A short reflection on sharpness, pressure, and the physicality of string playing

Composed by Eve Vickers
Perfomed by Ruth Gibson

Salsola - for Solo Viola

For Multi-Instrumental Wind Quartet

A piece exploring the spaces and interplay between sound and silence; both loud and soft, both constant and disjointed.

Premiered at RNCM Composers' Concert 2022
Performed by Chameleon Quartet https://www.chameleonquartet.co.uk/

Emplekton - for Wind Quartet

An electroacoustic installation originally designed for 8-36 speakers. This version is mixed for stereo playback.

Quickrust (stereo Version)

A piece for Saxophone quartet exploring double tongued timbres and the unique relationship between rapid impacts and discrete rhythms.

Performed by the Arctus Quartet at the RNCM

Abrasive Wash - for Saxophone Quartet

A piece for wind ensemble, written to explore varying systems of time between continuous and discrete sounds

Performed by RNCM players. Recorded taken from a workshop session at the RNCM.

Stones Unskipped - for Wind Ensemble (Workshop Recording)

An orchestral piece focused on the interplay between two distinct objects featuring different microtonal pitch systems, and colliding them until they fracture and break down.
Performed by RNCM's Brand New Orchestra on the 27th of January, 2022
Conducted by Elizabeth Vergara Gallego

Delta Relicta - for Orchestra

A piece for solo Alto Saxophone and Electronics

This piece was made in collaboration with RNCM's PRiSM research department, using machine learning-based software to analyze and recognize performed gestures in real time.

The piece plays with the ambiguity of recognition, mixing a timbrally unstable set of micro-variations, and an electronics part built from processed samples of the saxophone.

Performed by David Zucchi at the RNCM on 29th of June, 2023

Variations On A Flickering Light

A piece for 4 percussionists, focusing on constant rhythmic ratios within bars and phrases.

Performed at RNCM

Factor

My first electroacoustic composition, primarily using sounds recorded from the inside of a french horn.

Pipeline

A piece written for piccolo, cor anglais, clarinet, trumpet, percussion and harp. A slow, contemplative piece focusing on the distinct timbre of each instrument.

Recorded at a Composer's Lab at RNCM

Fissure

Composer of Contemporary Classical Music from the UK - Composition student at RNCM


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Eve Vickers

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