proper techno sets

Live @ Narcissist Gala 2022

Amida

Limongelli - Serpentine Devotion

examine-mix-89-w-kiille809-2024-11-16

LIVE RECORDING BY WORLD EXPERIENCE CENTER
THE HAGUE, 27th OF JANUARY 2024

released March 9, 2024 on @posth0c

COVER IMAGE BY JULIAN WNUK
LOGO DESIGN BY BRIAN MARK
MASTERING BY DIMA IBRAHIM

27:01:2024 (LIVE) [PH009.5]

Totality Episode 6: truthspeaker
Origin: Berlin, Germany
Runtime: 50:24

Follow: @truthspeaker1

Totality: truthspeaker

examine-mix-103-w-pax-2025-02-12

@pax_x
berlin, DE

examine-mix-103-w-pax-2025-02-12

Vaxmannen

Afterlife

BRUMA Podcast 001 – Fontana 

Inauguramos nuestra serie de podcasts con Fontana, DJ y productor radicado en Ciudad de México, y también el primer artista en firmar un lanzamiento con BRUMA.

Este set no busca llamar la atención con trucos. Es una hora de techno directo, preciso y denso. Una selección que refleja su forma de entender el ritmo, el espacio y la energía en la pista. Sin apuro, sin concesiones. 

Además de publicar EPs, en BRUMA queremos dar espacio al trabajo como DJs de los/las artistas que invitamos. Este podcast es una forma de conocer más de cerca su lenguaje, su criterio, su forma de construir momentos.

 El 8 de agosto sale Introspective, su EP debut.

 La preventa en Bandcamp abre el 25 de julio.

Bruma Podcast 001 Fontana

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

Lorenzo Fasano - Techno Sessions Vol.1

◦ AgainstMe x Red Rooms | Clergy X Podcast [5/10]

———————————————————————◦

We’re proud to unveil the fifth instalment of our Clergy 10 Years podcast series - launched in collaboration with Apple Music.

Apple Music “Pay per play” which gives us the opportunity to donate this to a charity of the artist choice!

For this episode, AgainstMe & Red Rooms have chosen to support “TBD tomorrow” with all proceeds from the mix.

Now available on Clergy’s SoundCloud and Apple Music.

Enjoy & Thank you for the support!

———————————————————————◦

AgainstMe x Red Rooms | Clergy Podcast [5/10]

Jonas Xenon is a DJ and Producer based in Berlin, Germany. His mind is wrapped around the darker side of the music spectrum. His love for hypnotic patterns and restless grooves drove him into the depths of techno production. As an artist with a drum and bass background you can still hear and feel the closeness to his roots. Techno with the little pinch of oldschool aesthetic fused together into a refreshing whole.

IG: https://www.instagram.com/jonas_xenon/
SC: https://soundcloud.com/jonasxenon

SUBLINE TAPES 044 - Jonas Xenon

🔊 NEW RELEASE 
Energía cruda, percusión implacable y atmósferas industriales: esto es schranz en su forma más pura.
Este track nace del corazón del underground, pensado para romper pistas, despertar mentes y mover cuerpos sin descanso.

Raw energy, relentless percussion, and industrial atmospheres — this is schranz in its purest form.
This track was born from the heart of the underground, crafted to shake dancefloors, awaken minds, and keep bodies moving non-stop.


Quiero agradecer profundamente a cada persona que apoya este sonido, comparte mi música y mantiene viva la escena del Schranz.
Sin ustedes, nada de esto sería posible.
Esto es solo el comienzo.

I want to give a massive thank you to everyone supporting this sound, sharing my music, and keeping the Schranz scene alive.
None of this would be possible without you.
This is just the beginning.

Thank you for being part of it. See you on the dancefloor.

Gracias por estar ahí. Nos vemos en la pista.
— Lots of love, KERSH 
#Schranz #HardTechno 

Kersh - Move to the dancefloor

"... he's a bit of a fool, he's a good guy " 

Buy this track and the instrumental version at: 

oshemproject.bandcamp.com

Support Oshem Project in creating spaces for arts, music and subcultures.

Good Guys

Reupload because SC deleted it on Crude.

Check the the rest of the Hardest Soft VA here: https://soundcloud.com/hardest_soft/sets/hsva-02

Buy the track here: https://hardestsoft.bandcamp.com/track/down-the-rabbit-hole

Doen the Rabbit Hole

Heinz Wilder - Down The Rabbit Hole

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