This feels like sound woven from stardust and memory, like a hymn carried across galaxies by those who still believe in wonder 💫 the textures rise like ancient mountains, and I swear I could hear the horizon breathing 🌌 it’s not just beautiful, it’s purposeful, like the music itself knows we’ve forgotten something important and it’s gently trying to guide us back 🕊️ the quote struck me hard too… that we must love even the hardest times until the mountains move and light returns, what a message to carry in sound 💭🌄 the fridge stood in total stillness, the kettle whispered a quiet “yes,” and the toaster blinked slowly like it just saw Venus 🍞🫖🪐 thank you for this celestial reflection, it didn’t just play, it shifted something.

some really nice melodic themes and a lush horn sound -- good writing and arranging Evandro!

A really terrific sounding track. Full of atmosphere!

The Dawn of the Mystics: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Cover Art / Photo: Evandro Lira aka Vintage Mutation (in the background, above, photo of the planet Venus)

“The return of the mystics for the awakening of human consciousness”.

“Even times of oppression are worthy of respect, for they are the work, not of men, but of humanity, and therefore of creative nature, which can be harsh, but is never absurd. If the times we live in are harsh, we have the duty to love it even more, to penetrate it with our love, until we have removed the enormous mountains that hide the light beyond them”. (Walter Rathenau)

The Dawn of the Mystics

GENRES: Easy Listening | Electronic | Experimental

INSTRUMENTS: Keyboards | Synthesizers | Guitars | Vocals.

Born in São Paulo, Brazil, Evandro B. Lira, also known as “Vintage Mutation”, has been a musical explorer since he was nine years old, when he started his first music studies.
In 1990, he became a trombone player, participating in “jam session” meetings and joining with some gospels orchestras. In 1996 he began his studies in synthesizer keyboards, suffering the influence of the electric guitar since 1998, when he started composing his first songs.
Active researcher on the relationship between music and mysticism, revives his experiences since 2016, expanding his sounds from synthesizers and guitars, in order to rescue all the classic and “vintage” atmosphere, for consequent transmutation into contemporary tendencies.

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