Name: An Caiora by Ewing Lauder in 2019|48 - The Composer's Playlist | Music from today's BEST internet based music creators
Duration: 2 min 23 s
Description: Sheet music (score and all parts) available at: https://www.sheetmusicplus.com/title/an-caiora-digital-sheet-music/21562211?ac=1

2019|48 - #ComposersWeeklyPlaylistSoundCloud

This playlist is dedicated to the growth and development of music creators. The creators highlighted have posted their music for others to discover, while both actively seeking and providing support and constructive feedback on the music posted. 

===========================
Thanks again to all these composers for creating such great music!

To all listeners, I highly encourage you to LISTEN - LIKE - SUBSCRIBE.

If you really want to show some love, please leave the composer a comment on their post. The more love, the more that is created :)

This week's SoundCloud playlist features 

Albert Roda
  - http://bit.ly/SC-AlbertRoda

Alberto Bellavia
  - http://bit.ly/SC-AlbertoBellavia

Andrey Lubimtsev
  - http://bit.ly/SC-AndreyLubimtsev

Annie Smart
  - http://bit.ly/300b0oT

Brooke Pierson
  - http://bit.ly/2Il14Ou

Bruce Klepper 
  - http://bit.ly/32UszDU

Ewing Lauder
  - http://bit.ly/2tsu8JA

Florent Ainardi
  - http://bit.ly/2Jf5pT2

Haris Vucan
  - http://bit.ly/31xQs3G

Hybrid Orchestra
#N/A

Jaco Joubert
#N/A

James Newman
  - http://bit.ly/SC-JamesNewman

Jamie Rhind
  - http://bit.ly/31wdNDf

Jérémie Vinet
  - http://bit.ly/SC-JérémieVinet

Jess Henderson 
  - http://bit.ly/2YZBQNl

Jesse Voogt
  - http://bit.ly/30T1f86

Joshua Sohn
  - http://bit.ly/2KQFFgk

Jostein Kauserud
  - http://bit.ly/2KPVljV

Julia Lesnichy
  - http://bit.ly/SC-JuliaLesnichy

Kalle Edh
  - http://bit.ly/SC-KalleEdh

Kirill Belousov
  - http://bit.ly/2IkXBzh

Kjell Prytz
  - http://bit.ly/SC-KjellPrytz

Klaus Ferretti
  - http://bit.ly/SC-KlausFerretti

Michel Teixeira
  - http://bit.ly/SC-MichelTeixeira

Nathalie Itta
  - http://bit.ly/31ksc5t

Nathaniel Ehrnman
  - http://bit.ly/2YWZ7ek

Nicklas Löfstrand
  - http://bit.ly/2UXylSC

Nicolas Djebiri
  - http://bit.ly/2VsvOP8

nordic audio
  - http://bit.ly/2Ika3iY

Rick Riccled
  - http://bit.ly/SC-RickRiccled

Ronald Roumanis
  - http://bit.ly/SC-RonaldRoumanis

Sam Sergeant
  - http://bit.ly/301xX6y

Sean Calvo
  - http://bit.ly/SC-RamonCalvo

Sharon Gabrieli
  - http://bit.ly/SC-SharonGabrieli

Ted Maguire
  - http://bit.ly/2JSxcK8

Victor Birkan
  - http://bit.ly/2GA0adz

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IONIATE Weekly Playlists feature new music from our IONIATE group members. Members of our IONIATE groups create original works in many styles including : 

 - #Soundtrack 
 - #BattleMusic
 - #Orchestral
 - #Symphonic
 - #EpicTrailer
 - #ThemeMusic
 - #SoloPiano
 - #TrailerMusic
 - #DreamScene
 - #AvanteGarde
 - #NewMusic

You can submit music for playlist consideration via IONIATE's Playlist Submitter (http://bit.ly/IONIATE-Playlist-Submission)  or oy joining one of our dedicated groups.

