@spraelle

"Poussière. Plastique. Résidu. Ruines. Je me réveille et ne reconnais rien de ce paysage de néant pourtant si plein. Le ciel est d’un rose rance et terrifiant. Sur ce sol accidenté, rien ne semble avoir résisté, ni image, ni écran. Rien si ce n’est des débris, des reliquats de vies passées, d'existences numériques. De la mousse phosphorescente a recouvert mes pieds. A tout recouvert. Entre effroi et émerveillement, je contemple les alentours, médusé. 
Alors que de nouvelles voix et un nouveau langage résonnent en moi, le silence environnant m’accable. Pourtant au loin j’entends des sirènes en écho. Elles m’appellent. Je me lève finalement et commence ma traque. Suivre la trace des ces chants, quoi de plus hasardeux. Allez, qu’est-ce que j’ai à perdre de toute façon."

Identité visuelle : Maxime Buono

Intro, interludes et outro 
Textes : Alexandre Peron 
Voix : Alice la Terreur 
Traitement et production : Hildegarde

Mastering : Tristan Chaillou

Production : Alice la Terreur & 
Alexandre Peron

Ruines

Sprælle - hourglass

To Mirka

Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus.

“Ábris Gryllus is a cross-disciplinary media artist and musician based in Budapest. He is well-known for several projects, collaborations and performative works with choreographers, sculptors, dancers and other musicians. As a tireless artist always open to new possibilities, Gryllus has worked on dance pieces, educational workshops and installations; he is one-half of the beat-oriented group FOR., and not least of all, he produces immersive electronic music under his own name. His solo materials include the frantic vocal-based ‘Canon’ (The Death of Rave) and two releases on Farbwechsel (‘Post_’, ‘A.D.’) that feature a rather focused, slowly forming approach to composition.

‘Nucleus of the Decay’ shares the fundamental, carefully sculpting method that is prominent on the aforementioned Farbwechsel releases. This two-track EP is a conceptual piece that reflects on life-changing events, biological or chemical processes and the overall bipolarity that is encoded into the course of a lifetime. Both pieces of the album embody the duality of a living, organic texture and its transience: at times, it can be graceful and splendid, at other times it can be distressing and overwhelming.

‘Parent I (with Thea Soti)’ is a gradually building opening track, starting with only a handful of audio channels of scratches, hisses and a high-pitched tone. In a smooth and subtle manner, the vocals of Soti then fade into the dense fabric of sounds that unfold, engaging in a plethora of expressions, supported by a bass progression resembling a chorale-like structure. ‘Parent II’ is centered around an instrumental piece, a string-like leitmotif surrounded by whispers and echoes that are bright and piercing, as well as light and cumbersome at the same time.

‘Nucleus of the Decay’ offers a sonic world that admits the struggle and joy of reflecting on one’s presence, and sees the captivating yet eerie nature of the inevitable future. Working with both purely synthesized sounds and real-life voices, Gryllus’ first solo EP at EXILES invites us to a place that is warm and harsh all at once, dragging us into a swirling torrent of ethereal whitewater.”

—Nemerov

music by Ábris Gryllus @abrisgryllus
digital mastering by Roland Nagy @fausto_mercier
vinyl mastering by Stefan Betke (pole)
vinyl distribution by Rubadub
artwork by Renáta Szabó

scapemastering.com
rubadub.co.uk
www.instagram.com/rnszab

Digital / 12” Vinyl

Ábris Gryllus – Parent II

To Mirka 

Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus. 

“Ábris Gryllus is a cross-disciplinary media artist and musician based in Budapest. He is well-known for several projects, collaborations and performative works with choreographers, sculptors, dancers and other musicians. As a tireless artist always open to new possibilities, Gryllus has worked on dance pieces, educational workshops and installations; he is one-half of the beat-oriented group FOR., and not least of all, he produces immersive electronic music under his own name. His solo materials include the frantic vocal-based ‘Canon’ (The Death of Rave) and two releases on Farbwechsel (‘Post_’, ‘A.D.’) that feature a rather focused, slowly forming approach to composition. 

‘Nucleus of the Decay’ shares the fundamental, carefully sculpting method that is prominent on the aforementioned Farbwechsel releases. This two-track EP is a conceptual piece that reflects on life-changing events, biological or chemical processes and the overall bipolarity that is encoded into the course of a lifetime. Both pieces of the album embody the duality of a living, organic texture and its transience: at times, it can be graceful and splendid, at other times it can be distressing and overwhelming. 

