progettosonoro & Dia.Mat:
Marco Mascia: soft synthesizers.
Claudio Ferrari: electronic devices - field recording.
Alessandro Bona: flute - bass flute - thunder.

picture reference: https://www.yumpu.com/it/document/read/16175967/immagini-e-testi-epos-e-pittura-arcaicapdf

SS London Valour was a British merchant ship belonging to London & Overseas Freighters (LOF). She was built as an oil tanker in England in 1956 and converted into a bulk carrier in Italy in 1966. She was wrecked in a gale just outside the Port of Genoa in 1970, resulting in the deaths of 20 of the 58 people aboard. (https://en.wikipedia.org/wiki/SS_London_Valour)

London Valour

Caveat Viator

tone gen 14032021

🖤 HVH – Volume One 

Genre: Electroclash / Gay / Queer Club / Experimental Pop / 18+
BPM Range: 125–145
Mood: Chaotic femme, dirty disco, high-voltage glamour

Welcome to the underground voltage grid.
This debut DJ set from HiGH VOLTAGE HOMOS surges with sweaty synths, sassy basslines, and unapologetically queer club fusion. Part satire, part sermon, all dance floor. Every track is a jolt of electro-pop defiance — dressed in hot pink leather and laced with AI mischief.

⚡ Original lyrics, melodies & covers
⚡ Songs co-written + arranged using AI tools (Suno, ChatGPT)
⚡ Mastered with love by Sound Arts Coterie Project
⚡ Released by Progressive Hook Records (2025)

This ain’t your daddy’s club mix. Unless daddy paid for it.

HVH Volume One

Havoc on the Dance Floor (feat. ESPĒ)

This track came about from a lyric in the song 'Me and Bobby McGee' about "windshield wipers slappin' time". That was the basis of the rhythm which was augmented with percussion tapped out on an acoustic guitar and loosely inspired by Steve Gadd's drumming on '50 ways to leave your lover.' The whole thing wasn't completely unoriginal - the piano and chordal background came from an unsuccessful attempt at another piece which was stretched and repurposed. The clarinet melody is an original length, which means the emphases in the melody fall in different places with each iteration. Finally the melody is processed to sound as if it is mediated by different technologies to reinforce the slight theme of nostalgia. These technologies move through time from AM radio to vinyl to data-compressed digital.

patterns and accidents vol 1

on our way home

Resurrection Sunday

Tiefblau und Unendlich weit

Tiefblau Und Unendlich Weit

pict free wallpaper
a little experiment with Orba as a midi controller. The main line - free strings from Spitfire Labs in Ableton - Orba as a controller and the alternation of lead and chord positions - controlled by Orba. Then the standard keyboard line of virtual Ventus duduk and bass strings - Laboratory sound work, haha.

2020-11-18

frozen Time

Katie Mason - Good As It Gets  [evol mix]

Braz

Impro for fretless electric bass (noise included) thinking about Bruno Gussoni.

Instant Song (for BG) 

Instant Song

Just throwing soundpaint at the wall to see what sticks...

Katie Mason - Good As It Gets [evol mix]

EVOL DAN