Experiments in exotic tuning systems. Read more: http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Just Intonation

S3 E17 features Will Kuhn and Ethan Hein who are both instructors of music technology.

To learn more about Will Kuhn, visit: https://willkuhn.com

To learn more about Ethan Hein, visit: http://www.ethanhein.com

To pre-order Electronic Music School, visit: https://www.amazon.com/Electronic-Music-School-Contemporary-Creativity-dp-0190076631/dp/0190076631/ref=mt_other?_encoding=UTF8&me=&qid=1619118553

Will Kuhn & Ethan Hein - S3 E17

break

Experiments with microtonal tuning

9/9 (1/1) - unison
10/9 - small whole tone
11/9 - neutral third
12/9 (4/3) - perfect fourth
13/9 - tridecimal diminished fifth
14/9 - subminor sixth
15/9 (5/3) - major sixth
16/9 - Pythagorean minor seventh
17/9 - large septendecimal major seventh
18/9 (2/1) - octave

http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Nonary Primodality - First Octave

Experiments with microtonal tuning

7/7 (1/1) - unison
8/7 - supermajor second
9/7 - supermajor third
10/7 - high tritone
11/7 - undecimal minor sixth
12/7 - supermajor sixth
13/7 - tridecimal submajor seventh
14/7 (2/1) - octave

http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Septimal Primodality - First Octave

Experiments with microtonal tuning

5/5 (1/1) - unison
6/5 - minor third
7/5 - narrow tritone
8/5 - minor sixth
9/5 - minor seventh
10/5 (2/1) - octave

http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Quintal Primodality - First Octave

Experiments with microtonal tuning

18/18 (1/1) - unison
19/18 - large undevicesimal semitone
20/18 (10/9) - small whole tone
21/18 (7/6) - subminor third
22/18 (11/9) - neutral third
23/18 - not named
24/18 (4/3) - perfect fourth
25/18 - augmented fourth
26/18 (13/9) - tridecimal diminished fifth
27/18 (3/2) - perfect fifth
28/18 (14/9) - subminor sixth
29/18 - unnamed
30/18 (5/3) - major sixth
31/18 - unnamed
32/18 (16/9) - Pythagorean minor seventh
33/18 (11/6) - undecimal neutral seventh
34/18 (17/9) - large septendecimal major seventh
35/18 - septimal semidiminished octave
36/18 (2/1) - octave

http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Nonary Primodality - Second Octave

Experiments with microtonal tuning

4/4 (1/1) – unison
5/4 – major third
6/4 (3/2) – perfect fifth
7/4 – harmonic seventh
8/4 (2/1) – octave

http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Quartal Primodality - First Octave

Experiments in just intonation.

6/6 (1/1) - unison
7/6 - subminor third
8/6 (4/3) - perfect fourth
9/6 (3/2) - perfect fifth
10/6 (5/3) - major sixth
11/6 - undecimal neutral seventh
12/6 (2/1) - octave

Read more: http://www.ethanhein.com/wp/2021/i-made-some-music-in-exotic-just-intonation-tunings-because-why-not/

Seximal Primodality First Octave

With the news that Taylor Swift is re-recording her back catalog, wouldn't it be cool if she collaborated with her favorite contemporary classical composer, John Luther Adams? Back in 2015, she donated $50,000 to the Seattle Symphony after listening to and loving Adams's piece "Become Ocean," so I'm sure she's been planning for a collabo ever since.

An acoustic performance of Blank Space remixed with Adams's The Wind in High Places, Canticles of the Sky, and The Farthest Place.

The Immeasurable Blank Space Of Tones - Swift Luther Adams

A breathtaking song from Piauí, Brazil, with improvisations between.

/// LYRICS ///
A rosa também se muda
do campo para o deserto
de longe também se ama
quem não pode amar de perto

Se ela muda
não se pode imaginar
Imagina, tinha medo,
quem tem medo não vai lá

A rosa também se muda
do campo para o deserto
de longe também se ama
quem não pode amar de perto

Se numa lógica
amanhã também tem dia
ergue o corpo, feche os braços
pra ser minha companhia

///// FELEMEL, FELTÖLT A ZENÉM?
Az életben mindenért adunk valamit, ami értékes számunkra - miért ne adnál a zenéért, ami legalább annyira felemel, feltölt, erőt ad, mint egy tál étel? Köszönöm, ha így döntesz! 🙏

Számlaszámom:
Szász Márk István
Magnet Bank
16200106 11573861

///// DOES MY MUSIC FEED YOUR HEART AND SOUL?
Whenever we get something which is prescious for us, we also give in return. Why wouldn't you give for music? For music which lifts you up and gives you power, just like food. Thank you, if you do so! 🙏

Using TransferWise, all you need is my full name :
Mark Istvan Szasz
and my email :
bokatummtukote@gmail.com

A Rosa Também (Piauí Folklore)

Hopp, Új dalunk a Pecával! 

