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Tracklist:
1. Nigel Good - This Is Us ["Nothing Out Here" Artist Album - http://smarturl.it/SILKA010]
2. PROFF & Boom Jinx - Blue Angel (Fon.Leman Remix) [Intricate]
3. Scotty.A - Nothing As It Seems (Matt Rowan Remix) [Proton Music]
4. Controlwerk & Reiklavik - The November Air [Alter Ego Progressive]
5. Anry - Serene Sky [Enhanced Progressive]
6. Yuriy Mikhailov - Under The Rain [http://smarturl.it/ARR064]
7. Stendahl & Shingo Nakamura - Tribute (Kazusa Remix) [http://smarturl.it/SILK079]
8. Paul Keeley - Doormatica [Anjunadeep]
9. Above & Beyond vs Arty feat. Zoë Johnston - You Got To Believe [Anjunabeats]
10. Nigel Good - Something Out There ["Nothing Out Here" Artist Album - http://smarturl.it/SILKA010]
11. KOAN Sound - Lost In Thought [OWSLA]

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This Is Us

Download on iTunes

Only Silk 079 - Shingo Nakamura Progressive Mix

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http://lolademo.bandcamp.com/track/hide

This is where I end and you begin 
This is where I leave and you come in 
I live in my world in lo-fi 
High impedence to get by 
I try and I try but I still fail 
To communicate detail 
You with your smile and your bright sun 
Me with my needle and my gun 
We meet at the point of a blank stare 
Recalculating truth or dare 
Where do you hide when you start to fall 
Where do you go when you lose it all 
What do you feel when you can't feel love 
Where do you hide when you start to fall 
Where do you go when you lose it all 
all all all all all all all all all all all all all 
You can run but you cannot hide 
You can run but you cannot hide 
You can run but you cannot hide 
You can run but you cannot hide 
You can run but you cannot hide 

(C)(P) 2009 Erika Bach All Rights Reserved

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My interpretation of "Reach Out I'll Be There", the song re-written by Richie Kotzen  / from his Album "Mother Head's Family Reunion" (1994), which includes lots of favorite rock licks of mine and these have affected my playing style in varying degree since then...
>> Guitar Solo begins at 2:15

This is for a sort of rehabilitation and for a change...and thus is a kind of literal cover (almost no arrangement except on the vocal section and a few small compi-fill/obbligato additions) unlike in the most of cases I usually arrange the song a lot whenever I do a cover...while vocal parts (including backing vocals, chorus) are substituted by the Synth organs / 3rd verse sections and ending solo part are omitted in this cover.

I first covered all songs in this album about 20 years ago (all by ears)and played with my band, and have not played for a long time after then...but fortunately still could recall all licks in this song:) 
Hope you enjoy. Any feedback will be appreciated.


[Music Info]

The song was originally performed by The FourTops (written by Dozier Lamont Herbert, Holland Brian, Holland Eddi /1966), and Richie Kotzen revised it in 1994 for his album, played by Richie Kotzen (Guitars, Vocals), John Pierce(Bass Guitar), Atma Anur(Drums) and Tommy Funderburk and Timothy.B. Schmit (Additional vocals) .
-----
Cover
- Me played all instruments (Guitars - Rhythm & Lead, Bass Guitar, Drums and Keyboards). Except the Organs and Tambourine, all were played and recorded in the studio (Open-mic-rec).
- Guitar:  Fender USA Stratocaster '58 
(Front-PU for Solo, Half-tone/ front-middle PU for Rhythms)  
w/ Marshall-JVM(50W)- Pre-amp's Overdrive & Reverb / Boss Vintage CE-1 (for booster-use or splitter-use)/ Maxon RTC 600 (for limiter-use)/Maxon AD-9/ partially Jen Crybaby wah-pedal (for ending) *all were anterior use to amps. 
- Bass: Fender USA '66 Precision-Bass 
w/Fender Bassman Amps(50W), Pre-amp's Overdrive & Reverb / Boss CS-2.
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
- Organs: Software Synth, w/ Midi-Keyboards & Pedal board (Phaser, Distortion, etc.)
- Tambourine & Mixing : DAW
-----
Cover art is borrowed from the Album "Mother Head's Family Reunion". All credits must belong to the artist.

Reach Out I'll Be There - Richie Kotzen Cover (Instrumental Version)

How it feels.

We are one...............

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Sean Guerrez - "Alone"

When I appeared at the end of the 1980s as a wannabe- Klaus Kinski and "party scare" with Rimbaud and Villon texts on birthday celebrations, I always had the wonderful poem by the German cabaret artist and writer Hanns Dieter Hüsch "Ich sing` für die Verrückten" (I sing for the Crazy) in my repertoire. 
That is a long time back, but a few weeks ago I was jamming on guitar and percussion with some members of the "Berliner Irrenoffensive" as part of my voluntary work. And in this creative and crazy atmosphere this poem came to my mind again. I translated central parts of it into English and added some small language elements matching the melody and the sound of the song.   
The result was this track, with which I want to bring the deeply sensitive and timeless lyrics of Hanns Dieter Hüsch into memory and even more into the world. And with which I would like to contribute to even more understanding for the often so hard fate of people with serious mental disorders.   

