An intimate glimpse seemingly into Malvern’s own home, complete with warmups, soundchecks, voices from the other room. A straying mess from left to right, shut the blinds, turn the telly on.

Outhouse Mix: Malvern Brume

teu❍◦◎ - Writing a letter (september)

f056 - heoliene

"sea salt" by emer out Thursday 3/2 on cassette/digital via Lillerne

emer - through the earth

artwork by: https://www.instagram.com/annaiannaianna/

Bug bus piano - once in a while, living underground
Sogar & Sebastian Roux - speedreading, the art of conversation
Aymeric de Tapol - frozen tones
towelone - false
Sogar - Tokyo, Roppongi Hills Info Center, Think Zone, 24 January 2003 18:15
Hiroto Kudo - 残煙
Sogar - Kyoto, Club Metro, 23 January 2003 12:14
James Emrick - NIAUW
Padna - …., aug 30, in my dreams I find missing keys (goofy)
lilic - Live in Kansas City (c minus)
Plinth - sirens, 51° 43'.23 N 05° 40'.10 W, Frey And Gulliburstin
宮田涼介(miche) - AM 5:05 - Predawn

goodbye

@angelinanonaj

Tracklist
 tshhx
 Im starting to record
 She broke ur arm 
 A dreams
 I just want u 2 know 
 theatre, crazy, ppl
 wet mute space
 I’m Ffffff
 things to ask to my sub 

from the many selves that I am:
out-loud-spoken feelings, speculative karaoke, dialogical spokennotes, environmental improv (…)

corecore comes to you with this spoiled and blessed sunday service, which was broadcast on March 12th of 2023 on Radio TNP: an 8+ hour broadcast live from a cabin in Amsterdam Noord and from afar. With 24 times 20 minute live sets, sonic performances, mini-mixes and audio collages, sourced from corecore’s virtual community and beyond.

A community of feelings | spoiled & blessed sunday service

@lucytheliyou
Lucy Liyou - clip
Cheryl E. Leonard - Meltwater
Olivier Messiaen - XVII. Regard du silence (Pierre-Laurent Aimard)
Joanna Brouk - Mary’s Watch (Part 2)
Bela - 덫이 쥐를 잡아먹는 것처럼
Grouper - The Races
Jakob Ullman - Solo I + II + III (excerpt)
Claire Rousay - Two Things
Real Housewives of New Jersey - Shady Beach (clip)
Choi Joonyong / Jin Sangtae - in my
Brandy - I Wanna Be Down
Bela - Cracker Drone
Nina Simone - You’ll Never Walk Alone

Lia Kohl - when glass is there, and water, 
Martyna Basta - Back and Forth 
Tati au Miel- Good Energy, Peaceful & Flowing 
AGF & Lovozero - Elena Guro 1877-1913 
Bryozone - Eye Of Delirious 
doris dana - in the night
DEAP - Før eller efter finanskrisen
P. Morris - calk

Artwork by: Image by: Jan van der Kleijn

https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-25th-march-2023

NTS 25.03.23 w/ Lucy Liyou

@optovolokonniy
OFF-ICKPA x arkaoda Berlin UA Fundraiser (June 21)
https://ra.co/events/1697997

UA Fundraiser Tix

ϙue '(αmbicΩre)' ⓜⓘⓧ ⓪④⑦

Razor sharp pop, dance and experimental cuts on this months Sendspaace show with a guest mix from Slagwerk’s tau contrib.

https://www.nts.live/shows/sendspaace/episodes/sendspaace-27th-may-2023

Sendspaace w/ tau contrib 270523

@goo_age
@sleepdial

2 bonus tracks available at hubs.ninaprotocol.com/c-

goo age and sleepdial

@theodoreschafer

ˋOur Blood For .Sˊ
July 24, 2023

https://daisart.bandcamp.com/album/our-blood-for-s

Expanding from Theodore Cale Schafer’s introverted and veiled personal composition style, ˋOur Blood For .Sˊ sees the musician writing for a trans-american ensemble spanning Chicago, Northern Colorado, Texas, and New York City. Schafer has directed and sourced recordings from instrumentalists Tommy Paslaski ˋCelloˊ , mari rubio ˋviolinˊ , and Matthew Sage ˋclarinetˊ , carefully grafting discrete parts into his own unique fidelity. Across these four works, the musicians’ arterial acoustic performances circulate around Schafer’s emotional core—enchanted by his ability to distill poetic introspection out of dry audio. A careful balance between file-sharing and Schafer’s diaristic approach allow the works to scale into both miniature and empyrean vistas—big skies and small rooms—a moving music where an audio file shot across the plains finds celestial orbit.

Schafer’s music often confronts the tropes of ambient, drone, field recording, and now chamber music to arrive at a kind of “concrete” aesthetic. “Our Blood for .S” is a clear step into a more formal approach for Schafer, hybridising his penchant for documentation and “minor music” with a clear ear for writing for ensembles. Noble and “chapbook-like” in its immediacy, the long-form works on “Our Blood for .S” establish an emotional crossfade between his digital and acoustic orientations—the merchant room in Resident Evil and the court chambers of classical and Gagaku ensembles—the dividing lines that music flows between … “Our Blood.”

- Nick Scavo

goodbye

‎èvia

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l e x s t e i n

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