IONIATE GROUPS - NEW ON YOUTUBE
https://www.facebook.com/groups/181521019453661

IONIATE GROUPS - NEW ON SOUNDCLOUD
https://www.facebook.com/groups/IONIATEGROUPSNewOnSoundCloud/

IONIATE GROUPS - NEW ON SPOTIFY
https://www.facebook.com/groups/IONIATEGROUPSNewOnSpotify/

IONIATE PLAYLIST REQUEST - COMPOSER'S WEEKLY PLAYLIST
https://www.facebook.com/groups/2033343396793747/

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#IONIATE #EricSchultheiss #Composers #FacebookComposersPlaylist #ComposersClub #VirtualOrchestralComposers #TheArtfulComposer #GrupaFanówNiesymfonii

2019|48 - The Composer's Playlist | Music from today's BEST internet based music creators

The twinkling lights of Christmas trees, the rhythmic chaos of holiday preparations, and the warmth of familiarity that settles in after the season’s initial rush—this is the essence of my latest composition, *Lights Twinkle*. As a Christmas music piece crafted for voice, percussion ensemble, taiko drums, and harp, *Lights Twinkle* offers a unique auditory experience that blends tradition with innovation.

At its core, *Lights Twinkle* is a story told through sound and haikus. These succinct and rhythmic poetic forms perfectly complement my polyrhythmic compositional approach. Their structured rhythm provides a steady foundation amidst the layered complexity of the music. Moreover, I found inspiration in exploring a Japanese-influenced take on Christmas traditions, pairing the poetic brevity of haikus with the resonant power of taiko drums.

The harp takes center stage alongside the percussion ensemble, creating a sonic tapestry that is both grounded and ethereal. I’ve always loved how the harp blends with percussion, particularly the marimba. The harp’s dreamy quality elevates the piece, while percussion keeps it rooted, primal, and rhythmic—a delicate interplay of textures. I often think of the harp as a "pretty percussion instrument," and in *Lights Twinkle*, it shines in that role.

One magical moment during the composition process was when I accidentally copy-pasted the taiko drum pulse onto the marimba track. What could have been a mistake became a serendipitous breakthrough: the marimba’s introduction brought a fresh yet comfortably memorable rhythm to the piece. Another unforgettable moment was adding a "Carol of the Bells" rhythmic motif to the finale, tying the music to timeless Christmas emotions. Every time I hear that section, it feels like reconnecting with a cherished memory.

Polyrhythms naturally introduce complexity, but my goal was to make them inviting, not overwhelming. To achieve this, I kept the orchestration focused: no more than three rhythmic ideas sound simultaneously. Carefully placed accents reinforce the base pulse, anchoring the listener and tying the textures together. These choices ensure that *Lights Twinkle* feels intricate yet approachable, inviting repeated listens to fully appreciate its layers.

The haiku *“Light’s twinkle, on evergreen”* inspired the entire piece. It captures the pure joy of a Christmas tree, a universal symbol of the season. Through the music, I hope to evoke the hustle and bustle of holiday preparations, the unpredictability of new traditions, and the eventual comfort and warmth they bring. By the third listen, I believe audiences will feel at home in this soundscape, appreciating its connection to the season’s rhythms and emotions.

Ultimately, *Lights Twinkle* is my gift to listeners—a fresh yet familiar experience of Christmas. I hope it becomes part of your holiday traditions, offering warmth, wonder, and a little rhythmic sparkle to the season.

