Copy of Smooth R&B Jazz

Tony Pearson - Electric Bass, Rhodes Electric Piano, E. Guitar, Synthesizer, Horns
Produced, Arranged, Composed And Played By Tony Pearson
Recorded, Engineered, Mixed And Digital Editing By Tony Pearson
Studio One Recording Center
ARP Songs 2025, ARP Productions 2025, Sagi Music 2025

"Tribute To George Duke RIP" By Tony Pearson 4-22-25

Gentle Touch (2025Remaster)

“One” is a throwback to the golden age of funk and jazz — when every note had soul and every groove told a story. Driven by a tight rhythm section, warm bass lines, and vintage keys, this track blends the spontaneous energy of live sessions with a modern sense of flow. It’s a nod to unity, groove, and the simple joy of playing together as one.

My Inspiration

Don't Look Any Further

No. 1 Smooth Jazz Hits!

Ain't No Stopping Us Now

Streetwize Does Mary J. Blige

Be Without You

Smooth Urban Jazz: The Slow Jamz Album

Between the Sheets

In The V.I.P. Room

Love Come Down

Let Me Love You

Tha' Hot Club: Tha' Real Hip-Hop Smooth Urban Jazz

Hot In Heere

Smoothe Urban Jazz

Rock The Boat

Sensuous Smooth Jazz Guitar

Afterparty

Keyshia Cole Smooth Jazz Tribute

Shoulda Let You Go

George Benson Smooth Jazz Tribute

Give Me The Night

Smooth Jazz Tribute to Mariah Carey: Greatest Hits

Touch My Body

After the success of the Billboard charting Poetically Justified, Marcus Johnson, releases his latest CD This Is How I Rock on July 27, 2010. The album boldly delves into the pop/rock genre with a jazz spin as Johnson captures some of the industry’s most notable songs that influenced him earlier in his career. This CD exemplifies Johnson’s versatility and brilliant interpretive skills and will engage listeners with his signature jazz funk sound.

I CAN’T GO FOR THAT (SINGLE) – Johnson adds a sophisticated piano sheen on the Hall & Oates’ R&B/Pop hit, I Can’t Go For That, the lead single on This Is How I Rock. This single produced by Robert McDonald, is riveting, in the groove, fun, and drives Marcus Johnson on piano to a high-level of funk and jazz.

VIRTUAL INSANITY – Jamiroquai’s hit, Virtual Insanity, also produced by Robert McDonald, is another fun track allowing Marcus to have freedom to play with the track. Virtual Insanity showcases the luscious string arrangement supported by featured violinist Bobby Yang.

RISE – Marcus Johnson's approach to Herb Alpert's chart topping single Rise features trumpeter Greg Adams of Tower of Power. The track seductively blends Johnson’s intricate and hypnotic piano accompaniment with Adams’ smoky trumpet.

THANK YOU – For his interpretation of Sly and the Family Stone’s, Thank You (For Letting Me Be Myself), Johnson teams up again with Najee, giving this classic a new twist with the shimmering ethereal sound from Johnson’s Fender Rhodes and the funky swagger of Najee’s sax.

MAS QUE NADA – Made popular by Sergio Mendes, Johnson maintains the Mendes’ uniquely Brazilian flavor while adding the exotic background vocals of jazz/R&B hit-maker Maysa.

I Can't Go For That

Don't Look Any Further

Everette Harp

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