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Cut Me Loose #1

When Words Learned to Sing is the debut concept album by multidisciplinary artist Eva Mercer, blending poetry, cinematic alt-blues, and spoken soul. 

What began as years of written confessions and lyrical fragments now unfolds as a unified body of sound — exploring memory, womanhood, grief, and reclamation.

Lyrics and composition by Eva Mercer.
Vocals and instrumental arrangement generated with Suno AI.

Battlefield and Bedsheets

Disclaimer – Preview of a very sensitive Artistic Album

This work is presented purely as an artistic exploration of mental-health themes, self-harm, suicidal ideation and related matters. It has been created in collaboration with individuals living with various diagnoses. It is not a disclosure of my own personal experiences, and it does not constitute therapeutic advice, medical treatment, or a substitute for professional support.

Important Note
• What you are viewing is the preview version. The final album will be even more detailed and may include additional explicit or NSFW material.
• The content is an expression of art, not a clinical or therapeutic offering.
• If you are experiencing thoughts of self-harm, suicide, or emotional crisis, please reach out for help immediately:
•If you are in the United States: dial 988 (the 988 Suicide & Crisis Lifeline) to connect with trained counsellors.
•If you are outside the U.S.: consult the global directory of hotlines at blog.opencounseling.com/suicide-hotlines or search online for your country’s local crisis number.

Trigger & Content Warning
This album may include graphic, intense and potentially distressing depictions of mental illness, self-harm, suicidal thoughts and other emotionally challenging subject matter. If such content may affect you negatively; or if you are under 18, currently vulnerable, or have difficulty coping with emotional triggers; please proceed with caution, consider delaying engagement, or seek support from a trusted person or mental-health professional before listening.

Artistic & Legal Clarifications
• All materials in this work (lyrics, visuals, audio, collaborators’ contributions) are protected by applicable copyright laws; all rights reserved.
• Contributors retain the rights defined in their agreements; the portrayal of experiences or expressions in this work does not imply any endorsement of harmful behaviour.
• This project is not intended to encourage or glamorise self-harm or suicide. Its purpose is to raise awareness, provoke reflection and foster empathy.
• If you are a parent, guardian or responsible adult, you are advised to supervise exposure by minors to this content.
• By listening to, downloading or distributing this work you acknowledge that you understand the nature of its content and accept that its creators assume no liability for personal decisions or responses triggered by engagement with this content.

Final Note
Art can reflect dark places and emotional realities. This project attempts to shine a light on them: for some it may be illuminating; for others it may be triggering. If at any time you feel distressed, overwhelmed or in crisis, please seek help immediately.
You matter. Your feelings matter. You are not defined by a diagnosis. You are not alone.

Thank you for listening, reflecting and caring.

NOVOCAINE

Where I end or it Begins

haunted-by-your-gray-eyes-pt.2.mp3

Storms in Their Hands

An after-dark ritual album about the ancient power of saying what hurts before sleep. Inspired by the Kaluli “night clearing” tradition - the practice of allowing children to express any unresolved feelings or observations about the day out loud without response or fixing before sleep. These twelve glitch-folk soul songs turn confession into calm, teaching the nervous system to rest when the story finally ends.

Don't think about the monsters

Internal Thoughts is a comeback from the grave — a resurrection project pulling every influence you’ve been sharpening in silence. This mix album blends your entire spectrum: darkwave confessionals, neon-lit synth builds, emotional ballads, experimental rap fusions, gritty electronic drops, cinematic tension, post-hardcore energy, and intimate late-night slow-burners.

Every track feels like a thought you buried and then dragged back into the light — twisted, refined, and louder than before. It’s a collection built on contrast: soft vs. violent, sensual vs. broken, nostalgic vs. futuristic.

Emotions

Love tattoo

Red Thread

Post Malone, Billie Eilish – Silent Fever

Eva Mercer is an award-winning multidisciplinary artist whose work exists at the intersection of photography, poetry, and sound.
She is a lyricist, songwriter, and visual storyteller who builds entire emotional worlds through imagery and language — stitching memory, metaphor, and cinematic mood into everything she creates.

Her photography is known for its stark honesty and quiet violence: black-and-white portraits, symbolic objects, abandoned rooms, and conceptual scenes that feel like fragments of a life you’ve lived before.
Her poems and lyrics mirror that same intensity — intimate, sharp, and unafraid to unravel the parts of herself most people bury.

Eva writes every line of her songs, shapes the narrative concepts behind them, and designs the visuals that accompany her work.
She treats art like architecture: layering childhood echoes, emotional blueprints, and the soft ruins of identity into something rebuilt and reborn.

Whether through a camera, a page, or a song, Eva creates work that feels like confession, catharsis, and reclamation — a body of art carved from her own resilience.

Photographer. Poet. Lyricist. Storyteller.
Every medium is just another language she speaks.

 Created in collaboration with Suno AI, the album captures the ache, resilience, and reclamation that define her art.

P.S.
I write all my own lyrics. I shape my concepts. I build the world my music lives in.

The voice you hear is a placeholder — a stand-in — because I currently don’t have the equipment to record my own vocals.

But the art is mine.
The emotions are mine.
The stories are mine.

I’m a songwriter first. A lyricist. A creative director.
I craft every line, every metaphor, every visual, every sonic mood.
AI isn’t my identity — it’s just a tool I’m using until I or someone who wants my music can record with a human voice.

We don’t shame songwriters who have other people sing their demos.
We don’t shame producers who build entire tracks without ever stepping into a vocal booth.

This is no different.

I’m still creating my art with intention, skill, and heart —
and when I do have the ability to record my vocals,
You’ll hear my voice too.

Until then, I’d rather share the work than silence myself
Just because I don’t have the studio setup yet.

Art is art.
Creation is creation.
And these songs are mine — start to finish.

Where I end or it Begins

Eva Mercer

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