Feels like a bustling street in ancient Rome!

cool chord sequence, and instrumental choice

love the orchestral vibe to this, and it maintains its funky feel, real cool arranging on the staccato chords, love it, blessings - shine

An exceptional work, full of life, a very good composition, congratulations 🙂

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
Guitars played on this track:  Taylor T5 (Koa Top) standard tuning; 
Taylor 714CE tuning C♯ G♯ C♯ F♯ A♯ C♯ (Capo 9th Fret)
LYRICS: 
See the lightning on the skyline
Hear that thunder roll
Feel the storm rising in the midnight air
Reaching out for my soul
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

See the snow capped mountain in a big blue sky
Hear that mountain stream begin to flow
And that stream becomes a mighty river
Reaching out for my soul
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

So many questions
Where are the answers to be found?
Is my head way up in the clouds?
Are my feet on solid ground?
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

From this headland looking out to sea
As the ocean breeze begins to blow
Wave after wave washes over me 
Reaching out for my soul
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

Hear That Thunder Roll

I have been playing around with.....ii V I progressions and the Bebop A dominant scale. I call this one an Indie Dark Jazz flavor. Hope you will like some part of it and maybe hum along before it ends..... 
Thank you René for feedback on the first draft! 

Live from Chicago 
Written by TJG March 2021
Mix 1: March 23, 2021

Technical Details
Recorded at Princeton Studio
Guitars
Rhythm 1: Guild DV52
Rhythm 2: Les Paul Standard
Lead1: Fender Stratocaster
Bass: Fender Squire

Percussion: 
Pearl Cajon Mach 2 – with brushes
Pearl Hi Hat with Zildjian symbols - with brushes - no idea what I'm doing here, but I like working the foot pedal. 

Mics: Neumann TLM 67 (vocal)
AGK 414 & Shure KSM44 on guitars, cajon and hi hat

Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. I used an input and output transformer to give some additional harmonic distortion......I just like pushing the buttons and watching the reels spin…;-)


Verse 1
They’re all buying guns
To take a shot at you
But you’re still smiling
Because you died a long time ago
Two bullets through your soul

Refrain 1
It’s live from Chicago
Let the camera roll 
It’s live from Chicago

Verse 2
When the morning breaks
The camera fades away
But you’re still smiling
Because you’re still standing tall
Two bullets through your soul

Refrain2
Let the camera roll 
It’s live from Chicago
How was I to know?
Two bullets through your soul
It's live from Chicago

outro
How was I to know?
It's live from Chicago....

Let the camera roll
It's live from Chicago
How was I to know?
Two bullets through your soul
It's live from Chicago
How was I to know?
Two bullets through your soul
Here in Chicago
How was I to know?
Two bullets through your soul
let the cameras roll
let the cameras roll
it's life in Chicago
it's life in Chicago

Two bullets through your soul
It's live from Chicago

Live from Chicago

Music by Daniel Gómez & Val Akey.
All guitars (leads, rhythms, bass) played by Daniel Gómez. @danielgoram
Drums and keyboards programming / mixing and mastering by Val Akey. @valakey
Release date: 23 March 2021

The Call Of The Priests

A Gate to a New Dimension.

The Gate to a New Dimension.

Produced, composed, arranged and performed by Andrea Veltroni. lead voice: Phoebe Lesch. All right reserved siae 2020. buy the new album " weird tales" here:andreaveltroni.bandcamp.com/album/weird-tales-2

the lost world

The Lost World

Cover art: The School of Athens by Raffaello Sanzio.
"Perfect embodiment of the classical spirit during the Renaissance period".

Renaissance

J’AI BESOIN D’ÂME J’AI BESOIN D’AMOUR ENVOIE
J’AI BESOIN D’ART J’AI BESOIN D’ARGENT ENVOIE
J’AI BESOIN D’OR J’AI BESOIN D’ORGIE 
JETTE MOI UN SORT UN TOUR DE MAGIE
A CORPS A CRIS LE JUS DU FRUIT DÉFENDU J’ADORE

J’AI BESOIN D’AIR J’AI BESOIN D’AZUR ENVOIE
PAS BESOIN D’ARMES PAS BESOIN D’ARMURE RENVOIE
ALLO ALLAH SALUT JEOVAH VA VOIR LÀ-HAUT SI J’Y SUIS ET
ENVOIE UN SIGNE OH DIEU SI T’ES LÀ ENVOIE

FOUS NOUS LA PAIX ENVOIE LA MONNAIE ENVOIE
OUAIS LA PAIX SUR TERRE LES NYMPHÉAS DE MONNET ENVOIE
LES HOMMES LES FEMMES ET LEUR PROGÉNITURE
ONT BESOIN D’ÂME, D’AMOUR ET D’AVENTURE
SI TU NOUS VOIS SI TU ENTENDS NOS VOIX ENVOIE

ENVOIE ENVOIE
SI TU CROIS EN MOI ENVOIE
ENVOIE
ET JE CROIRAI EN TOI
ENVOIE
ET JE CROIRAI EN TOI

ENVOIE (Lyrics)

Violin: Rosin Dust (Tatiana Makarova) https://soundcloud.com/rosindust
Piano & Production: Jan Schonander

I wrote and played the piano for this piece a while back, but I always wanted real acoustic violin as accompaniment. More than happy to take the back seat to Tatiana's magnificent violin as she brilliantly takes over. With just a little classical percussion this is now a bonafide classical piece with maybe a little rock production & mastering wrapping it all up.