Ha tetszik, és tudtok, köszönjük, ha fizettek érte ✨Csak ebben a dalban 40 óra munka van ✨

Szász Márk István
Magnet Bank
16200106-11573861

PayPal.Me :
https://www.paypal.com/paypalme/bokatummtukote

Köszönjük!

// ENGLISH //

ARE YOU LOVING THIS? If you can, thank you for also paying for it. We've got like 40 hours work in all the production.

With TransferWise, all you need is my full name : 
Mark Istvan Szasz 
and my email : bokatummtukote@gmail.com

PayPal.Me :
https://www.paypal.com/paypalme/bokatummtukote

Enjoy!! And thank you!

Lyrics and vocal melody by Barna Gábos
Music and arrangement by Barna Gábos & Boka Tummtukoté
Recording, Mixing, Mastering by Boka Tummtukoté

LYRICS // DALSZÖVEG
Donde vivo ay un rio
Ay un rio que bonito
Prohibido el pato de pesca

Az RSD-n ringatózom
Betiltják a bellyboatom
Betiltják a bellyboatom
A lábam a vízbe lógatom

Jönnek a halőrök!
Jönnek a halőrök!

Peca & Boka Tummtukoté - Pato De Pesca

Produced by Didier Sylvain

I AM A DOPE MC came out the Cypher Workshop series I organized at Hi-Arts in East Harlem. The participating MC's were not only doing the Freestyle Union Cypher Workshop exercises but developing as performers for our first Rap Recital. I wasn't sure how they would respond to the idea of affirmations but they loved it. Before that, I was always hesitant to niche my niche so specifically but I ended up creating a series of meditations for artist development. I'm looking forward to sharing them with the world. Hip Hop artists need support and tools to help them in the process of identifying their own voices and staying true to them.

I AM A DOPE MC - Toni Blackman Affirmations

Step 1: Consider the way pace (tempo, speed) is experienced, represented, and accomplished in music.
Step 2: Consider the way stasis is experienced, represented, and accomplished in music.
Step 3: Write a short piece of music that gets slower and slower as it proceeds. If possible, have it end with a sense of outright stasis. Fading out is fine, too, certainly.

Ran Norns using GRD by @yota through stereo line in > morphagene > QPAS > Mimeophon.
Other sounds Rings > Ripples > Clouds
                        Surface > Ripples (in 2) > Clouds
PNW for clock source, manipulating and slowing both by bpm and divisions as the piece went along.

More on this 462nd weekly Disquiet Junto project, Vade in Pace (The Assignment: Write a short piece of music that gets slower and slower as it proceeds), at:

https://disquiet.com/0462/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0462-vade-in-pace/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Josh Levinger, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/CHUe3K

https://creativecommons.org/licenses/by-nc-sa/2.0/

All Shall Fade [disquiet0462]

Sunday night guitar loops. Unlike other recent guitar loop experiments I've tried out, this one has a live component. After the first minute or so (which I'd already layered in advance of hitting record), new material is added and then later deleted. This setup consists of electric guitar, reverb pedal, overdrive, and looper, plus an eBow on occasion for those extended notes. After recording (amp to phone, live in the room), I used Adobe Audition to implement a fade in and a fade out, and for a little additional reverb.

Night (There and Back)

originals here https://soundcloud.com/ethanhein/portrait-of-tracy-decelerando-disquiet0462
https://soundcloud.com/user-184985485/all-shall-fade-disquiet0462

Portraits Fade (Samples Junto See Description)

:)



///// FELEMEL, FELTÖLT A ZENÉM?
Az életben mindenért adunk valamit, ami értékes számunkra - miért ne adnál a zenéért, ami legalább annyira felemel, feltölt, erőt ad, mint az étel vagy egy kávé? :) Köszönöm, ha így döntesz! 🙏

Számlaszámom:
Szász Márk István
Magnet Bank
16200106 11573861

///// DOES MY MUSIC FEED YOUR HEART AND SOUL?
Whenever we get something which is prescious for us, we also give in return. Why wouldn't you give for music? For music which lifts you up and gives you power, just like food or a coffee :) Thank you, if you do so! 🙏

Using TransferWise, all you need is my full name :
Mark Istvan Szasz
and my email :
bokatummtukote@gmail.com

Van Egy Pipám Egy Kalapom (Kormos Évivel)

Doctoral Fellow in Music Education at NYU; adjunct professor of music technology and music education at Montclair State University

Nonary Primodality - Second Octave

Ethan Hein

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