--------

Snow falls gently down
Lights twinkle on evergreen 
Silent night is here 

Candles softly glow 
Childrens laughter fills the air 
Christmas warmth surrounds 

Ornaments  shine bright 
Memories hung on each branch 
Love wraps every gift 

Bells ring in the cold 
Voices sing of joy and peace 
Christmas time is near 

Snow falls gently down 
Carols sung by fire light 
Peace on earth tonight 

Angels in the sky 
Guideing light on Christmas 
Hope reborn again 

Songs of joy resound 
Not for presents but for peace 
A gift that endures

Beyond all the bows
A humble star lights the way 
Guideing hearts to Joy

(lights twinkle
on evergreen 
childrens laughter 
fills the air 
carols sung 
by firelight 
peace desends 
on this night 
candle glow 
memories 
gently hung 
on each branch 
by firelight 
peace on earth 
tonight 
angel 
snowfall )

Snow falls gently down 
Lights twinkle on evergreen 
Christmas night is here

Lights Twinkle

Chopin - The Lost Nocturne

Chopin - The Lost Nocturne is a captivating homage to the Romantic master, evoking the delicate beauty and emotional depth of his most cherished works. This nocturne enchants with its lyrical piano melody, accompanied by lush harmonies that create an atmosphere of introspection and serenity.

The piece flows with a dreamlike quality, balancing intricate phrasing with moments of profound simplicity. Its hauntingly beautiful themes and nuanced dynamics draw the listener into a world of quiet reflection, reminiscent of Chopin’s timeless nocturnes yet imbued with a sense of rediscovery.

A poignant tribute, The Lost Nocturne embodies the soul of Chopin’s artistry, offering both homage and innovation in equal measure.

Contemporary Classical - The Essential Collection

Chopin - The Lost Nocturne

🎬 VIDEO

me and my  play a quintet

Jig (2)

Reel (3)

In this installment of Sound Advice, we speak to Hugo Gruzman of Flight Facilities. The Australian pair landed 15 years ago with “Crave You,” a luscious slice of disco pop. Today, they're playing Glastonbury and Coachella and rocking clubs from Ibiza to Bali; known for their infectious house productions, epic mixes and edits of everyone from Jamiroquai to Cassius. In this exclusive interview, we talk to Hugo about the duo’s beginnings in the bloghouse scene, and how it influences their work today. We also talk about curation, music discovery and fan interaction on SoundCloud, and their approach to remixing and arrangement.

Episode Show Notes: 
Follow SoundCloud Stories: @soundcloud-stories
Follow Flight Facilities: @flightfacilities
Get Started With Artist and Artist Pro: https://artists.soundcloud.com/

Sound Advice: Flight Facilities

Picturesque for Orchestra (2025) Nicolas Kingman

a 30 sec version of Ocean written for a Composers challenge

Ocean 30 Second

Meditation

I propose you to listen to my sixth composition « Le Passé » from my album “ Le Temps “.

I hope you like it ! Thank you for your listening and your great support...

«Le Passé », the sixth composition of the album «  Le Temps » composed, arranged and produced buy Nathalie ITTA ( 2019) All right reserved

Photos : Pixabay : https://pixabay.com/en/

🎼 Support my creations on uTip : https://utip.io/compopiano

🎼 Do not hesitate to support me by likes, comments, share my music and suscribed on my Youtube channel, I will be very pleased:-)
https://www.youtube.com/channel/UC4nqKMxTdTtQnw-DRp6GV2w

Don’t forget to press the bell beside the "subscriber" icon to receive my real-time notifications of my next compositions :-)

🎼 You can download my albums or unit titles from my Wiseband store:

 https://www.wiseband.com/yo/shop.php?boutique=5854

🎼 If you wish to make a donation to support my musical creations you can click on this link: 

https://fr.tipeee.com/compo-piano 

You can follow me on Soudcloud: https://soundcloud.com/nathalie-itta

You can Support my COMPO PIANO page on facebook :  https://www.facebook.com/nathalie.Itta.compopiano/?ref=settings

Subscribe to my Newsletter on my blog to receive by email all my compositions once a week: www.compopiano.com

Je vous propose d'écouter ma sixième composition « Le Passé » de mon album « Le Temps ».

