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Layton Giordani takes the next step in the evolution of his sound with ‘Hyper World’.

Despite the challenging year we all shared in 2020, Giordani continued to grow in leaps and bounds as a producer. His second studio album ‘New Generation’ was a critical success and showcased the breadth of his artistry over 11 tracks, with moods fit for both the dancefloor and afterhours alike.

His latest offering, however, flexes its raving muscle and ambles up for the summer. The title track is bad arse, with swirling pads, trippy arpeggios and subtle flourishes of acid and psychedelica that all combine for a stomping finish. Fresh in every sense. ‘Astro’ is heavy on drama, driven by a big synth lead that pierces the air with intensity, before a delicious mid-track key change pushes the energy up to eleven and shortly after drops down into a celestial break, before building back up again.

Hyper World

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Layton Giordani - Astro - Drumcode - DC243

Essa faixa parte da interpretação intensa de Nina Simone em Black is the Color para construir um espaço sonoro de techno melódico e progressivo. Os vocais originais aparecem de forma fragmentada e processada, funcionando mais como textura do que como centro narrativo. Sobre eles, camadas de sintetizadores atmosféricos e arpejos sutis criam um movimento gradual, enquanto a base rítmica progride com cadência constante. O resultado é uma faixa expansiva, que equilibra delicadeza vocal e densidade eletrônica, conduzindo o ouvinte por um percurso que preserva a carga emocional da obra original dentro de uma estética de pista.

This track takes Nina Simone’s powerful interpretation of Black is the Color as its foundation to craft a progressive and melodic techno soundscape. The original vocals are fragmented and processed, serving more as texture than as the central narrative. Layered atmospheric synths and subtle arpeggios build a gradual motion, while the rhythmic base unfolds with steady progression. The result is an expansive piece that balances vocal delicacy with electronic density, carrying the emotional weight of the original work into a club-oriented framework.

Black is the color (Nina Simone Edit)

Pleasurekraft share a dark techno revision of their seminal hit, "Tarantula." The "7 Year Itch Rework" will be released via Kraftek May 5.

Read our review, and enter for a chance to win a signed, limited edition vinyl of the track here: dncgastrnt.co/4rbz

Preorder the digital track here: http://www.beatport.com/track/tarantula-7-year-itch-rework/9243625

Premiere: Pleasurekraft - Tarantula (Pleasurekraft's '7 Year Itch Rework')

Dino Lenny 'Shoot Me To The Sky' -Extended Mix-

Hypnotize

Sam Paganini - Hypnotize (Feat. Zoe) (Original Mix) [JAM]

"Closer goes first and is seven spooky minutes of spacious, acid-laced techno. Distant pads bring a cosmic feel and intimate spoken words make the whole thing feel personal yet unsettling as rubbery drums roll on below. Nothing pairs pulsating acid daubs with vocals drenched in reverb as slick drums drive things along. It’s a masterfully sparse yet engaging track that will cast its spell on all who hear it. Lastly, Motion is another absorbing track with deep drums and meandering pads sucking you into a cavernous sound world where alien motifs and acid gurgles work your mind as much as your feet.”

BUY ON BEATPORT

Closer (Original Mix)

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Mark Reeve - Far Away (Original Mix) DRUMCODE

I'm not the owner of this track. Credits to Dave Sinner.

Dave Sinner - Human Nature (Original Mix)

@carl-cox
@christopher_coe
@filthonacid

DO IT NOW

Get it here...

PREMIERE: Carl Cox & Reinier Zonneveld & Chris Coe - Inferno (Original Mix) [Filth on Acid]

Out now on vinyl & digital release - https://lnk.to/REKIDS124

Matt Edwards and multifaceted artist Patrick Mason team up as SRVD with debut release entitled ‘ELEVATE’ dropping on Rekids this August. 

Whether as Radio Slave or his various other monikers, Matt Edwards is one of electronic music’s most consistent and innovative artists. Ever since his early reinterpretations of Kylie Minogue and New Order, Edwards has continually commanded respect as a producer and in-demand remixer, whilst as a label owner his Rekids imprint is undoubtedly one of house and techno’s most influential platforms. 

Meanwhile, Patrick Mason continues to conquer the fashion world; a devout club kid and gifted creative turning heads as an outstanding art director, illustrator and model, whose extensive artistic talents include a unique and compelling voice destined for dancefloors. 

SRVD’s story begins when the pair met in Panorama Bar, which soon led to Edwards and Mason hanging out at the studio and later evolved into improvised performances in Berlin’s club scene and beyond. ‘ELEVATE’ perfectly captures the raw spirit and vibe of their live show, with whispering vocals ushering in precision kicks and piercing stabs until Mason’s mesmerising voice comes fully into play. 

An homage to the New York vogue scene and a huge hit at Panorama Bar - where the pair have set the house on fire with three unannounced shows so far this year - ‘NASTY’ is a syncopated, bass-driven monster of a cut complete with infectious claps and metallic effects.

Elevate

SRVD - Elevate

From the darkest depths of deep space UMEK returns to the uncontrolled planet called FOA with a three track bomber named Hell Archetypes. Enjoy your dark and filthy trip on ACID NOW.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

FOA038 : UMEK - Specific Flavour (Original Mix)

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The 62nd episode of Circoloco Radio with Archie Hamilton.

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Circoloco Radio 062 - Archie Hamilton

We are proud to introduce to you our first ever compilation called 'Analogue Volume 1' . 
This VA contains with six great tracks from talented artists with melodic and techno influences . 
Deep bass and mystical atmospheres , dark / Acid / melodic lines will guide you on a journey through progression.

Cat Eye - Original Mix - Koichi Sato Mika Kitten {EVR034}

Premiere: OC & Verde - Menace (Original Mix)

Artist: OC & Verde
Title: Menace
Label: Filth On Acid
EP: Loadstar
Release Date: 14,06.2019

Filth on Acid’s massive 2019 continues with more techno power, this time from the esteemed duo of OC & Verde. This pair have had plenty of support from tastemakers like Pete Tong who announced them as ‘New Names for 2018, Danny Howard who made one of their remixes Friday Fire on his Radio 1 show and Adam Beyer. They have released their huge tunes on Bedrock and Knee Deep In Sound before now and often climb into the Beatport Top 10.

Opener Menace is a bulky tune with rumbling bass and dark synths. It is a thunderous cut that will rattle the walls of any club and has a wild acid line to really make it ignite. Loadstar then gets cosmic with sci-fi melodies and withering synth lines that take you into the galaxy as the shuffling drums roll on. Last of all Cobra hits hard again, with more laser-like synths and heavy drums all demanding you dance.

This is another fierce EP from this fine label and essential duo.

Cat Eye - Original Mix - Koichi Sato Mika Kitten {EVR034}

Evolvement Recordings

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