Composed by Eunhye Jeong

Violin - Elinor Speirs
Cello - Mina Kim
Piano & Voice - Eunhye Jeong
Drums - Mario Layne Fabrizio

The Womb Pond II - TVV Quartet

Piano - Eunhye Jeong
Alto Sax - Allison Burik
Double Bass - Max Ridley
Drums - Francisco Mela

Embark ("End of Time")

Piano - Eunhye Jeong
Pansori Vocals - Il-Dong Bae
Cello - Ji Park
Drums - Soojin Suh

Curtain Call ("The Colliding Beings, Chi-Da)

Zoltar 1m5 "Fly or Fall"

Zoltar 1m4 "To the Roof"

Composition by Eunhye Jeong
Performed by Eunhye Jeong and Max Ridley 
Recorded by Peter Kontrimas
Mixed by Seungha Lee

Taste Of Love

Composed by Eunhye Jeong
Performed by Eunhye Jeong and Max Ridley
Recorded by Peter Kontrimas
Mixed by Seungha Lee

Scents Of Peace

Songs Of Growth

Touch Of Death

Colors Of Vitality

Olivia De Prato - Violin
David Friend - Piano
Matthew Gold - Vibraphone 

Composer: Eunhye Jeong  
Live Performance at Creative Musician's Retreat, The Walden School (Dublin, NH) 2019

TMMSS - Composed by E. Jeong

Track 3 of The Colliding Beings, Chi-Da (2020), Audioguy 

Eunhye Jeong - Piano
JI Park - Cello 
Il-Dong Bae - Pansori
Soo Jin Suh - Drums

The Hope Landed - "The Colliding Beings: Chi-Da"

Pianist/composer Eunhye Jeong is a creative musician with a critical mind that keeps expanding her musical world with diligent research. She has performed with legendary Wadada Leo Smith, a multiple awards-winner, a Pulitzer Prize nominee and an innovative composer/trumpeter. She also performed duo with highly acclaimed cellist/improviser/composer Okkyung Lee and recorded with Pansori master Il-dong Bae. As a composer, she co-wrote the score for a short film “Ancestry” with Munyungo Jackson, the Stevie Wonder’s percussionist. 

Followed by her previous albums Turtle Suite (2014), Chi-Da (2018) and 2 Begets 3 (2018) that are each in a disparate musical language, she is soon releasing her fourth album [The Colliding Beings, Chi-Da], a live recording of her latest concert in Seoul, Korea. She currently performs two major projects Chi-Da and TVV Quartet and is working on a new piece that features visuals and electronics called KM-53. 

In 2019, she was a panel in the colloquium <Agile Futures: Approaching Improvisation> hosted by the International Institute for Critical Studies in Improvisation (IICSI) in British Columbia University in Vancouver, Canada. She presented her talk <Improvising to Create the Aged Now>, which encompasses the philosophical basis of Korean traditional music and of contemporary musical improvisation practice altogether. 

Jeong was mentored by some of the living greats including award-winning film composer George S. Clinton known best for his scores for Austin Powers series, and Mortal Kombats, international jazz pianist/composer Vadim Neselovskyi at Berkeley College of Music, and also the MacArthur “Genius” fellowship award recipients Vijay Iyer and Tyshawn Sorey, whom she met in Banff International Workshop in Jazz and Creative Music in 2017.  The time in Banff led her to discover the world of "creative music" mainly of AACM and the musicians in the lineage. She began to explore the musical vehicle that better transports her inspirations. Later, she learned Ankrasmation, a composition language invented by one of the notable members of AACM, Wadada Leo Smith who also offered Jeong mentorship. 

Jeong continues to hold and develop her ongoing theme since 2011 that is to to revive the historical and cultural continuum severed both forcefully and voluntarily over time, through her musical practice.


"bold talent and creative energy in abundance... " - Ian Patterson, All About Jazz 


“raw but by no means devoid of linear elegance, the courageous (and admissibly complete) expression of the motivated pianist exerts a work of great caliber, to be known and re-evaluated over time.” - Aldo De Noce, Jazz Convention

Eunhye Jeong | Creative Music

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