Кино (Kino) - Звезда (Zvezda) Instrumental Cover

taken from the new ex machina album "line of time" available on 29 April in all major download stores (iTunes, Amazon, Musicload, etc.)

download the accompanying booklet of this album for free right here:
https://drive.google.com/open?id=0B0khP6MauFsCaFR6NTl3UGxhV00

ex machina on facebook:
https://www.facebook.com/exmachinaproject

ex machina website:
http://www.exmachinaproject.com

head up (in the sky) instrumental

The Yamaha CS01II is the first real synthesizer I ever owned. I got it when I was about 14 years old, back in 1985 or so. I noticed that I could get reasonable approximations of most of the sounds from Depeche Mode's "Speak & Spell" album with it, but at the time I didn't have the means to make decent multi-track cover versions, even after I got a 4-track. 

Recently I was studying the Depeche Mode 5.1 surround mixes, and realized that I could clearly hear all the distinct parts of alot of the songs, so I decided to throw together some renditions using just my trusty old Yamaha CS01II as the sole sound source (including the drums), just to see how close I could get to the originals. 

This version has no vocals at all, but otherwise it comes pretty close to the original. The actual musical arrangement is about 100% accurate. The sounds themselves are of course only approximations, and most of them don't have the same level of timbral detail as the ARP originals. I sequenced the whole thing in Cubase via a Kenton Pro Solo going into the custom CV/Gate inputs on my CS01II, recording each monophonic line in one at a time. Cubase provided the reverb and EQ, otherwise it's all CS01II.

The trickiest bits to transcribe accurately were the brass stabs and arpeggiator in the bridge, both originally played on a Roland Jupiter 4. The brass stabs are a series of 4-note chords, which of course I had to record in one note at a time, since you can't play chords on the CS01II. 

The drums also require multiple passes. For instance, the "timbale" part required a white noise burst (band-pass EQ'd) and a low sine wave (hi-pass EQ'd). The kick and snare also have multiple components.

Yamaha CS01II plays JUST CAN'T GET ENOUGH by Depeche Mode

The Yamaha CS01II is the first real synthesizer I ever owned. I got it when I was about 14 years old, back in 1985 or so. I noticed that I could get reasonable approximations of most of the sounds from Depeche Mode's "Speak & Spell" album with it, but at the time I didn't have the means to make decent multi-track cover versions, even after I got a 4-track. 

Recently I was studying the Depeche Mode 5.1 surround mixes, and realized that I could clearly hear all the distinct parts of alot of the songs, including "New Life." I also realized that most of the sounds in "New Life," which heavily featured the ARP 2600, were fairly simple. So I decided to throw together a version of it using just my trusty old Yamaha CS01II as the sole sound source (including the drums), just to see how close I could get to the original. 

This version has no vocals at all, but otherwise it comes pretty close to the original. The actual musical arrangement is 100% accurate. The sounds themselves are of course only approximations, and most of them don't have the same level of timbral detail as the ARP originals. I sequenced the whole thing in Cubase via a Kenton Pro Solo going into the custom CV/Gate inputs on my CS01II, recording each monophonic line in one at a time (20 tracks in all). Cubase provided the reverb and EQ, otherwise it's all CS01II.

Yamaha CS01II plays NEW LIFE by Depeche Mode

The Yamaha CS01II is the first real synthesizer I ever owned. I got it when I was about 14 years old, back in 1985 or so. I noticed that I could get reasonable approximations of most of the sounds from Depeche Mode's "Speak & Spell" album with it, but at the time I didn't have the means to make decent multi-track cover versions, even after I got a 4-track.

Recently I was studying the Depeche Mode 5.1 surround mixes, and realized that I could clearly hear all the distinct parts of alot of the songs, so I decided to throw together some renditions using just my trusty old Yamaha CS01II as the sole sound source (including the drums), just to see how close I could get to the originals.

This version has no vocals at all, but otherwise it comes pretty close to the original. The actual musical arrangement is about 100% accurate. The sounds themselves are of course only approximations, and most of them don't have the same level of timbral detail as the ARP originals. I sequenced the whole thing in Cubase via a Kenton Pro Solo going into the custom CV/Gate inputs on my CS01II, recording each monophonic line in one at a time. Cubase provided the reverb and EQ, otherwise it's all CS01II.

Yamaha CS01II plays ICE MACHINE by Depeche Mode

Yamaha CS01II plays BIG MUFF by Depeche Mode

The Girl From Detroit City is a beautifully presented 4-CD boxed set, celebrating an amazing 50 years in the music business for rock ‘n’ roll queen, Suzi Quatro. 

The 82 tracks on offer here span the whole of Suzi’s career, including three songs by the Pleasure Seekers, the all-girl rock band, which Suzi formed along with her sister Patti, and which signed to Mercury Records in 1968. Her massive chart hits from the 1970s also feature, including the ‘Chinnichap’ numbers, Can the Can, 48 Crash and Devil Gate Drive and a whole wealth of material from the 1970s onwards, through to tracks from her critically-acclaimed 2011 album, In The Spotlight, which witnessed her reunion with producer, Mike Chapman; highlights of which included Suzi’s covers of Goldfrapp’s Strict Machine and Rhianna’s Breaking Dishes plus a Chapman number, A Girl Like Me, which he wrote especially for her.


Suzi Quatro - Warm Leatherette

Accompanying soundtrack to the photo work "Ainda"


RPR - Soundtrack "Ainda"

Accompanying soundtrack to the photo work "Port"

RPR - Soundtrack "Port"

Stop Plastic Pollution – Florian Schneider(Kraftwerk co-founder), Dan Lacksman (Telex)

"Sunfruits" is the second track of the "Zeitenwende EP", which we produced as an application for Levekusener Jazztage jazz festival.

Written, arranged, and performed by the bottomline.
Recorded and mixed by the bottomline in summer 2017.

Franzis Lating - voc, ep, synth
Johannes Elia Nuß - dr synth 

~

If you are interested in our music, the release date of our album, upcoming concerts - if the covid-19 impacted circumstances permitting - please subscribe to our newsletter on our brand new website www.thebottomline.earth

SUNFRUITS

ex machina is a music project founded by Claudio Chiriatti in 1999. right from the start Claudio used the possibilities of alternative distribution ways of his output over the internet. the first two albums were distributed exclusively over the internet. after a two year hiatus on new releases Claudio signed a contract with the label FUEGO to release the music under that label.
after he moved back to his roots from Düsseldorf to his birth town Clausthal-Zellerfeld in 2008, Claudio realized that working in the studio alone is boring and he began looking for some new collaborators for ex machina. during his search he found his old friend Tobias Schwerdt who coincidentally just has been moved back from Berlin to Clausthal and who has played drum in several bands and projects in Berlin. after some trial sessions in the machina we realized very soon that this is a fertile and exciting partnership.

https://en.wikipedia.org/wiki/Ex_machina_(group)

like us on facebook:
https://www.facebook.com/exmachinaproject

head up (in the sky) instrumental

ex_machina

Related tracks