This is not techno but its still a good song 

Techno workout

Kytes Skye

!!Bits and Pieces!!

YAT YAT

Thank you SoundCloud Croud for your likes
Thank you World
Thank you Vietnam
Thank you Germany
Thank you United Kingdom
Thank you Ukraine we pray for your victory
Thank you Australia
Now i am very proud and happy because i have already started my music projekt. 
Don't think i will leave anymore.... 

Thank you from my heart to all of you.

Thank.you.World.2.0

For our final record of the year, we turn to Glasgow's man of the year - Denis Sulta.

Like a good chunk of the Numbers family, he has earnt his stripes working at the coalface of techno aka Rubadub. He has crafted two excellent twelves for our bare-chested cousins at Dixon Avenue Basement Jams and is beginning to carve himself out a reputation as a DJ of some repute, expertly blending in the bangers with Sulta-certified weirdness. Denis is part of a new wave of Glaswegian artists who are doing amazing things and whose music is continuously exciting us.

‘It’s Only Real’ created by Sulta during a burst of inspiration one Sunday, takes us back to a time when techno was intricately melodic but still kicked hard in the club. Made with only the purest of intentions and a dedication to the art of moving heads and feet.

It's Only Real is released on vinyl and digitally on 1st Dec / 4th Dec

Buy Vinyl and Digital from
Bandcamp: https://nmbrs.bandcamp.com/album/its-only-real-2
Bleep: http://nmb.rs/denis-sulta-bleep
Boomkat: http://nmb.rs/denis-sulta-boomkat
Clone: http://nmb.rs/denis-sulta-clone
iTunes: http://nmb.rs/denis-sulta-itunes
Phonica: http://nmb.rs/denis-sulta-phonica
Redeye: http://nmb.rs/denis-sulta-redeye
Rubadub: http://nmb.rs/denis-sulta-rubadub
Rushhour: http://nmb.rs/denis-sulta-rushhour

It's Only Real

Denis Sulta - It's Only Real

Deep Sea Baby'

Goosebumps

Milky Bars Are On Me

Bits N Pieces🏴󠁧󠁢󠁳󠁣󠁴󠁿

We Do What We Want

BUY BRAVE BANGERS

Alan Fitzpatrick - We Do What We Want

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

FuCkIn TuNeEe ;)

Out now @ Masters of Hardcore

Merchandise: https://store.re-style.nl

Official Videoclip: https://youtu.be/Npb_a8SvW6Y

#readyforsomeaction #getitcrackin

The release will include the remix and the MOH2018 edit

The Kids Want Techno

Ev0luti0n

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