Birds sing and the valley cries
A vaguely blurry peach dream
Grasses get wet after the rain

鳥が囀り谷が鳴く
ぼんやりとした桃の夢
雨立ち上り草濡れる

Feels like quite long time has passed
Walking down the street while looking up the moon in the cold air
Another year has passed by

とてつもなく長い時がたった気がする
道を歩きながら寒空に浮かぶ月を見上げる
またもう一年

Birds sing and the valley cries
A vaguely blurry peach dream
Grasses get wet after the spring rain

鳥が囀り谷が鳴く
ぼんやりとした桃の夢
雨立ち上り草濡れる

Congrats to the 10th Anniversary of Naviar ! 
Thanks for the inspirations from the Naviar Haiku Fest.. and now come to this place again for naviarhaiku530 

An another experimental hypnotic track inspired from the poem of spring rain by kobayashi issa - mixed with the humbled profound Taiko drums from the liveset at Naviar Haiku Fest in Tokyo 2024- a kind of tribute track for the 10th anniversary of Naviar's long journey :) 

taking it easy
the mouse sleeps too...
spring rain

Haiku : Kobayashi Issa
Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

Spring Rain - 春雨  [naviarhaiku530]

Feels like quite long time has passed
Walking down the street while looking up the moon in the cold air
Another year has passed by

とてつもなく長い時がたった気がする
道を歩きながら寒空に浮かぶ月を見上げる
またもう一年

inspired from 

one by one
praising and withdrawing inside -
winter moon 

Haiku : Senjo
Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

Winter Moon - 冬月 [naviarhaiku578]

quiescence!
touching not the blossoms,
temple bell's voice

by: Fuhaku
Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Touching Not  - 時鐘 [naviarhaiku580]

A sweet side of coldest morning ...
Not everything is frozen yet
Here i come here we come

plunging my hand
into the lake...
billowing clouds

Among the four great masters of Japanese Haiku, Kobayashi Issa (1763-1828) was the most prolific: during his lifetime he wrote over 20,000 Haiku, hundreds of tanka, and several Haibun.

Haiku by Kobayashi Issa
Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

into your hand - 雲水 [naviarhaiku581]

here and there 
upon scorched fields 
wild violets 

Haiku: Arii Shokyu-Ni
Music : Nukumori Eugene / Nx a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

here and there - 彼方 [naviarhaiku582]

Also included in this Beautiful Compilation: https://cousinsilas1.bandcamp.com/album/the-cousin-silas-emporium-members-project-the-cardinal-points-north-part-1

Following the Pole Star

The track I prepared probably does not correspond perfectly to the rules of the challenge....anyway.
Nothing experimental, it is a classic tonal track, totally instrumental, without samples and particular sound design.
Simple Euclidean sequencer in B flat/F key that drives percussive instruments (wood, metal).
I found an old piece (only the final master) in which each independent cell of the sequencer generates a new pattern and each pattern represents a different channel/layer (12 in total).
The variations of the layers are therefore given by the score.
This creates a game of interlocking pieces, in which the alternation/modification of the channels is given by the fragment/channel played.
The various patterns/channels are parallel (Pan and L/R).
For the continuity of the sound I created drones with  organ and double bass (long bow).

Canone XII (disquiet0696)

2025-05-20

The trumpet announces the end of the day.

In history some ideas perished, others spread the world. Some of them survived quite long gaps of silence over time. 
In the end you never know if an idea came to an end or will come back some day..

The Assignment: Break apart a piece of music and fill the resulting spaces.

Step 1: Choose a piece of music (whether your own or something in the public domain) and break it into sequential pieces. You might do this to a recording, or you might place gaps between parts of a notated melody (just to provide two different ways this instruction might be interpreted).

Step 2: Now, fill the various gaps, however many there may be, resulting from Step 1.

Spoken words are taken from an article on wikinews, read by momo112, published CC-BY-SA-4.0 (https://commons.wikimedia.org/wiki/File:2016-11-26_-_Fidel_Castro_est_mort.ogg)


A la victoire toujours [disquiet0701]

a way for a while

MMXXVIXXEXPERIMENTALDRUMSTDWXFAPSYCHEDELIC

MMXXVIXXTDW

Created on iPad, mixed and mastered with Cubase 14 and Ozone 11

Inspired by Naviar Haiku 605:
https://www.naviarrecords.com/naviarhaiku605-just-inside-the-fence/

Photo by zenbytes (Sibratsgfäll, Austria, 2019)


prohibited grounds - Naviarhaiku605

Delivery 1 15 bpm keys test w hat 122124 take 1

skating 10 10 bpm take 1 82725

Home

Home of sweet experimental slow music, sound and art practice by Nukumori Eugene / Nx -街音の収集 (always welcome demo & collabo for release from Living Room Tapes)　　 

Nukumori Eugene / Nx ﾇｸﾓﾘ ﾕｰｼﾞﾝ / ぬくもりゆーじん is a Hong Kong - Japan Base Sound Artist, Researcher and  Architect. He is joining the sound & art projects around the world beside run his own label  "Living Room Tapes" - the sound & art collective. 

The project often highlights the sounds and arts placed between the nature and city's folklore - deconstructive city street culture and urban suburbia - related to the urban observation research project ~ Research and Practice of Alternative Art Space / Micro-Art Space  

featured projects :  Strange Ordinary Necessities不思議な日用品 / Urban Observational Studies 都市観察学会 / Skmtt /  / HONG KONG SUBURBIA / 3am / Soundscape Saitama 100 / 100音夜行 / Edition 1/f / A TALE OF OUR CITIES / MEIV

here and there - 彼方 [naviarhaiku582]

Nukumori Eugene/ Nx -FRCS

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