Morning glory

The debut album Wishes is OUT NOW!
iTunes: po.st/WishesDeluxe
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Buy RHODES' new EP 'Home': http://po.st/HomeEP

Download the 'Morning' EP on iTunes: http://po.st/MorningEP

Watch the official video for 'Your Soul' here: youtu.be/5xglMgU6Soo

This is 'Morning' taken from RHODES' forthcoming EP 'Morning' - out now on Rhodes Music.

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Morning

Living Room

Henry Solomon - Alto Sax, Bass Clarinet, Flute 
Sam Subar - Drums

Morning Song

From the 'Vestige EP', released December 5, 2017
Buy here: https://goo.gl/ay3UpR

⇩⇩⇩ Lyrics ⇩⇩⇩

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~ Lyrics:

In the morning 
When the sun's wet 
I will surface then sink 
Down there somewhere 
Unrefracted 
I am breathing it in 
Akin to tinder 
Swaddled softly 
In a filmy plastic sheet 
Or a trophy 
Dressed in old glass britches 
I am pushing it, I am pushing it 

Like the neon 
On a cheap marquee 
I am shaking 
Until mischief 
With a stone in hand 
Casts out mercy 
So I light up 
Once more 
Brighter than before 
And with embers tearing downward through the cool air 
I wipe my cheek 
And at last I am clean 

Eyes are digging 
Always digging 
I am buried 
In the carpet 
On the window sill 
I rest in shades of green 
Like a fungus 
Or a moldy fruit 
Thriving underneath 
The careful watch of present-minded people 
And I rise unseen 
Yeah, I rise unseen 
I rise unseen 
Yeah, I rise unseen

Refraction

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Carl Hauck - Refraction

Amaranthine

Listen to Marti West's collection here: smarturl.it/MartiWest

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Smiling with the sunrise come on now open your eyes
Oh hey new day
You're thinking too much it's just another day to survive
Oh yeah yeah yeah

Didn't we dance all night
Didn't we do it right

Oh hey new day
Oh hey new day

Tripping up the stairs but I can't feel my feet on the floor
Oh no no no
Kicking off our shoes with the blues bouncing off of the walls
Oh yeah yeah yeah

And didn't I take your hand
Didn't I understand
Didn't I take your hand
Didn't I understand

Oh hey new day
Oh yeah yeah yeah
Oh hey new day

Oh hey new day
Oh yeah yeah yeah
Oh hey new day

Oh hey new day
Oh yeah yeah yeah
Oh hey new day
Oh yeah yeah yeah
Oh hey new day
Oh yeah yeah yeah
Oh hey new day
Oh yeah yeah yeah

Smiling with the sunrise come on now open your eyes
Oh hey new day
You're thinking too much it's just another day to survive

Music & Lyrics by Marti West 
Produced by Marti West

© all rights reserved

VIII

New Day

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Bonsai

Taken from the Album Salt catch Michael Baker on tour
March 19th The Brunswick Brighton
http://bit.ly/39wJpfG
March 29th The Duke Whitstable
free admission
March 30th The Finsbury London 
http://bit.ly/3awkRUf
April 5th The Loft (Above The Kings) Portsmouth

BIOGRAPHY, by NME’s Andrew Trendell
“I lived in my van for two and a half years to pay for the making of my first record,” casually laughs singer-songwriter Michael Baker. “I moved into the van after a typical period of heartache. I had nowhere to go, but it was pretty good actually!” 

From this, you can gather a lot about the Anglo-French troubadour. Mainly, he takes nothing for granted and lives for his music.  

Spending his childhood near Brighton (where he went to the same school as Rag N’ Bone Man), Michael got his first guitar aged eight after seeing Oasis live and needing to learn ‘Wonderwall’. In his teens, the songs soon started to flow. It wasn’t long before the purity of his voice, the direct rawness of his writing and the sheer scope of his sound found him regular gigs and a devoted fanbase – one that only grew bigger and more in love with the release of his magnificent debut album Dust & Bone. 

A soaring collection of heart-wrenching indie-folk and cinematic sounds, Dust & Bone was recorded with Massive Attack collaborator Dan Brown, and was a staggering first showcase of Baker’s ambition and soulful style. “I’m really proud of the songwriting on that record,” he admits. “I was in such a bad place in my life when I made it, but it got such a great response from the people who heard it.”

Early sessions for Salt started when Baker hit the studio with Dan Brown and Oliver Baldwin, who had recently finished making Aldous Harding’s acclaimed album Party with PJ Harvey collaborator John Parish. While promising Michael says ‘’It felt like I needed more time to experiment than we had scheduled in.” So Baker headed back to record and produce the album with long-time friend Ed Martin. 

After discovering that his childhood home would be empty for a few weeks while his parents were in the process of moving away. He went in and stripped everything away, begged and borrowed all the equipment he needed, crammed the band in, drank a lot of wine, got a little stoned and naturally just flowed through the album – playing all day and all night. The recordings were so impressive, that Baldwin agreed to mix the record at Real World Studios and gave the songs a whole new dimension (as well as inviting Jack White’s pedal steel player Maggie Björklund to play on the album too). 
“I absolutely love artists like Cat Stevens and Bon Iver,” says Baker. Salt is a record that maps Baker’s journey through darkness and vulnerability to something a lot more hopeful. 
Among the key tracks that show Baker’s road to recovery, ‘Baby Books’ was inspired by being in close proximity to someone taking their own life – and totally changing the way he saw the world. Single ‘They Look Just Like They Know’ also deals with how “the mind can be a deadly place” and “feeling trapped in the prison of your own vision”. He’s looking for the sunrise on the horizon, too. Baker’s personal favourite ‘Claire’ celebrates the “the beauty of space in a relationship” and the escapist ecstasy of ‘One Good Damn’ has won over scores of new fans with its feel-good magnetism. 

Salt is a towering accomplishment that will win hearts with its adept handling of love, loss and hope, and there’s more to come. For now though, you’re about to get to know the real Michael Baker. “I feel like I have too much of a personal relationship with anyone who says they like my music,” concludes Baker. “I’ve been getting letters and messages from people saying that my songs have got them through a very hard time, and I don’t know how to reply to them other than as if I’d known them my whole life. That’s the way that I would do it. I hope that my music gives them as much as it’s given me.”

Morning glory

Éva Pataki