Based on the 1995 Radiohead Song - Fake Plastic Trees 
Put to ol' time pickin' porch pounder alternating C/G the with the JTSunrise Mostly Good String Band (banger, mando, rubber string microbass, gut string and steel sting parlor guitars and wha-wha and phaser effects on mando overdub)
Cover Art: Girl Of My Dreams by JTSunrise

Fake Plastic Love - original music and lyric alteration by JTSunrise 

C/G She looks like the real thing
C/G She even sounds like the real thing
My fake plastic love C/G 
Her green plastic watering can
Am For her fake chinese rubber plant F/C
On this C/G fake plastic world F/C

It wears her out Dm
It wears her out Am
It Dm wears her out Am G

He’s just a broken man
A cracked polystyrene man
Who just crumbles and burns
He still has his memories 
Of girls from the eight  -  ies
Gravity always wins

It wears him out  
It wears him out
It wears him out 

She thinks I’m a rubber man
In a town full of rubber plants
Trying to get rid of myself
And I can't help but feeling
I could blow through the ceil  -  ing
But I just turn and run

It wears me out   
It wears me out
It wears me out

I can be who you want to see
I can be who you want to be
All the time
She sounds like the real thing
She even looks like the real thing
My fake plastic love

The original ‘Fake Plastic Trees’ on Radiohead’s second album The Bends was unlike any other song the band had previously come up with. A stark contrast to their astounding rock sounds, this song followed a slower and more melodic tune.

Thom Yorke, the main composer of the song, recalled how it originated from a melody that he had “no idea what to do with”. Either way, the end product was more soulful than ever with an ensemble of instruments leading the way. The music for the song ranged from the regular sounds of Yorke’s acoustic guitar, Jonny Greenwood and Ed O’ Brien’s electric guitars, Phil Selway’s drums and Colin Greenwood’s bass – to the more unusual accompaniments of Caroline Lavelle on the cello, John Mathias on the violin and Johnny Greenwood playing a ghostly organ tune – easily making it one of Radiohead’s more musically rich songs.

All the Best!!! JTSunrise

Fake Plastic Love (Mr. Saturday Night) -(Bluegrass Rendition - Radiohead 1995)

A Quiet Start To The Year

Equipment: Roland GAIA V.A. Synthesizer.
naviarhaiku475 – rock bottom

rock bottom—
river stones form
gentle waves
Luke Levi is a poet and photographer based out of Texas. His poems can be found in Humana Obscura, Presence, Akitsu Quarterly, Haiku Commentary, and elsewhere. His poetry book “So Fragile Are the Beautiful Things” was a finalist for the 2022 IAN Book of the Year Awards in poetry. You can often find him sitting outside, listening to birds singing in the Texas Hill Country. Find him on http://lukelevi.com, Instagram @lukelevipoet and Twitter @LukeLevi6

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th February 2023

haiku by Luke Levi https://www.lukelevi.com/

picture by Nadine Marfurt https://unsplash.com/@nadine3

River Stones [naviarhaiku475]

For   Cello  and  Piano

CELLO   --    ULRICH    LANGENBACH
PIANO   --    DROR        ELIMELECH

BEHIND  CLOSED  DOORS  -  4  --  COLLABORATION

The Climb

Gungun

I Haven't Forgotten About You I've Just Given Up

Gogo Pistachio

Unsticking

Took an old piece - is is music? Well, I came to “music” from a reverse angle. I was a spoken word radio producer in the 80’s, then got attracted to audio art, moved to Europe, tried installations, and found myself in the experimental music world. So this piece is from about ten years ago, and has been rejigged by me. I did it simply, using Ableton but not enhancing with synth.  Next time.

