proper techno sets

Taken from "Greatest Hits"
Order here: https://selnrecordings.bandcamp.com/album/greatest-hits

Out 30th September 2022.

@fourthstatesounds
@conradpack

Greatest Hits

LEAL - Collect All

xtrasensory007: alda vain

examine-mix-89-w-kiille809-2024-11-16

power love electronics
︵‿୨♡୧‿︵

love wont love u

examine-mix-110-w-djruines-2025-04-12

Vaxmannen

examine-mix-113-w-staana-2025-05-05

examine-plain-255-2025-06-06(pomander-live_for_examine-archive_vol-2).mp3

@bisamapfel
@general-intellect
leipzig, DE

255-2025-06-06

BRUMA Podcast 001 – Fontana 

Inauguramos nuestra serie de podcasts con Fontana, DJ y productor radicado en Ciudad de México, y también el primer artista en firmar un lanzamiento con BRUMA.

Este set no busca llamar la atención con trucos. Es una hora de techno directo, preciso y denso. Una selección que refleja su forma de entender el ritmo, el espacio y la energía en la pista. Sin apuro, sin concesiones. 

Además de publicar EPs, en BRUMA queremos dar espacio al trabajo como DJs de los/las artistas que invitamos. Este podcast es una forma de conocer más de cerca su lenguaje, su criterio, su forma de construir momentos.

 El 8 de agosto sale Introspective, su EP debut.

 La preventa en Bandcamp abre el 25 de julio.

Bruma Podcast 001 Fontana

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

Lorenzo Fasano - Techno Sessions Vol.1

◦ AgainstMe x Red Rooms | Clergy X Podcast [5/10]

———————————————————————◦

We’re proud to unveil the fifth instalment of our Clergy 10 Years podcast series - launched in collaboration with Apple Music.

Apple Music “Pay per play” which gives us the opportunity to donate this to a charity of the artist choice!

For this episode, AgainstMe & Red Rooms have chosen to support “TBD tomorrow” with all proceeds from the mix.

Now available on Clergy’s SoundCloud and Apple Music.

Enjoy & Thank you for the support!

———————————————————————◦

AgainstMe x Red Rooms | Clergy Podcast [5/10]

Jonas Xenon is a DJ and Producer based in Berlin, Germany. His mind is wrapped around the darker side of the music spectrum. His love for hypnotic patterns and restless grooves drove him into the depths of techno production. As an artist with a drum and bass background you can still hear and feel the closeness to his roots. Techno with the little pinch of oldschool aesthetic fused together into a refreshing whole.

IG: https://www.instagram.com/jonas_xenon/
SC: https://soundcloud.com/jonasxenon

SUBLINE TAPES 044 - Jonas Xenon

Move

Digitakt 2
Analog rytm 2
Dbx compressor 
Xone 92
160BPM

KAbO

Alter-Ego

the examine archive publishing network 
est. 2020

examinearchive@gmail.com
contact bookings requests 

past events

01 & 03.08 LEIPZIG 
KELLERRAVE x V23 x SYSTEM DYSTOPIA x EXAMINE-ARCHIVE

2025-07-11 AMSTERDAM, NL
V23 x SYSTEM DYSTOPIA x EXAMINE-ARCHIVE

2024-06-29 DUESSELDORF, DE 
EXCESSPEACE! AKTION/HAPPENING/NETWORK SHOW 
EXAMINE-ARCHIVE x V23 x SYSTEM DYSTOPIA x ONBEGRENSD

examine-mix-110-w-djruines-2025-04-12

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