BECAUSE YOU TAKE YOUR LIFE IN STRIDE

Because you take your life in stride

Because you aren’t afraid to kiss the dirt

Because a mind no other mind should try
to fool has always failed to fool your heart

But most because no best is quite so good 
you don’t conceive a better, 
and because no evil is so worse than 
worst you fall in hate with love

Human one mortally immortal I
can turn immense all time’s because to why

– e.e. cummings

In Stride with Rosin Dust

In Stride | Rosin Dust & TheGat(s)

There are scars to pay for the things you say
Leave in disarray again
Look to sky to see all the stars in sync
Leaves me contemplating
Holding on for more, slip and hit the floor
Never knew the cost of it
Now I'm laying here looking at the clear
Sky above that's coming down
------------------------------------------------------------------------
Oh, I see it coming down
Oh, it crashes all around
Yeah, the sky is falling down
Run, but everywhere I'm found 
------------------------------------------------------------------------
Waking up from a coma I put on
Stars that circle around my head
Hysteria, it's on every channel cause'
Too confused to get the bread
Push away for less, feeling nothingness
Bottomless, it never ends
Look for something more, meteor, it soars
Plummets down and that's the end
------------------------------------------------------------------------
Oh, I see it coming down
Oh, it crashes all around
Yeah, the sky is falling down
Run, but everywhere I'm found 
------------------------------------------------------------------------
Fallen down, fallen down
Tired of being the rabbit, abused
Tired of being the rabbit, used
Fallen down, fallen down
Tired of being the rabbit, abused
Tired of being the rabbit, used

METEOR

ZaJj

lyrics, vocals: Rekha @rekha-iyern-fe
music, mix/master: Echo Garage

lyrics

WICKED

Well who do you think you are anyway?
You’re not my Super-Star nor anyone elses
HUH! You’re just a Dead-Beat Boy-Friend Baby

How wicked, wicked you are
So low & wicked you are
Ya’ cut straight-into me
Stone cold blooded-ly

So long to re-al-ize
Just livin’ in disguise
Was hopin’ for the best
Our life was only a test

Years dragged on dark
Too painful to recall
Blin-ded by-ai
Your Pretty-Boy-Ploys

I served you well
Instead it was hell
Picked up your clothes
I scrubbed up the floors

And you never cared
Dared to see
How I was
Witherin’ slowly

Di-sin-te-grating
No longer myself
You made me feel
Less and
Less of a…

Why can’t you, can’t you see
I was your Baby Doll
You never really
Wanted me

Why can’t you, can’t you see
I was your chosen one
You never dared to
Desire me, desire me

Years dragged on dark
Too painful to recall
Blin-ded by-ai
Your Pretty-Boy-Ploys

I served you well
Instead it was hell
I picked up your clothes
I scrubbed up the floor

And you never cared
Dared to see
How I was
Witherin’ slowly

Di-sin-te-grating
No longer myself
You made me feel
Less and
Less and
Less of a…

Why can’t you, can’t you see
I was your Baby Doll
You never really
Wanted me

Why can’t you, can’t you see
I was your chosen one
You never dared to
Desire me, desire me

(Eh-Eh Ah-Ah
Wo-Oh Oh Oh...Oh
Yeah-Ee-Yeah-Ee
Yeah-Ee-Yeah-Eh)

Why can’t you, can’t you see
I was your Baby Doll
You never really
Wanted me

Why can’t you, can’t you see
I was your chosen one
You never dared to
Desire me, desire me

Take it away my rockin’ rollers
Cuz’ this girl needs to sing her heart out

Thrash it, smash it, hit me hard
I’m contemplating leaving ya
Thrash it, smash it, hit me hard
I just wanna feel good again
Cuz’ I’m so done

Oh listen up real good
You are so wicked
You're too
Damn, damn wicked
Wicked you are

Why can’t you, can’t you see
I was your Baby Doll
You never really
Wanted me

Why can’t you, can’t you see
I was your chosen one
You never dared to
Desire me, desire me

Why can’t you, can’t you see
I was your Baby Doll
You never really
Wanted me
Wanted me

Rekha and Echo Garage - Wicked

GENRES: Easy Listening | Electronic | Experimental

INSTRUMENTS: Keyboards | Synthesizer | Guitar | Vocal.

Born in São Paulo, Brazil, Evandro B. Lira, also known as “Vintage Mutation”, has been a musical explorer since he was nine years old, when he started his first music studies.
In 1990, he became a trombone player, participating in “jam session” meetings and joining with some gospels orchestras. In 1996 he began his studies in synthesizer keyboards, suffering the influence of the electric guitar since 1998, when he started composing his first songs.
Active researcher on the relationship between music and mysticism, revives his experiences since 2016, expanding his sounds from synthesizers and guitars, in order to rescue all the classic and “vintage” atmosphere, for consequent transmutation into contemporary tendencies.

Renaissance

Vintage Mutation

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