good work!　後半の流れがとてもきれいです（＾＾）

Thank you for good music. But I want MOAR. Do you have something else anywhere on sites like Bandcamp and etc.?

Nice track, I like mix of the field recordings and the piano

from their 8th album "Duologue" (WINDBELL four 120)
http://windbelljournal.blogspot.jp/2013/07/8th-album-duologue.html

mama!milk "August"

mama!milk "Greco On Thursday"

whisper:
weeping over our lives
in darkness, as billows roll,
morning for ourselves
that he might pity us,
hating ourselves
for what we are now.
voice:
All our words fall lifeless,
Broken down and soft,
Like a hawk without wings,
Pale tune without a song.
I recall when our words weren't so cold.

Innocent don't play here
Fields purged with bombs
Pouring fire on children
Will you buy yours another dog?
How can we suffer you any more?
chorus:
Where are our warriors
When all the guns are pointed
At our heads in the name of the law
To lawfully kill for profit?

All that I see are liars and thieves
Making the laws and making the wars.
On the TV they talk about peace
And we obediently pay for it all.

These psychopaths feed on power and greed
We can no longer be fucking around.
The warriors are here, the hour is near,
We'll put them in the cold, open ground.

name your price

Cold Open Ground

This is the original track 'The Truth and The Emptiness' by Ioannis Pane.

You can listen to it on YouTube with better sound quality:
https://youtu.be/UiPPa5vX_ho

Composed, arranged and produced by Ioannis.
Mixed and mastered by Ioannis at his personal studio.
Produced in 432 Hz tuning.

Copyright © 2012 Ioannis Pane. All Rights Reserved.

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*All my music is available on my YouTube channel.

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The Truth and The Emptiness

Snow

Shimmer

Insight (Part 4)
Musique : Pascal Lengagne


Insight Part 4

Audrey Chen: cello/voice/electronics
Philippe Petit: electric psalterion/electronics

Using the cello, voice and analog electronics, AUDREY CHEN’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of a homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.

Recently, her primary focus has been her SOLO project but she is also involved in many various collaborations. Among musicians, she has worked with Phil Minton, Tetuzi Akiyama, Toshimaru Nakamura, Ko Ishikawa, Tomomi Adachi, Matana Roberts, Elliott Sharp, Aki Onda, Phill Niblock, Frederic Blondy, Jerome Noetinger, C. Spencer Yeh, Nate Wooley, Mats Gustafsson, Mazen Kerbaj, Michael Zerang, Tatsuya Nakatani, Le Quan Ninh, Joe Mcphee, Susan Alcorn, Michele Doneda, Paolo Angeli, Gianni Gebbia, Dylan Nyoukis plus many more. Some more current projects have included: duos with Phil Minton, Luca Marini (kamama), Frederic Blondy, Robert van Heumen (abattoir), Katt Hernandez (Isabel), Nate Wooley (heave and shudder), Wouter Jaspers, and Id M Theft Able.

Chen has performed in Europe, Russia, Australia, New Zealand, China, Japan, Taiwan, Brazil, Canada and the USA. In 2011, in addition to her performances, she was awarded the prestigious Mary Sawyers Baker Prize, an award that was established to support individual artists living, and working in Maryland. She has now recently relocated to Berlin, Germany from Baltimore, MD USA and continues to maintain an active international touring schedule.

www.audreychen.com/
www.philippepetit.info/

Shimmer

Eureka

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