Pier, Manchester's "Legend" and "The Haçienda", as well as over the airwaves on the city’s Piccadilly Radio. Working with Technics turntables, a Revox reel to reel tape machine and a razor blade, Greg carved out his reputation as a UK pioneer and champion of Electro-Funk. Whereas, more recently, following his 2003 comeback after a 2-decade hiatus, he's gained international renown at the vanguard of a now global re-edits movement.

"This album mainly consists of straight up old-style edits, where I’ve worked with the stereo tracks, extending, re-arranging and sometimes overdubbing. There are also some reworks / remixes where I’ve had the stems at my disposal and been able to bring into play additional instrumentation, courtesy of remix partner Peza on a couple of the tracks - 2016's "Hold On" by Luxxury Featuring The Reynolds plus the futuristic '70s Disco hit, "Magic Fly" by Space."

Kicking off with Greg's instrumental edit of Todd Terje's edit of "Glad To Know You", 37 years on from the Chaz Jankel original, has been a big club and festival favourite, and is made available here for the first time, while Escort make their second "Credit To The Edit" appearance with Greg's remix of their 2010 release, "Cocaine Blues".

The near-pornographic funk classic "Jungle Fever", recorded by Chakachas, a group of Belgian-based studio musicians, is a playful mixture of Latin music, Jazz, and European-style exotica. and the Fab Five Freddy Hip-Hop landmark "Change The Beat" includes one of the most sampled phrases ever, "this stuff is really fresh!", with Greg’s edit combining the male/female English/French versions to create a unique rap combination.

With re-edits culture continuing to grow ever-stronger and becoming a staple of the contemporary dance scene, it brings back into play a whole era of music for a new generation.

"To have played a part in this recent evolution fulfills my personal criteria as a DJ, which is to draw from the past whilst informing the present. I was always cautious of nostalgia traps, where DJs fall into playing the old music in the old way, whereas this was about bringing new context to what was always great music, introducing it to a younger crowd, with the re-edits movement providing the perfect connection from then to now – my role as a "bridge-builder" crystalizing as a consequence."

Escort - Cocaine Blues

Escort Records

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