Listen to Alice Bellette read her essay from Griffith Review 76: Acts of Reckoning. In this piece, Alice delves into the narrative spaces claimed by new voices of Aboriginal gothic and their role in unsettling settler stories laid onto Australia’s landscapes.  

Examining questions of history, truth-telling and decolonisation, and revisiting colonial figures and their ongoing legacies, Acts of Reckoning reframes the past in order to form new futures – and celebrates how much work is already underway. For more from this edition, head to GriffithReview.com

Alice Bellette reading Blood and bone from Griffith Review 76 Acts of Reckoning

DRINK BOTTLE BLUES

This song is in response to the response.  'The park is not safe' 

Please note:  The word 'Here' in 'we belong here' refers to the idea as metaphor to being 'alive and heard', as opposed to being a nationalist statement.

Much respect to First Nations People, who belong here in this country more than anyone else, although that goes without saying.

Take It All

AVAILABLE TO DOWNLOAD ON ITUNES: http://ow.ly/Tp84f

Music written by Kelly Lee Owens. 
Vocals written by Jenny Hval. 
Engineered by James Greenwood

Jenny Hval - Kingsize - Kelly Lee Owens Rework

Cam & China - Run Up Produced By Jay Nari

Cam & China - Run Up Prod By Jay Nari

a remix from Habits' EP "Ugly Cry" - https://hbts.bandcamp.com/album/ugly-cry

HABITS - GERGER (Tennis Boys Remix ft. HTMLflowers)

Marcus Whale's solo production project offers a uneasy, breathless composition that would, ideally, be played exclusively in St. Peter's Basilica. If that's not available, a blood rave — or your headphones — will do. To Be Possessed features on the debut release of Sydney label Body Promise, Harmony From A Dominant Hue.

premiere: marcus (not singing), to be possessed

Got invited to play a set at Visual Bulk in a few days so I wrote this song to suit the space.

Untitled song for Visual Bulk

a study for string harmonics + sine tones that uncover the hidden acoustic properties of a widely beloved storm water drain

full recording: https://jasminleung.bandcamp.com/releases

laser measurements of the annerly drain generated the axial modes, resonance frequencies and sum and difference tones. this in turn generated the intonation for the stringed instruments and oscilllators to be sympathetic with the drains natural resonances....

credit:
composer: Jasmin Wing-Yin Leung
performers: Ellie Harrison, Jasmin Wing-Yin Leung, Jeremy Hegge
recording: Jeremy Hegge
@ellie-harrison-312814909
@jeremyhegge
this project was funded by QMusic and Arts Queensland


released September 18, 2020

[excerpt] harmonic resonance study for a drain

Evelyn Ida Morris, best known as Pikelet, is a gifted musician, celebrated for their dexterity across multiple instruments and for songwriting that is complex and structurally adventurous.

Since 2007, Morris has released four albums and two EPs as Pikelet, an experimental pop act, winning the Age Music Victoria Award for Best Experimental Musician and being shortlist for the Australian Music Prize. Prior to that they were known for their drumming in hardcore acts such as Baseball and True Radical Miracle.

In 2014, Morris co-founded LISTEN, an advocacy group focused on creating discourse around and documentation of gender diversity and gender politics in music in Australia.

Morris has an extensive history as an improvisational musician, alongside their practice of composed pieces for piano, synth, guitar and drums.

As a session musician Morris has accompanied artists such as Ariel Pink, Darren Hanlon, Grand Salvo, Laura Jean and Clare Bowditch. They have collaborated on various projects, including The Boredoms’ Boadrum 10/10/10 performance at Melbourne Festival and Deanne Butterworth’s dance work Siteless Now at the National Gallery of Victoria.

Take It All

Evelyn Ida Morris

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