mad track cant stop hearing it again and again

Yokessss!

DJ Emerson - Audiopot_ Flug remixes, Audiopot making a wilder version, dark bass sounds and atomic synth stabs are the engine of track, carrying on the listener in an hypnotic Techno dance trip. Nice job from Germany to Italy, via Spain thats the power Analytic Trail expansion in the Techno boundaries and not only, thanks also to contribution of the loads of producers always making an amazing work for the label environment.

ANT057_DJ Emerson - Audiopot (Flug Rmx)

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

Koubaya (Short Play)

Buy on bandcamp

Kazamayé - Koubaya (Short Play)

Little mashup for the tech heads out there. 
NO ONE KNOWS.

Flash My Acid Blaster - Green Velvet X Enrico Sangiuliano X Nick & Danny (Max Muscatelli Mashup)

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

A rework of Yves Deruyter's 'Back to Earth', 'Trance 7' is slowed to techno spheres, with damaging low-end and grinding repetition built to deadly effect.

Read more: http://hyponik.com/features/exclusive-features/first-listen-trance-wax-trance-7-trance-wax/

Juno

First Listen: Trance Wax – ‘Trance 7’ (Trance Wax)

Release

bandcamp

the realm

vertigo is out now: ftrbnd.co/vertigo

forever//over
9 of 13

soundcloud is dead, long live soundcloud

-

i met the devil in the hills last night
i was driving by myself, alone
he said boy what you running from?
i said i dont know

i dont know if it was a better time
but girl we were giants then
endless nights we were infinite
summers end would mean the death of us

but summer past
and we grew up
and all of our paths
they split up
and i havent seen your face or heard your voice in so long
so so long
we had a good run
its over now

lying on the grass talk is so old
living under orion we grew so bold
lying on our days we were outlaws
our loss but
catch me if you can
never wiped out
trying to catch a wave
trying to break out
i guess i didnt know

and now im gone
but it dont hurt me anymore
thats just the way it goes
yeah i shouldve known
but i heard you talking through the walls late last night
there are no ends just grays and half-lives
half time
its alright

that summer past
and we grew up
and all of our plans
they split us up
and i havent seen your face or heard your voice in so long
so so long
we had a good run
its over now

so please dont fade me out
so please dont lose me now

i heard the words that you never said
smoke screen from a cigarette
exhale we can never be whats in our heads
elevation doesnt matter now its straight ahead
sending shivers down my spine, life pirouettes
its cool, were used to losing real friends
only ever feeling it in retrospect
and we were really breathing not silhouettes
maybe in another dream this would never end

cos everything is not alright
and we are falling
but thats just life without some lows there is no highs
and everything will be ok
though we are all hurting
cos time flies fast and you know no pain is forever

ever

vertigo

forever//over

Song Credit - Selena Gomez - Back To You (Panuma, Unregular & Yanic Remix)

Selena Gomez - Back To You (Panuma, Unregular & Yanic Remix)

Pussy MotherF*ckers

some people think i'm BONKERS

Sysma



<a href='https://theartistunion.com/tracks/e6aef1'>Download for free on The Artist Union</a>

Free Download

Danny Kerrigan - After Hours (Extended)

Fast-rising Irish producer Rebūke debuts on Hot Creations with ‘Along Came Polly’. Hear the much-hyped title track now…

Read more: https://bit.ly/2rhv8PA

Premiere: Rebūke ‘Along Came Polly’

Hypersonic Missiles

Hypersonic Missiles (Patrick Topping Extended Shields Remix)

perty☟
UK / EU:
shogan@wmeagency.com

NORTH / SOUTH AMERICA: 
lhughes@teamwass.com 
bowen@teamwass.com

bio:
Ewan McVicar is doing things differently. He’s not following any existing blueprints, nor is he adding a filter to what you see. As a result, DJ Mag’s recently crowned Best British DJ is taking the electronic scene by storm. If you combine the spirit and ethos of the rave generation with a forward-thinking approach to music, vivacious energy and drive to push things in the right direction, you end up with McVicar. 

While his journey may have started in Ayr, Ewan McVicar’s path has shown he doesn't intend to rest until he's left his mark in every corner of the globe. That formative period in his humble Scottish hometown is the bedrock for his success today and after years of honing his craft across hip hop and commercial-leaning sounds in clubs that didn't quite fit his direction, he launched his own enterprise. TEN, the club night that started it all, was the introduction to underground music that he and his town so desperately needed. 

It wasn't just McVicar's hunger for something with a bit more bite that was satisfied once TEN was established, it was a huge success within the town and beyond. A new movement had picked up steam.

His unwavering dedication to pushing a sound that’s intrinsically his own had paid off and after a string of releases via Trick, 'Tell Me Something Good' became a runaway success, all over the planet. The platinum-selling single catapulted Ewan into the public eye and since then, he's not left it, not even for a second. His trajectory has been skyward but crucially, it's been on his terms. 

Musically he's made sure that he's stood firm on his commitment to the underground with releases via Heras Records, Optimo Music, Unknown To The Unknown, Shall Not Fade, Nervous and perhaps most notably Ninja Tune's singles imprint Technicolour, where 'Heather Park' found its home. The track acted as a platform for Ewan to recognise and celebrate his origins while facing forward with his sound. With that, the ode to his former home is one of his most beloved productions to date.

Remixes for The Chemical Brothers, Groove Armada and Totally Enormous Extinct Dinosaurs further cement his demand as a technically proficient producer and one that can create music for the main stage as well as sweat-soaked basements. Throw singles like 'Groove Thang' into the mix, alongside hyped collaborations with producers like Kettama, and what you have is an artist who's able to straddle both sides of the fence with ease, a rare feat in today's publishing landscape. 

Ewan's popularity as a selector and performer is arguably the strongest part of his arsenal and with one of the most engaged and active fanbases in the world, his sell-out shows prove to be one of the biggest draws in dance music. 

His sets at Creamfields in the Steelyard have become the stuff of legend, and they showcase his technical ability and prowess performing to crowds upwards of 30,000. His curated club brand 'Handpicked' is a no nonsense night that gives the truest insight into the brain of the clued-up Scotsman and he's welcomed acts like Kerri Chandler, Optimo, Stevie Cox and frequent b2b partner Special Request to play, perfectly surmising his musical tastes.  

Taking curation one step further, 2023 saw the inaugural edition of his beloved Pavilion Festival, Ewan's own festival located in the heart of Ayr on the Low Green, a location that he unsurprisingly holds dearly, in a community that he's now able to lovingly give back.

There are a whole host of new musical projects in the works and most importantly, an album is coming. One that he's been working on tirelessly in the background of his relentless gig schedule and release calendar, one that's set to tell the story of how an ambitious boy from Ayr decided to take over the world and how he's only just getting started.

the realm

ewan mcvicar

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