Lyrics:

I Sing for the Crazy

I sing for the crazy
the sideways twisted
those who fall forward one day
unnoticed by everyone

Sit in their kitchens
not to be of use
to any world view

Who roam cities for days on end
without any sense
who throw themselves from the steeple
spice the world up with laughter

And for death in time 
ring their own bells

Those who hurry with trains
to stay nowhere too long

Who know every farewell at close hand

Because they call life goodbye

Who are hired out on the ships
and sing songs with the kids

Those who seek and never find
and disappear from the face of the earth at night

The guards are ready with jackets
in order to pack
the stray ones in the right way

Jumping friendly on roofs
and who die
In the great deserts

The skull already full
of broken pieces

The sand will soon cover all traces

Who push their way through
the raw thicket

Sore and sick rubbed by madness
who look through the jungle of all souls

All that dizziness on their back
I sing fort he crazy

I sing for the crazy
sing for the crazy
sing for them all

Sing for the crazy
sing for their peace 
sing for their souls

Aaaaaaah
sing for the crazy
sing for them all

I Sing For The Crazy

Metamorphoses

Soma (Outro)

Recorded and mixed at Pinhole Sound Studio with Adam P. Gorman.
Mastered at 80 Hertz by George Atkin.

Hannah Ashcroft - Acoustic Guitar/Vocals
Sam Quinn Electric Guitar/Bass/Synths
Adam Dawson Drums

Landfire

Landfire (Single Version)

enjoy a little lonely boogie with me


1. In-Narito - Denis Sulta
2. The Break Up - Detroit Swindle
3. Get Close - Disclosure
4. Piu - Oliver Schories
5. The Solution - Project Pable
6. Goliath - Gorge Schories
7. Not Seeing a Flower - Lone

iso dance mix

@Splice contest The War Remix using #StutterEdit2

BT & Iraina Mancini - The War [LaKraze Audio Remix]

About Folkatron Sessions - 8 musicians, 7 days and 1 experimental folk album from scratch.

‘My Son John’ is an Irish folk song first published in 1876, about the thousands of young Irishmen who became cannon fodder in the Napoleonic Wars. There are many versions of this song, including as a marching song for Irish Volunteers in World War I and a protest song against injured soldiers being cheated out of their benefits. The arrangement interprets this traditional song with a close pairing of string, electric guitar and synth textures. 

Folkatron Sessions is a band formed from the pilot Upcycled Sounds Folkatron residency where folk, jazz and electronic musicians produce and release an experimental folk record over a week. Since this 2017 pilot, the Folkatron residencies have since continued with different musicians, but this first group decided to keep playing together under the name Folkatron Sessions. They met again in 2019 to work on a second release together, Skiver, using the same residency format. An intense week was spent choosing trad tunes and songs, arranging, performing and recording them.The recording and production of each track was led by two musicians from the group . With 4 makeshift recording studios to work from, they created a total of 8 tracks and a live session.

The tunes and songs in Skiver were chosen from collaborations, travels and compositions of each musician. The album explores traditional music from Sweden to Estonia to Ireland, as well as contemporary numbers, some written by band members. As well as music, the group also exchanged techniques, with some learning production and recordings skills for the first time and others pushing their skills to experimental levels, such as using DIY hydrophone mics or recording drums through 50 metres of rubber tubing.

The result is an album with its own unique sound world, refracting trad folk through electronic, jazz, ambient, sound art and prog rock lenses. 

Credits
Lead vocals and fiddle by Lauren Spiceley - Vocals, fiddle
Backing vocals and synth - Hannah Jacobs
Guitar and synth - Joe Woods
Cello - Martha Wiltshire
Arranged by Folkatron Sessions
Produced by Folkatron Sessions and Upcycled Sounds
Edited and mixed by Upcycled Sounds. 
Artwork by Upcycled Sounds.

Folkatron Sessions are
Rémi Allain - double bass and vocals. Normandie, France.
Philippe Boudot - drums and percussion. Normandie, France.
Hannah Jacobs - piano, synth and vocals. Suffolk, England.
Nicholas O’Brien - sound design and clarinet. Paris, France.
Jack Ó hAonghusa - flute, bodhrán and vocals. Ballymore, Ireland.
Lauren Spiceley - fiddle and vocals from Oxford, England.
Martha Wiltshire - cello and vocals from Oxford, England.
Joe Woods - guitar and vocals. Suffolk, England.

Skiver

Folkatron Sessions - My Son John

She's On AUTOMATIC

My random bedroom recordings and other collaborations

Also working on:
Day Spa:  https://soundcloud.com/dayspaband
ELKA: https://soundcloud.com/elkaelka

iso dance mix

Esther Rose

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