Beautiful My Monster

I went to study production and on my second lesson I received a task to write a loop at home, but I wrote a track.

Mixing and Mastering by Stanislav Bublik

Kiana Nastya - Samūm

A remix I did for the label Left_Blank.  Hope you like it. Please comment about anything.

Lorca - Hold Back (Valentin Stip Dream Away Remix)

FROM THE ETHEREAL ON THE WAY UP

Anima

Keep Moving (Tricky Remix)

Tracks from the limited edition vinyls out on Record Store Day, April 21st. 

Tu Fawning - Anchor (Hauschka Remix)

Order limited Edition 12'' Vinyl in Mint Color: bit.ly/2poJr3p
All platforms: http://smarturl.it/sinnerssyndrome
Releases April 15, 2018

All Tracks Produced, Arranged and Mixed by Moderator 
www.facebook.com/TheModeratorMusic

Mastered by Blanka at Kasablanka Studio 
www.facebook.com/KasablankaMastering

Cover by Douglas Hale 
www.douglashale.net

Artwork Design by Manolis Chalkiadakis 
backbonegraphics.com

Distribution by Painted Dog Records 
www.painteddogrecords.com 
info@painteddogrecords.com 
sander[at]painteddogrecords.com

Executive Producers : Basilis Foteinos, Andreas Pallidis

Melting Records © 2018 
www.facebook.com/meltingrecs

Contact us: info[at]meltingrecords.com

Sinner's Syndrome

Moderator - Burning Bridges

Vinyl 12" & Digital

Moderator - Burning Bridges - MR009 (OUT NOW - Vinyl 12" & Digital)

George Marych - We Are The Ones

All content owned by Apes & Horses - http://www.apesandhorses.com/ for free downloads.
http://www.crackintheroad.com/music/17307-new-apes-horses-the-fields-magenta/

Apes & Horses - The Fields

Radiohead - Separator (Four Tet Remix)

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

“Basically my albums have developed into my personal field of experimentation” says Martin Gretschmann, aka Acid Pauli. Known primarily for his psychedelic, leftfield club sounds that weave between slo-mo beats and deep burners, his EPs, remixes and collaborations have generally been more focused on the dancefloor. With his latest album, MOD (his third full-length released on his own Ouie label), Gretschmann goes in a tangential direction, drawing inspiration from modular synthesis and the scene that has flourished around it over the last years. The result is an album produced almost entirely with modular systems, inspired by the possibilities and restrictions of carefully shepherding machines that sing to themselves. 
“I know a lot of people who somehow found themselves and electronic music in a boring dead-end alley, and who have now found completely new worlds through modules”, he explains. Experimental as MOD may be, it certainly isn’t ‘difficult’ or inaccessible - or as someone put it, the nine tracks here are “soft, elegant, fluent, dreamy - the tracks achieve the effect of space-time morphing - magical states”. 
The album is best heard as one continuous piece, allowing it to unfold its delights gently. Most of the tracks were recorded live in one take - often with Gretschmann recording up to 10 different versions before choosing the final piece. 
Propagating Flip Flops starts things off - its glitchy textures and sync-shifting set the scene for the album - the sounds evolving and developing before resolving into a warm, ethereal tone. Intellijel Bell is made up of deep loops of rhythmic sounds, while metallic sounds and a submerged jazzy undertone hint at the classic Acid Pauli sense of fun. Acid On Yusef uses looped up rhythmic pulses and bass tones, joined by modulated beeps and blips. A touch of that iconic liquid acid sound pulls it together and gives the track its name. Sublime Frequencies Of Cairo is another beatless, floating collection of loops that shift and morph - seemingly suspended in space, before an ambient orchestral element resolves the track. 
As the title suggests, Du Brecht, Ich Dub revolves around a bass heavy sound, building up a rhythm of disparate elements that develop into a tense yet somehow weightless groove. Life Polarizer is further evidence that an Acid Pauli album will always somehow drift back towards the groove. The track works the effects pretty hard - sounds pinging between left and right and ebbing and flowing into the mix. Peace Waer Schoen also makes heavy use of delay to create a dubbed-out, wonky feel. The freedom of getting away from computer based production is referenced sardonically in Quantize Hell - its bleepy sounds find a rhythm and progression outside of the grid. Finally, No Kick, No Cry brings the journey to a close - it’s the first and only kick drum of the album and adds a structure to the magical unpredictability of the looped sounds. 
The album’s artwork perfectly reflects these sounds within - created by musician and artist Billy Caso. Each track is also accompanied by a minimalist video, created with a device from this modular world - the "Vidiot". It’s clear that in MOD, Gretschmann has produced a homage to the modular scene that might inspire as many people as it delights.

Radiohead - Separator (Four Tet Remix)

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