The Search

Close To Me

A Little Late

Renavigation

A cinematic breathtaking cover of Alice in Chains "Man in The Box."

Man in The Box

GOT MY BREATH

Wenn da nächste Wind – TELLL & NNELLA

Wenn da nächste Wind mi tret
Denn flüg i mit davo
Luag mol wo s mi ane weht
Es hebt mi nix mehr do

Hörsch da Hunger klopft a mir
Frisst Löcher tüf i d‘ Bruscht
Leer wie an hoaßa Ballon
A Hülla voll mit Luft

& D'Uhr tickt
& d'Uhr klickt
Wennd Nacht inafallt
& d'Uhr tickt 
& d'Uhr klickt
Und Zit, sie verhallt

Du luagsch usm Fenschter
Ob dr Hund vom Nochbur beallt
Und du luagsch in da Fernseh
Und du siasch di ganze Wealt



Wenn da nächste Wind mi tret
Denn flüg i mit davo
Luag mol wo s mi ane weht
Es hebt mi nix mehr do

Irgendwer hot irgendweam 
Mol irgendwo mol gset:
„Irgendwie han i mir dacht 
S Leaba bütat meh“

& D'Uhr tickt
& d'Uhr klickt
Wennd Nacht inafallt
& d'Uhr tickt 
& d'Uhr klickt
Und Zit, sie verhallt

Isch des denn scho alls gsi?
I han hofft uf so viel mehr
Isch des wirklich alls gsi?
Isch as Gläsle denn scho leer?

Wenn da nächste Wind

If You Only Knew

Magnificat

All In

rooms

My instrumental lofi/jazz/hip-hop/trip-hop inspired album recorded at home with limited equipment, knowledge and time. I did my best. I did what sounded good to my ears, I hope it sounds good to yours. Good music to "chill-out" to. 

Waterblauw

This is my version of the classic Joy Division track. 

Love Will Tear Us Apart

(intro)

Ethan Gold, underground LA songmaker and music artist, is finalizing mixes for his upcoming double-album EARTH CITY, a record about the modern world — longing for human connection, for love and thrill in the city, for connection to nature. Several advance singles have been released in recent months including “Our Love is Beautiful” which arrived with a video of hundreds of people around the world delivering Ethan’s song for human unity in this time of fear and separation.

Gold’s much-lauded debut Songs from a Toxic Apartment (“Best New Music” – Sunday Times London) was a deeply personal work confronting childhood trauma and the sexual ambiguity of adulthood. After a head injury sidelined him for some years, he returned with the naive electronic album Expanses (Teenage Synthstrumentals)  (“Wildly diverting” – Electronic Sound), a mostly 80s live covers record Live Undead Bedroom Closet Covers (“Unhinged but weirdly compelling” – Uncut), and several film scores including the jazz-inflected The Song of Sway Lake, featuring artists John Grant and The Staves singing Ethan’s songs, and the glitchy Blumhouse thriller Don’t Let Go.

Today Gold lives and dreams songs, now writing over half his music while asleep. Through a long recovery, he now credits the temporary breaking of his cognitive ability with a clarified mission to bring caring about the world back into the world. Or, as he says with irony, “Make sensitivity cool again.”

(intro)

EthanGold

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