A song about birch-trees sung by Egle, recorded at July 21, 2013 in Pervalka.

Pervalka, Birch-Song (Egle).WAV

Recorded in Juodkrante, July 28 2013 in a beautiful place with clover, pine trees and moss - in this song deers and birds start dancing. Accompanied with the traditional Lithuanian instrument Kanklės.

Juodkrante Deers'n'birds (Ramune)

Recorded in Juodkrante, July 28 2013. It is a song about and under an oak tree, accompanied with the traditional Lithuanian instrument Kanklės.

Juodkrante Oak-Song (Ramune)

Vocal Improvisation with local people living next to a highway Autobahn A14 in Prösitz (Leipzig) - Artistic Sound Intervention by Walburga Walde and Grit Ruhland for "Noise Awareness Day", April 29th 2015 - Thanks to Ute Hartwig-Schulz and all singers

Autobahnsingen

Spontaneous improvisation by singing - exercising rules of self-organisation with about 15 voices. Performed during opening of "Holy Independent Space" at Midsummer-Night, June 2015 in geh8 Dresden. Initated by Grit Ruhland and Walburga Walde.

Special thanks to Nilsson Samuelsson, Robert Thiele, André Obermüller & Kristina Krömer.

Untitled (Schwarmklang)

Sound art event recorded September 23th during Pixelache 2016 "Interfaces for Empathy" in Helsinki

with et al.
Benjamin Schweitzer,
Katherine Behar,
Nick Martin,
Marianne Mulvey,
John W. Fail,
and Grit Ruhland - recording by Steve Maher

Singing Laensivaelae Preview

Recorded within a three hour workshop September 23th during Pixelache 2016 "Interfaces for Empathy" in Helsinki

with et al.
Benjamin Schweitzer,
Katherine Behar,
Nick Martin,
Marianne Mulvey,
John W. Fail,
and Grit Ruhland - recording by Steve Maher

Singing Laensivaelae Part2

An artistic summary from "Calling for the Others" - an environmental art piece happened at Agricultura, in Hyllie, Malmö 2017. Idea and production Mari Keski-Korsu (Finland) and Grit Ruhland (Germany)- sound by Konrad Behr (Germany). Featured by Kulning experts Anna Elwing and Helle Thun!

Hyllie Calling for the others

Konrad Behr (Composition)
Mari Keski-Korsu (Concept and Production)
Grit Ruhland (Concept and Production)
Veera Voima (Vocal part)

Produced for Arts in the Environment Nordic Symposium
Calling for the Others is a participatory and interdisciplinary project that seeks ways to establish a communication with kinds of others. It’s inspired by the traditional cattle calling, joik, jodling and throat singing. The others who are called, could be cattle or any members of flora & fauna, other entities and everything in between (i.e technology). The aim is to seek balanced connections on the ecosystem we live within and activate the collective intelligence trough synchronized, together planned actions that can be sound, movement or meditation based. Calling for the Others emphasises the understanding of the human species: we are humans and that is our perspective – but trough empathy, it is possible to understand and identify with the others;

Vartiosaari, 2017 - Calling For The Others

Recorded 19th of April at Center for Quantum Technologies, Singapore

More information about John Baez:
http://johncarlosbaez.wordpress.com/

John Baez on nothing - short version

Uckermark Moorsee

Uckermark Trockenes Moor - Kraniche

A song about the sunrise sung by Dovile, recorded at June 11, 2013 in the garden of the National Park Museum, Nida.

Nida, end of bicycle road near lagoon (Dovile)

"Sea, sea bring me amber" - sung by Gabija, recorded at the beach of Smiltynė, where amber was found (again). Site-specific song, recorded at June 24, 2013 in Smiltyne.

Smiltynė Beach - Amber-song (Gabija)

Gabija sings on her way home, walking through the wood at evening. Site-specific-song, recorded at June 24, 2013 in Smiltyne.

Smiltyne - Lullaby (Gabija).WAV

Nida - Folksinging-workshop

30% Artistic Thinking and Practise (Working) - about sense and nonsense, exploration of a-/perception, observations of every day life

30% Artistic Exchange (being informal Art-Ambassadress) - imparting artistic issues and strategies

30% Artistic Research -  grow passing crazes, go tuning traces, observing faces - watch usual places

30% Artistic Organisation - coordinating together with other people to enable new ways of presenting, experiencing art-works in shows, actions, symposia and radio-shows

ETFA

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