Something different methinks

❤[update : Follow me!! when we are 1500, I release my new remix of FKA]

FKA TWIGS "WATER ME" (dakeyz edition)

Following the success of their debut EP on Lunatick Records earlier this year, South London jazz/hip-hop quartet Sumochief have once again teamed up with the UK based imprint to present a series of remixes from the acclaimed Sumobeats EP.

This is the second of these, by Lunatick Records very own Auxx.

The full EP is due to be released through Lunatick Records on the 28th of October 2014 with artwork from the talented Kristian Berge.

You can check out the original EP at: lunatickrecords.bandcamp.com/album/sumobeats

Sumochief online: facebook.com/Sumochief 
twitter.com/Sumochief 
@sumo_chief

Auxx: https://www.facebook.com/AuxxMusic
https://twitter.com/louis_sterling
https://soundcloud.com/auxxmusic

For interview opportunities and bookings concerning Sumochief, please contact lunatickbiz@gmail.com

facebook.com/LunatickRecords
twitter.com/LunatickRecords

Happy Joy (Auxx Remix)

www.muramasa.me

Buy: smarturl.it/sdsw 
Stream: smarturl.it/sdsws
Watch: smarturl.it/ewerkz

someday somewhere EP

Someday Somewhere

Lovesick

Firefly (feat. NAO)

Binker and Moses release their debut duo LP Dem Ones on analogue vinyl record label, Gearbox Records

Binker and Moses are tenor saxophonist Binker Golding and drummer Moses Boyd - two of the most exciting young jazz musicians on the thriving London jazz scene. Originally meeting through double bassist/educator Gary Crosby’s Tomorrow’s Warriors jazz development programme, they have played together in various large and small format groups including recording and touring extensively as members of Zara McFarlane’s band.

Dem Ones is their debut recording as a duo and will be released as a 12” 180gm vinyl LP on 29th May 2015. The record has its roots in experiments between soundchecks and gigs while on the road with McFarlane. Over time these initial ideas and jams have become templates for improvisation, and with their echoes of late period Coltrane and Charles Lloyd are as listenable and memorable as they are full of invention and surprise.

All the tracks were performed in the live room at Mark Ronson’s Zelig Studio and recorded direct to Gearbox's vintage Studer 1/4" tape machine next door. The vinyl lacquers were cut directly from this original stereo master on Gearbox’s 1967 Haeco Scully lathe with Westrex RA1700 series amps, using a Westrex 3DIIA cutting head and Telefunken U73B tube limiter, Maselec master control and equalisation and Audio Note monitoring equipment.


Something different methinks

Eugene 'Blue' Watson