Disquiet0629DaysAreShort

ᑫᓚ ᒦᑯ ᕕᑭ ᑕᕐᕿᐊᐱᓪᓗ: ᐳᕐᑐᓂᕐᓴᕆᐊᓪᓚᒥᑦ ᐃᓕᓐᓂᐊᓂᖅ ᖃᓪᓗᓈᓄᑦ ᐊᐅᓚᑕᐅᓂᐅᕙ? ᑐᓴᕐᕕᖃᓚᐅᕐᑕ ᐳᕐᑐᓂᕐᓴᕆᐊᓪᓚᒥᑦ ᐃᓕᓐᓂᓕᐊᑎᒥᒃ ᐊᒻᒪᓗ ᐳᒃᑭᓂᕐᓴᓂᑦ ᐃᓕᓐᓂᐊᑎᑦᓯᔨᒥᒃ. ᑐᓴᕐᓴᐅᑎᑕᕗᓐᓂᑦ, ᑐᓵᕐᕕᖃᓚᖓᔪᒍᑦ ᒪᕐᕉᓂᒃ ᐊᕐᓇᓯᐊᕚᓘᓐᓂᒃ ᖁᐊᕐᑕᒥᐅᖑᑦᓱᑎᒃ, ᓄᓇᕕᒻᒥᑦ.     ᐅᖄᓚᖓᔫᒃ ᐊᖓᔪᕐᖄᖑᓂᖅ ᕿᑐᕐᖓᓄᑦ ᖃᓄᐃᓘᕐᑎᐅᒋᐊᖃᕐᒪᖔᑦ ᐃᓕᓐᓂᐊᑎᖃᕐᓱᓂ, ᐊᑦᔨᐅᖏᑦᑑᓂᖏᓐᓂᑦ ᖃᓪᓗᓈᑦ ᐃᓄᑐᐃᓐᓀᓗ ᐃᓕᓐᓂᐊᑎᑦᓯᒍᓯᖏᑦ, ᖏᐃᓅᖃᑎᖃᑦᓯᐊᕆᐊᖃᕐᓂᒥᒃ, ᐃᓂᓪᓚᖓᑦᓯᐊᑐᒥᓪᓗ ᐃᓅᓯᖃᕐᓂᐅᑉ ᐃᑲᔪᕐᓯᓯᒪᓂᖓᓂᑦ.  


ᐃᓕᓐᓂᐊᕕᒻᒥᑦ ᓄᕐᙯᓇᕐᑎᓯᑦᑌᓕᓂᕐᒥᒃ ᐊᔪᐃᓐᓇᕈᑎᖃᕐᓂᕗᓐᓂᑦ ᑐᓴᕐᓴᐅᑎᑕᕗᑦᑕ ᐱᖓᔫᒍᑎᖓᓂᑦ ᑐᓵᓚᖓᔪᒍᑦ ᐳᕐᑐᓂᕐᓴᕆᐊᓪᓚᒥᑦ ᐃᓕᓐᓂᐊᑎᐅᑉ ᐳᒃᑭᓂᕐᓴᓂᓪᓗ ᐃᓕᓐᓂᐊᑎᑦᓯᔨᐅᑉ ᐅᖃᐅᓯᑦᓴᖏᓐᓂᑦ. 
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Kayla Meeko & Vicky Tukkiapik: Is college education colonial? Let’s hear what a college student and a primary school teacher have to say. In this episode, you will hear the personal lived experiences of two incredible women from Quaqtaq, Nunavik. Topics discussed include: role of parents in school perseverance, differences between Western education and traditional Inuit epistemologies, building relationships, and using routines as a tool. 
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Kayla Meeko & Vicky Tukkiapik : L'enseignement universitaire est-il colonial? Écoutons ce qu'une étudiante et une enseignante du primaire ont à dire. Dans cet épisode, vous entendrez les expériences personnelles de deux femmes incroyables de Quaqtaq, au Nunavik. Les sujets abordés comprennent le rôle des parents dans la persévérance scolaire, les différences entre l'éducation occidentale et les épistémologies inuites traditionnelles, l'établissement de relations et l'utilisation de la routine comme outil.

***
Credits :
Developed exclusively for you to enjoy, you will now hear a song titled Sapilirnak, written by Charlie Taqqik, Centre Director in Salluit, produced and sung by Kathy Aputiarjuk from Kangiqsualujjuaq, recorded with the help of McCombie Annanack. The artistic cover art is brought to you by Teresa Annanack from Kangiqsualujjuaq, full-time student in Multimedia at Collège Montmorency.

***
Credits :
Developed exclusively for you to enjoy, you will now hear a song titled Sapilirnak, written by Charlie Taqqik, Centre Director in Salluit, produced and sung by Kathy Aputiarjuk from Kangiqsualujjuaq, recorded with the help of McCombie Annanack. The artistic cover art is brought to you by Teresa Annanack from Kangiqsualujjuaq, full-time student in Multimedia at Collège Montmorency.

***
Crédits :
Développée exclusivement pour vous, vous entendrez maintenant une chanson intitulée Sapilirnak, écrite par Charlie Taqqik, directeur du centre de Salluit, produite et chantée par Kathy Aputiarjuk de Kangiqsualujjuaq, enregistrée avec l'aide de McCombie Annanack. La pochette artistique est réalisée par Teresa Annanack de Kangiqsualujjuaq, étudiante à temps plein en multimédia au Collège Montmorency.

Episode 3: Kayla Meeko & Vicky Tukkiapik - Is college education colonial?

ESUMA Is formed by community members from various organizations in Nunavik who support school perseverance.
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ESUMA est formé par plusieurs parties prenantes issues de diverses organisations du Nunavik pour soutenir la persévérance scolaire.

Episode 3: Kayla Meeko & Vicky Tukkiapik - Is college education colonial?

ESUMA

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