Further information: bleep.com/features/bleep-mix-197-Cignol

A long-standing favourite of ours as well as countless electro labels like Further Electronix and Altered Sense, Paul Hammock aka Cignol has been in the business of refined machine funk for over a decade. But naturally, his exclusive Bleep mix is less about looking back and more about the future. Stacked with a bunch of brand new, forthcoming and unreleased tracks from across Cignol’s arsenal of contemporaneous releases, the mix delivers an hour-long journey in non-stop 4/4, from squelching acid textures to laser beamed bass sequencers.

"I’ve put together a mix of mostly new or forthcoming tracks.  All hardware jams made using x0x, Miami, rd-8, 707, Juno-60, jp-08, Juno-06 and Sh01a if you’re interested in that kind of thing. I hope you enjoy it as much as I enjoyed putting it together!" - Cignol

Bleep Mix #197 - Cignol

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

Four Tet @ Lightning in a Bottle 2025

A medley of Boards of Canada's 'Geogaddi' album by Strictly Kev / DJ Food, first aired on Solid Steel 11/02/02. Made over a weekend after only a few listens as a promo for the forthcoming album.

Tracklist:
The devil is in the detail
music is math
alpha & omega
sunshine recorder
gyroscope
you could feel the sky
The beach at Redpoint
1969
julie and candy
over the horizon radar
+ other surprises

Ten 3" CDs were made in hexagonal foldout covers with printed and stickered insides. BoC were given 4, Warp were given 4, Kev has 2

Sometime In The Future - a 'Geogaddi' mix

Back from when Drum Club was in the back room at Heaven

Live at Drum Club 7.1.93

Part 2

Part 1 Intermission (SN Piano 1981 - 12 - 31 NYC)

Those who take it upon themselves to guide us into uncharted territory are the best. And they make us better people. Andrew Weatherall was one of those. Not only did he alter the course of Music History, he also changed the stories of our lives for the better. Thank you for the Art and the Love you gave us. They are eternal.

Intermission (SN Piano 1981 - 12 - 31 NYC)

Eugene Unger

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