Very nicely done. I like all textures. The guitar sits nicely on this atmosphere. I think the track is a bit quiet for soundcloud, by the way. Nice job.

This fire bro. Dope sound sound smooth . Very nostalgic

this track  got hella potential brodie keep it up

My kinda music....superb! nothing more to say!

Kinda reminds me of "Nothing else Matters". Also kinda reminds me of "In the Heat of the Night" TV theme song. Bluesy, mellow, Cool!

This has a great tone to it! Very nostalgic work man, keep it up this is fire.

Pretty nice ambience. Great traditional vibes

That reminds me of Maggot Brain by Eddy Hazel. Don´t know why, but that was my first thought. Great playing, brother.

Mixed by adiehardy.com
Cover art by: Eetu Iljamo
www.redbubble.com/people/Tukkasotka/shop
Released by shorediverecords.bandcamp.com/album/teething-ep

Color The Lines (EP version)

This one means a lot to me . It was a beat Lent to me by The Italian Job . He did a great job . Great guy ! Is a pleasure working with you .

The Italian Job - https://soundcloud.app.goo.gl/NR9iZdT8rX7mqoVt8

Need To Know More? (Prod. The Italian Job)

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You can stream this album on your favourite streaming platform:
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“Glow-worm” is an ethereal and immersive track that transports the listener to a dreamlike state with its calming and soothing atmosphere. The resonating bell-like sounds modulate over deep horns and atmospheric pads, creating a rich and layered sonic texture that captures the imagination.

Subtle progressions add depth and interest to the track, while abstract sound effects enhance the sense of mystery and suspense. Whether you're looking for a cinematic background for a documentary, presentation, or advertising, or you need a fitting accompaniment for meditation or yoga, “Glow-worm” is a versatile and evocative choice.

With its cinematic and atmospheric qualities, this track is also an excellent fit for video games, cosplay, live-action role play, and a range of visual media. Whether you're a video producer, game developer, YouTuber, podcaster, or content creator, "Glow-worm" is a must-listen for fans of ambient and cinematic music alike.

For commercial and derivative licences, please visit us on Sounzone, where you can buy this track for a number of additional uses. --> t.ly/1NV3

Glowworm

Music in my Head

Breath

04 - Nenad Ljubicic - Nashwille - Breath

Christopher Woodiwiss Original Music - Slow Blues

Squid

WarBirds - Grigg💀COMBSTEAD

This began as part of a jam with XAW on the ambient drone rhythm guitar and SA on melody guitar. SA added a backing melody guitar track, silver flute and gongs rolled over each other, then arranged, mix/mastered, produced.

The title references the Dali painting, The Persistence of Memory.

The Persistence of Forgetting

The Persistence Of Forgetting

Exploration spatiale

Quasar

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

"Any sufficiently advanced technology is indistinguishable from magic." - Arthur C. Clarke

Up-tempo rock/orchestral fusion track that will put you on a rocket through the rise of modern technology. 

Update, 05/30/22: Remixed with acoustic drums from Lx_Khan on Fiverr

To be featured on my upcoming album release "DVĀRAM."

Autocatalytic

Musician
2nd Soundcloud -  https://soundcloud.com/christopherwoodiwiss/tracks

Christopher Woodiwiss Original Music - Slow Blues

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