Ethio=Jazz

Amidst the fervent anticipation of the release of Stac's long awaited second album (due in the spring of 2014) our favourite soulful songstress has found the time to gather together ten of her favourite pieces of contemporary music for your delictation, in the shape of the third instalment of the "Allo Love" series.

Stac is a real music lover (not a fighter) and her selection exemplifies the breadth of her knowledge, and her perfectly pitched taste. A sonorous collection, it kicks off in grandiose style with music from The London Bulgarian Choir, no less, and remains in deep musical waters with the Matthew Herbert produced Hejira, trumpeter and friend Matthew Halsall and close contemporaries, Natural Self and Blue Daisy.

You'll also find a quartet of cherry picked Wah Wah 45s nuggets, with music from The Gene Dudley Group, Henri-Pierre Noel, Lea Lea and Scrimshire fitting perfectly into Stac's personal soundtrack, and the latter's cut also featuring the lady herself on fine vocal form. 

Finally, Stac also appears on a stunning downtempo delight from the mysterious William Sommers with whom she duets on the delicate "Delight", a tune that sums this compilation up perfectly. Enjoy.

Matthew Halsall - The Sun in September

Analog Africa No.15 – ANGOLA SOUNDTRACK 2
*Hypnosis, Distortions & Other Sonic Innovations 1969-1978* 
Catalogue No. AACD 075 (1xCD)/AALP 075 (2xLP) 
CD with 44-Page Booklet / LP with 16-Page LP Size Booklet


In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics’ Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc´s multi platinium record, "Good Things".

Many were surprised that the award was handed to a compilation that covered obscure music, but it didn’t surprise the team behind Analog Africa who believed such award should have come much earlier. 

Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes: 

"Listening to these tracks may cause addiction and provoke heavy rotation!"

The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident.  An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda’s need for a live music scene. His self-designed “Kutonocas”, Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms. 

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other’s style; communication between the groups was frequent as everyone studied each other’s records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities.  Development of skill and ingenuity was a must, as well as addressing the highly politicised climate.  The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity.  Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine “Note E Dia”, Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s. 

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda.

This compilation represents the best of the short lived recording industry in Angola, a brief moment of history between 1969 and 1978, when three recording companies produced approximately 800 limited records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire.  Do yourself a favor and submerge yourself  into some of the most the addictive music created by mankind! 

Avante Juventude - Os Anjos

One of 26 tracks available on the <a href="http://georiot.co/3TgR">Strut Africa</a> sampler on iTunes.

Taken from the album <i>Inspiration Information</i> by Mulatu Astatke & The Heliocentrics, "Esketa Dance" is one of the songs included on our Strut Africa collection, which also features music from legends including Ebo Taylor, Orchestre Poly-Rythmo, Tony Allen, and more. 

For a limited time, the original albums on which these songs appear are also available for at a special discounted rate. Happy holidays from the Strut crew!

More from Strut:
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Inspiration Information 3

Dewel

Mulatu Astatke & The Heliocentrics - Esketa Dance (Strut Africa)

From the upcoming album:
"How Can We Be Joyful In a World Full of Knowledge". 
Release date: 31 March 2014

Bruno Pernadas - Ahhhhh

Dorothy Ashby - Essence Of Sapphire

1078 — Piano

Mulatu Astatke :: Tezeta (Nostalgia)

The Homeless Wanderer by Tsegué-Maryam Guébrou. From the album “Éthiopiques, Vol. 21: Piano Solo”, performed by the composer.



The Homeless Wanderer, by Tsegué-Maryam Guébrou (Ethiopia)

From his studio in central Bobo-Dioulasso, photographer Sory Sanlé documented a nation's transformation from colonial foothold to cosmopolitan oasis. Bobo Yeye: Belle Epoque in Upper Volta provides an intimate look into the landlocked nation's pop culture explosion of the 1970s. A melange of community elders and emboldened youth spill from the brightly lit confines of Sanlé's Volta Photo into the dimly lit nightclubs of Upper Volta's cultural capital. Accompanying this hardbound monograph are dozens of rare and evocative recordings spread over three discs by Bobo-Dioulasso's musical titans: Volta Jazz, Dafra Star, Echo Del Africa, and Les Imbattables Léopards. 

Bobo Yéyé: Belle Époque in Upper Volta

Volta Jazz - Wêrê Wêrê Magne

Invisible Joy

Sad Nile (feat. Hailu Mergia)

Yelben / Beza

Beza (feat. Tesfaye Negatu)

Mulatu Astatke - Ené Alantchi Alnorem

Emahoy Tsegue Maryam Guebrou - The Homeless Wanderer

A nice edit by Nicolas Jaar for your Sunday delight! 



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Mulatu Astatke - Yegelle Tezeta (Nicolas Jaar Edit)

16 rare tropical groove tracks compiled by Mambo & Guts 
Available on CD , Double LP Gatefold ( included download Postal card with exclusive mix by DJ Damage@Jazz Liberatorz ) 
Collector T Shirt Edition ....
Cover Art by Mambo 
Ref : Heavenly Sweetness HS090 
Contact : puravidamusic@gmail.com

To pre-order now Beach Diggin' and download immediately an exclusive 50' mix of the compilation by DJ DAMAGE of Jazz Liberatorz, please click here : http://bit.ly/1bnvbbn

Beach Diggin' promo Tour ( DJ Set + Live percussion ) :
14/06 : Toulouse@Connexion 
21/06 : Bernières Sur Mer@Au Père Tranquille ( Normandie )
22/06 : Lyon @ La Marquise
26/06 : Paris@New Morning 
29/06 : Vanosc@La Bringue de la Fressange ( Ardèche )
05/07 : Paris@Pan Piper

Guts, a producer exiled in Ibiza, and Mambo, a Los-Angeles-based painter, have been lounging on the shore with the sound of the waves lapping in the background as they sift through the vinyl for their Beach Diggin’ collection. Far, far from the mouldy-smelling, lightless cellars where record hunters usually hang out. Diggin’ disks as others dig beaches, because getting your hands on a good vinyl, its grooves virtually unexplored, is like stumbling on a dazzling expanse of virgin sand.
Guts and Mambo have little time for the idea that Brazilians have to play bossa nova, Cubans must salsa and a Jamaican has to be into reggae. They sniff around the blind spots away from the beaches packed with noisy tourists and come up with Italians who beat out Afro rhythms, West Indians who lay down earth-shaking dub beats, and Trinidadians who unleash funk laced with lots of brass. Not to mention Peruvians, Frenchies and even Spaniards who can recreate the atmosphere of a humid, totally torrid sixties Rio party.
On the seafront, Guts and Mambo have put together a 16-track playlist that is hip without being elitist, guided by the highest standards and unwavering principles of sun, escapism, the good life and nothing below 25°C.
Seventeen tracks are stamped on the pages of the record’s passport - boss nova, soul, jazz, latin, afro-funk and tropical -, souvenirs of travels through North and Latin America, Africa, Europe and the Caribbean islands.
Intoxicating tunes, radiant rhythms, velveteen vocals: Beach Diggin’ is for sipping through a straw, wiggling your hips and shaking your pelvis to, and it’s made to bring bodies into friction.

PRE ORDER NOW!

Beach Diggin' Snippet by GUTS (out on June 23rd)

A mix of world-flavoured music. 'Analogue' and Electronica. European, African, Latin, American, Asian, rock, funk, soul, jazz, acid jazz, trip hop, house, dub, reggae, R&B, ambient, psychedelic, lounge, minimal, Brazilian ...

Emahoy Tsegue Maryam Guebrou - The Homeless Wanderer

AEA

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