TRACK COMPILATION

Guitar, Mix/Master, String Pads, Vocals by ESSBRII
Recorded and arranged on GarageBand

Samples: 
Toby Schay Dark Lo-fi Synth & Drum Loop
ESM Lo-Fi Drums Chill Kicks

we were just kids

tiny sea turtles

Higher

Come Ride With The Clowd

Beautiful Things Everyday

S-Psychologie und Alchemie

memphis - this one came from the other side. the overlord was hard at work on this one. who knows wtf, i just let it pour. then i screened it to be sure it contained the appropriate ratio of profanities while delivering a very powerful, catchy, and mysterious song that I hope you like. excuse the hastily prepared bass/drum track - this one will make a great studio track! as always, thank you for listening and give me your feedback.  I love all y'all.

i mean that.

memphis - single

memphis - raw

memphis - raw track

Do we Care? Dance Mix 2024

ThERe U aRE

Iryna Aleksiychuk 
Fantasy cantata "Lullabies of the Reeds" for mixed choir and symphony orchestra in five parts based on lyrics by Olena Stepanenko. 
Artists:
Classical Music Ensemble of the National House of Organ and Chamber Music
named after B. Lyatoshynsky
Soloists - Olga Shvydka (soprano), 
Anna Labud (mezzo-soprano)
Conductor - Igor Andrievsky

Many years ago, Blaise Pascal called man a reed capable of thinking. Bearing in mind the fragility and fluidity of human life, man's loneliness before the universe, fear of death, and defenselessness before love.
Paraphrasing the French thinker, we can say that a person is a reed pipe near the mouth of God, on which He plays his lullabies. That is why each of the five movements of this work is a kind of lullaby - from the Little Mermaid's lullaby (in the first movement), through the lullaby to Self and Beloved (in the second and third) - to the lullaby of Death, which destroys, leaving no hope of salvation (in the fourth movement), and the lullaby Death, which renews and heals, opening the door to a new, enlightened dimension (in the fifth movement).
The dramaturgical unification of the cycle is facilitated by the system of leitimages, which are transformed throughout the work. In particular, these are the Lullaby and Resurrection leitmotifs, the Calling leitmotif, as well as the Heartbeat and Breathing leitmotifs.
All movements of the cantata are performed without a break, attacca.
1 mov. "Lullabies through water"
2 mov. "Order of God's grace"
3 mov. "Windows of insomnia"
4 mov. "Order of God's Wrath"
5 mov. "Lullaby last"

ThERe U aRE

ESSBRII

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