J'espère qu'elle vous plaira ! Je posterai ma prochaine composition dans 15 jours :) 

Je vous souhaite une agréable écoute et je vous remercie de prendre « le temps » d'écouter mes musiques :) 
« Le Passé »  sixième composition de l'album «  Le Temps » composée, arrangée et produite par Nathalie ITTA ( 2019) 
Copyright, Tous droits réservés 

Photos  : Pixabay : https://pixabay.com/en/

🎼
Soutenez mes créations sur uTip : https://utip.io/compopiano

🎼N'hésitez pas à me soutenir en mettant des likes, des commentaires, partager mes musiques ou vous inscrire sur ma chaine Youtube : 
https://www.youtube.com/channel/UC4nqKMxTdTtQnw-DRp6GV2w
ça me fera très plaisir:-)
N'oubliez pas d'appuyer sur la cloche à côté de l'icône " abonné " pour recevoir mes notifications en temps réel de mes prochaines compositions. 

🎼Vous pouvez acheter en téléchargement  mes albums ou titres à l'unité sur ma boutique Wiseband : https://www.wiseband.com/yo/shop.php?boutique=5854

🎼Si vous souhaitez effectuer un don pour soutenir mes créations musicales vous pouvez cliquer sur ce lien : https://fr.tipeee.com/compo-piano 

Vous pouvez aussi me suivre sur Soudcloud : https://soundcloud.com/nathalie-itta

Soutenir ma page COMPO PIANO sur facebook : 
https://www.facebook.com/nathalie.Itta.compopiano/?ref=settings

Vous inscrire à ma Newsletter sur mon blog pour recevoir par mail toutes mes compositions une fois par semaine : www.compopiano.com

Le Temps

Le Passé - Album Le Temps

Sheet music (score and all parts) available at: https://www.sheetmusicplus.com/title/an-caiora-digital-sheet-music/21562211?ac=1

An Caiora

Je vous propose d'écouter mon interprétation et arrangement au piano de cette magnifique musique  « Rose » composée par James Horner pour le film Titanic de James Cameron. 
J'ai fait une petite intro avec les voix de mon piano numérique.
J'espère qu'elle vous plaira ! 
Merci pour votre écoute !

I invite you to listen to my piano performance of the beautiful piece “ Rose ”of the movie Titanic by James Cameron. I made a small introduction with the voices of my digital piano ..
I hope you enjoy it! 
Thanks for listening !

Photos : Pixabay : https://pixabay.com/en/

Support my creations on uTip : https://utip.io/compopiano

Do not hesitate to support me by likes, comments, share my music and suscribed on my Youtube channel, I will be very pleased:-)
https://www.youtube.com/channel/UC4nqKMxTdTtQnw-DRp6GV2w

Don’t forget to press the bell beside the "subscriber" icon to receive my real-time notifications of my next compositions :-)

You can download my albums or unit titles from my Wiseband store:

 https://www.wiseband.com/yo/shop.php?boutique=5854

If you wish to make a donation to support my musical creations you can click on this link: 

https://fr.tipeee.com/compo-piano 

You can follow me on Soudcloud: https://soundcloud.com/nathalie-itta

You can Support my COMPO PIANO page on facebook :  https://www.facebook.com/nathalie.Itta.compopiano/?ref=settings

Subscribe to my Newsletter on my blog to receive by email all my compositions once a week: www.compopiano.com

Titanic

" Rose "  - Titanic - Composé par James Horner - Interprétation et arrangement de Nathalie ITTA

Classical orchestration dedicated to Gandalf. It starts with an introduction theme describing how Gandalf comes to Sheer and does hi magic, then appears his theme played by bassoon, then comes the third part where he fights with evil forces. After that the introduction theme and his theme return.

Gandalf Theme

Symphony No 3 - III.Percussive Adaptation

Piano Concerto No. 1, I.Dance

Symphonic choir performed with Sibelius 7 Sounds. The composition mixes 4/4 and 0/4 time signatures, the key signature begins in C major and ends in f# minor, and the second chorus modulates down a major second (rather than up).

Cognitive Ambience - I

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

An Caiora

Ewing Lauder

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