Wow, another way to feel the (m)usi(c) ☄️

trackz

A belated birthday gift from me to you ; dedicated to all the optimists, dreamers (even the low-key ones) and the generous & kind punks. 

Hoping it can provide you some sort of shift in energy

Purchase on Bandcamp - gifting me gifting you.

Lots of humbling love.

Artwork by Suutoo & Jonna Mayer

BitterSweetShiftinEnergy (RAGING OPTIMISM EDIT)

ESTOC - BOG TROLL [YGK019]

1. BOG TROLL
2. SOMNOLENCE
3. PERSPICACITY
4. WAR WORLD ft CITY
5. LUGUBRIOUS

Format: Digital/EP
Release Date: 11 Nov, 2022
Mixed by Estoc
Cover by Taylor Dow
Mastered by Soda Plains

ESTOC - LUGUBRIOUS [YGK019]

In certain moments we share the same landscape
All the winds on Venus
From time to time, the outline that holds us gives way and permits the overflow
Like a screen door, a vague shape of the interior is visible

Mastered by Jussi Hertz & Henri Nikkilä
Kaino Kim Vieno - European Woman mastered by Queer Ear Mastering

Artwork by Jussi Hertz

Keiska - BB 144

w @evilmedved @poisonanna

Mastered by Soda Plains @sodaplains
Cover Artwork by Mária Pinčíková and DJ GÄP

Available on Bandcamp + all streaming services
https://djgapdjgap.bandcamp.com/album/mutual-care

Released on Mäss @thisismass © DJ GÄP 2023 
#MSS008

MUTUAL CARE

DJ GÄP - Love It (feat. Evil Medvěd, POiSON ANNA)

“If we blackened out the sky we can turn it to light 
I wanna find you in the rhythm 
I wanna gift you the night 
I'm trynna pull up on your fears and disappear them from sight 

…we come alive in the basement, we come alive...” 

written and spoken by Moonflower (Vernon Jordan III) 

After releasing an EP, "Angeltribe" on London label TT in 2020, and "Vorphic Skin" on Toothgrinder Press in 2023, Kat Nzingha's debut album "Grind" will be released on AngeltribeXTL in May of 2023. Based in Philadelphia, Kat Nzingha is a multidisciplinary artist that explores experimentations with abstruse textures. By combining their sculptural works with heavy low-end frequencies and celebratory tones they create blissfully cryptic sonic materials that are the extended bodies of modified objects of which they consistently fabricate. "Grind" conjures the spirit of the sculptural entity that is physically attached to Nzingha's body as seen on the album art. The sculpted spirit is manifested through the sonic form of convulsing kicks, metallic percussion, and hyper-processed textures. 

"It's finally time to release "Grind" after sitting on the album for two years. The end of 2020 was when I started to build...  more
credits
released May 12, 2023 

Album Cover Photography by Dante @adeaddog 
Sculptural Entity by Kat Nzingha 
Mixed by Kat Nzingha 
Mastered by Skyshaker 



tysm for being apart of the album <333 tati au miel and sky

Kat Nzingha & Skyshaker - & Eternal Violence

SLA16: $23 by @moneylang

Type: EP
Format: Digital
Releasedate: June 21st 2023
Cat. number: SLA16
Artwork: Maria Chiara Moro
Mastering: Gabriel Schuman

Money Lang is a recording artist working from Italy, Europe.
Breaking and deconstructing elements of french touch, synth music and avant-pop - Money Lang weaves a beautiful melodic sound drenched in ‘peak time' sonics but holding perfect restraint.

Download

Money Lang — 'Formula'

⋆⁺₊⋆ https://silvio-dj.bandcamp.com/track/st-rs ⋆⁺₊⋆

Stars

free download

https://www.instagram.com/evilm___/

download :3

PINKPANTHERESS - P<3IN (Evil Medvěd rmx)

needs x mojik (your waves)

Silvio & blastah - Moments

Range Murata (FREE DL)

Taken from Racine's new album 'Boue' (G&P026), out March 24, 2024

Gin&Platonic are pleased to welcome the Montreal based composer, producer and sound designer Julien Racine to their catalogue. Following up the Genot Centre record with Keru Not Ever as Corporation and the stunning solo albums on Danse Noire, we're now blessed to present his newest longplay 'Boue', simply translated from French as 'mud'.
___

Offshore it's foul weather.

I climbed down the stone steps of my two-storey tower to reach the shore. Anthracite. The steps are slow and precise; those of a new life apprehending itself in its fresh descent. I used to be a composer: 142 pieces of varying length mourn my career. Mostly for string quartet. I tried orchestrating percussion with tuba. To no avail. No albums, but individual pieces, yes, pieces that bled the contradictions of the world through sketches of bronze angels. I tried to compose it as well as I could: every day I'd add a new note, the next day I'd remove it. In this gap, between adding and removing, lay the beauty of the music. This is how I managed to compose the 142 pieces that today resonate in the belly of every betrayed.

Where was my mother when I was presenting these pieces to the world? In the emotion or indifference of the sound meadows? My mother, who bequeathed me her heart defect as an inheritance, all the better to avoid me? The heart I now have, — transplanted from a pig, whose vena cava is slightly smaller in diameter than the human average — leaving me gasping for breath when I climb the surrounding mountains? She sent me just one letter, too short, in which she told me she had gone to hear one of my pieces, the performance of which lasted 4 hours and 13 minutes, in Budapest: “Dear Pascalin, your piece performed at the Bela Bartok National Concert Hall reminds me of the day you were born, when we parted. This made me cry a little. Iˇm not being facetious, it's the truth. Suddenly your life appeared to me, in the music, as a morsel of forgotten evidence. Kisses. Madeleine.”

The rising air is pure.

As I reached the shore, I gave my hatred of music to the seagulls, which squawked at the shrill of my footsteps shuffling across the polished stones. Their music is close to mine, I thought. A great wind of a new day carried their polyphony to the storms of the open sea. Cantatas, arias and requiems, all at once, in the undulating rage of the horizon. This time I’m in is nasty, isn't it? Living with these seagulls that sing for no one. My pig’s heart is beginning to beat faster. This heart inside me that isn’t mine but makes me live. I take a metal chair that had been lying on the shore since last summer, and I sit on it. Look over there, she says. I pick up an abandoned driftwood branch, washed by the sea’s salt, and wave it in the air, signaling the rain’s slow arrival. A morsel of forgotten evidence, I silently think. Lately, good foul weather to compose anew.

Written & produced by Julien Racine
https://julienracine.com/

Mastering & additional production by Jesse Osborne-Lanthier
https://jesseosbornelanthiernoir.bandcamp.com/

Artwork by Jiri Macku
instagram.com/jiri_macku

Words by Justin Leduc-Frenette (Keru Not Ever)
https://justinleducfrenette.com/

G&P026 🪞

Boue

Bandcamp

Racine - Boue V

Resident Advisor New Tracks : https://www.residentadvisor.net/tracks/945020

blastah & Don Sinini - Level It

Please donate

Oblinof - Holotropic(Evil Medvěd Rmx)

@evilmedved

cime001
Mastering - Christoff Riedel
Artwork - Tom Fischer, Hannes Fendrich, Alexander Turovsky

Evil Medvěd - WOmMwom

fuck <3

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Synth Library Prague

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