Programmation — avril/juin 2025

So This Is Love

Push

SUNLIGHT

échec et mat

Prisoner of Beauty

Princesse chaos

Excuse me, I’m French
Pardon my vibe, it makes no sense

I don’t drink wine, I don’t eat cheese
No café terrace, no poetry
No Eiffel light, no chanson nights
I cross the street, I roll my eyes

They say romance, I say no chance
They say couture, I wear no pants
I hate the clichés, still they stick
That contradiction is the trick

Excuse me, I’m French
I don’t like France, that’s how it makes sense
I break the rules, I skip the touch
And that’s why my groove is twice as much

No Riviera, no baguette love
No art nouveau, no skies above
I mock my flag, I play it cold
And somehow that’s the most French role

They want accordéon cliché
I give them beats from outer space
No national pride, no fleur-de-lys
But dancefloor fire, that’s my release

Excuse me, I’m French
I don’t like France, that’s how it makes sense
I break the rules, I skip the touch
And that’s why my groove is twice as much

I’m not typical, I’m paradox
The more I hate it, the more it rocks
Rejecting everything they expect
That’s my French connect

Excuse me, I’m French
Twisting the sound, I cross the fence
I kill the myth, I make it lush
This is my anti-French French touch

Excuse me, I’m French

15 Again

Toop Toop

RHYTHM COMPOSER

Motorbass then Superdiscount then tempovision then superdiscount 2 then Commercial eps then the cube then Superdiscount 3. 

Etienne de Crécy is a key figure of the international electronic scene.
Whether for his live shows, his recordings production or marketing around his projects, Etienne De Crecy has always been considered as a pioneer, thanks to his conceptualized, unique and innovative work.

For those too young to remember the 90s, Etienne de Crécy was the guiding hand behind the albums Super Discount (1997) and Super Discount 2 (2004), featuring contributions from Alex Gopher, Air, Cassius and DJ Mehdi. In that collective venture and in his solo work, Etienne de Crécy has always rejected the facile, remaining fiercely loyal to old-school house and choosing to extensively explore electronic music’s underground labyrinths rather than tread the beaten paths of commercial success.

During his 20-year rise to the summit, the French producer has cut some of the world’s most influential electronic albums: Pansoul (with Philipe Zdar under the name Motorbass), Super Discount, Tempovision and Super Discount 2.

After five years spent blitzing a string of venues with his legendary Beats N'Cubes show - a lavish installation and a live experience as visually brilliant as it was sonic, leaving clubbers and festival-goers dazed - Etienne de Crécy has revived his Super Discount project, ten years after the last, second opus.

contact (at) etiennedecrecy.fr

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Etienne de Crécy

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