a somber song to leave off a otherwise goofy fangame series my favorite!, no but seriously though I feel like onaf has changed a lot about fnaf fangames because most if not all fnaf fangames had a 3d style or just used Png, other wise what I would call the dark ages of fnaf (even if done poorly) you would be lucky if you had a 2d minigame that wasn't 8 bit in those days, but now a lot of fnaf fangames are doing hand drawn, and i think it's because of this trilogy right here

So many years off my live with this fukin mode

hits different when you're sitting in the dark with warm clothes drinking something

Bro what instrument is this it sounds beautiful lmao

The best part of this fucking masterpiece 😭😭😭😭 i wish there was a cd or vinyl of the whole ONAF3 soundtrack

phonk

One Night At Flumpty's 3 OST

Schwanenei

"Winds Of Fjords is a tracker module song I made back in 2001. A decade later it got added to Roblox and gained some popularity among players creating their own games. Not least because the game's internal module player erroneously left one high pitched note hanging for a long time, which apparently worked great for adding tension when zombies attack or something.

People keep contacting me about this particular module every now and then and there're several uploads in Youtube. It's been fun to notice that some even have remixed and made their own versions of it (I do appreciate this, keep'em coming!), but none of "originals" sound exactly how it should, because they have been exported with wrong software and settings. I thought I'd release it properly exported and with minor tweaks to make it a bit more balanced and pleasant sounding. I missed the 20th anniversary by a few months, but nevertheless, here it is!

I never got paid for the use in Roblox and honestly can't remember if I ever gave permission to use it for free. But maybe this way my current main project, collaboration called Soft Knees finds some new listeners curious about what I'm doing these days. Lastly, I would like to thank Saga Musix for finding correct version of Modplug Tracker and exporting tracks for me.

-Antti aka minomus / Soft Knees"

released April 1, 2022
Export help: Saga Musix
Cover graphics: Kevin "Gopher" Chow

Bandcamp

Winds of Fjords (minomus 2022 remaster)

The Gargantuan Leviathan is originally seen in Subnautica as a massive fossil of an extinct specimen. However, it was brought to life by the Return of the Ancients mod. I hope you guys enjoy this fan-made Gargantuan theme music!

Temporary cover image source: https://www.deviantart.com/tapwing/art/Gargantuan-Leviathan-commission-738193734

Gargantuan

Battle Vs Elephage - Loomian Legacy OST (ByRxppRay)

NEON BLADE

WAKE UP!

🟠Follow me on Instagram: https://www.instagram.com/g3ox_em/
🟢Listen on Spotify: https://open.spotify.com/track/7mLWNwcvwRdEviz6SfYp8A?si=8b55493cb700492d
🔴You can find this song on my Youtube Channel: https://youtu.be/OVh0bMNSFss

GigaChad Theme (Phonk House Version)

a freaking banger holy crap
For the roblox game: Item Asylum 
Music by Aden Mayo 

Robloxians vs Dummies V2 (extended) [Item Asylum]

GHOST! - phonk.me & KIIXSHI

Pizza Tower OST - Unexpectancy 3/3 (Final Boss) Final Phase

https://www.youtube.com/watch?v=yuBJ4o0_eDs

original video

this is the pinnacle of the ultrakill comunity

ULTRAKILL - War Without (Reason) Surfers

War Without Reason But With Earthmover Sounds (ULTRAKILL)

War Without Reason x Search Party - ULTRAKILL x PRESSURE OST Mix

Rodland of Pipes - OST - The Pipes Will Always Win

i really wanted to make this no bgm but i would ruin the whole song so nvm

TikTok - https://www.tiktok.com/@b.o.l.e
Twitter - https://twitter.com/_bole_yt
Soundcloud - https://soundcloud.com/b-o-l-e

[YTPMV] Chicken Jockey Strikes Back

Three Four Five
 - Prelude
 - Development
 - Rest

Dates:
17-Sep-2025 (inception), 18-Sep-2025 (finalised), 19-Sep-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

Description:
This composition is inspired from a FaceBook group "Mathematical Tiling and Tessellation" (Ref. [1]), on a tiling pattern inspired from  Pythagoras' 3,4,5 triangle.  Ref. [1]'s posting date corresponded to the squares of the 3,4,5 triangle, 16-Sep-25, whereas I made a musical interpretation of this. I have seen this countless times, the "3 4 5 Triangle" (triangle who's sides have the integer lengths of 3, 4 and 5 units where the 3 and 4 sides are 90 degrees to each other) since learning algebra in high-school, but today was the day to be inspired to use this as the basis of delay times. There is another clue to this puzzle, Just Intonation, where the ratios between frequencies are made up from integer numerators and denominators and importantly, when these integers are small, the frequency pairs produced typically make for pleasing sounds. Now back to the inspiration. I made a few back of the envelope notes on time delay chains (how a delay+feedback networks connect to each other). Then when I came home, turned on my NOF_PulDelFilt digital synthesiser and started to experiment.

For the full description, see my BandCamp:
https://normanfreund.bandcamp.com/album/three-four-five
or my FaceBook page:
xxxx -- watch this space --- xxxx

The Three Four Five album of three pieces, all take inspiration from this central idea, using the numbers from the 3,4,5 triangle for delay times and as starting points for tuning frequency ratios. The first piece is the Prelude, lasting 01 minute 14 seconds. The second piece is the Development, lasting 5 minutes 43 seconds; and the final piece is the Rest, lasting 1 minutes 31 seconds.

The PulDeFilt synthesiser also includes a multi-track audio recorder which can accept external audio signals in addition to the sound it makes. Here the external audio came from the Soma Enner (hardware synthesiser) feed into the Soma COSMOS (hardware memory station). The Soma Enner has no discrete tuning, rather frequency dials, these were adjusted live during the performance in response to the PulDeFilt synthesiser themes.

Thank you Ed Pegg for your posting of the three four five triangle tiling pattern, to inspire me to use it in a musical way. Also a big thanks to Vlad Kreimer of Soma Laboratory for bringing the Soma Enner to the music community, a truly organic human machine musical interface.

References:
[1] Ed Pegg, "Facebook Group - "Mathematical Tiling and Tessellation", Sep-2025, "Happy 3^2 / 4^2 / 5^2!", Link: https://www.facebook.com/share/p/1CWm8yaeg1/

Schwanenei

EvilMC10

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WHAT THE SIGMA

Fizzy

getthismanasetofheadphones

DollarGenius

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