‘Parent I (with Thea Soti)’ is a gradually building opening track, starting with only a handful of audio channels of scratches, hisses and a high-pitched tone. In a smooth and subtle manner, the vocals of Soti then fade into the dense fabric of sounds that unfold, engaging in a plethora of expressions, supported by a bass progression resembling a chorale-like structure. ‘Parent II’ is centered around an instrumental piece, a string-like leitmotif surrounded by whispers and echoes that are bright and piercing, as well as light and cumbersome at the same time. 

‘Nucleus of the Decay’ offers a sonic world that admits the struggle and joy of reflecting on one’s presence, and sees the captivating yet eerie nature of the inevitable future. Working with both purely synthesized sounds and real-life voices, Gryllus’ first solo EP at EXILES invites us to a place that is warm and harsh all at once, dragging us into a swirling torrent of ethereal whitewater.” 

—Nemerov 

“(...) Ábris Gryllus, known for his performative works with choreographers, sculptors, and dancers, creates music of decay and resignation. Nucleus of the Decay is shorter than its 2020 predecessor AD, but similar in structure, with microsounds appearing against a backdrop of hauntological passages. The album is reminiscent of the work of Philip Jeck or The Caretaker, where he builds an ambient, spatial story among noises and loops reminiscent of post-classical synth layers. It is melancholic, sad, and alluring but also lyrical and seductive.” 

—Jakub Knera (The Quietus)

music by Ábris Gryllus* @abrisgryllus
digital mastering by Roland Nagy
vinyl mastering by Stefan Betke (pole) 
artwork by Renáta Szabó

scapemastering.com 
www.instagram.com/rnszab

*featuring
Thea Soti – Vocals (Parent I)

Buy Digital / Vinyl

Ábris Gryllus – Parent I (with Thea Soti)

diejay varni 26.11.2022 @ wurm

Title: LSBSXL
MASTERED BY: SHIVANI DESAI
WRITTEN & PRODUCED BY: PHILTH HAUS

DESCRIPTION: LSBSXL SINGLE in ASSOCIATION WITH ALBUM REPSXL BY PHILTH HAUS. RELEASED BY AQNB. PERFORMING AT KW INSTITUTE, BERLIN MARCH 03.

LESBIANISM IS AN ATTRACTION TO THE GENDERS OUTSIDE CISGENDER MALES AS A SELF WHO IS NOT A CIS MAN.

See here for more info: bit.ly/PHILTHHAUS

PHILTH HAUS, "LSBSXL" (2023). Courtesy AQNB, London.

https://kohlhaas.bandcamp.com/album/radicor-al-flort-espert-onill-il-erb-aor-raetia

@holysimilaun

"[KHS 026]

Holy Similaun and Archipel dwell once again in the complex intersection of human memory, time and its perception with "Radicor al flort, espert on'ill il erb, aor Raetia".

In just under 20', this ideal in-depth analysis of "Arcaskathel" explores the blurred boundaries between reality and illusion.
Electronic and ambient soundscapes meld with japanese instrumentation and rouge-ah's poignant harp to create a sonic tapestry that ebbs and flows between moments of serene beauty and frenzied dissonance.
From longing nostalgia to the violent confusion and disorientation that comes with the loss of memory, this tracking shot invites the listener to explore the nuances of each sound and word, amidst the juxtaposition of brutal distortion, soaring melodies and punishing walls of noise.
The bold vocals, expertly crafted by Archipel, add another layer of depth to the already rich sonic landscape, shifting from demonic whispers to lullabies in the blink of an eye.

Even in its most turbulent moments, "Radicor al flort, espert on'ill il erb, aor Raetia" remains grounded in a sense of grace and beauty. The echoes of this immersive sonic experience will stay with you long after the music has stopped.
credits
releases May 26, 2023

All music written and arranged by Holy Similaun
Vocals and lyrics written by Archipel
Harp by rouge-ah
Vocals recorded by Giovanni Lami and Archipel
Produced and mixed by Holy Similaun
Mastered by Giuseppe Ielasi
Artwork by Archipel
Liner notes by Xenia

Edition of 300 copies"

Holy Similaun - Radicor al flort, espert

This is https://soundcloud.com/archidi_1 's guest mix on https://soundcloud.com/movement-radio-athens 

Tracklist

01 266sx - after the last of the fires
02 011668 - The Age of Spiritual Machines
03 Batu - Solace
04 KAVARI - Maimed
05 Kemperton - Jeopardizer Dub wav
06 Mars89 - GoodThing
07 Hard Fantasy - The Overseer
08 Stolen Velour - Symbiosis (Jabes Remix)
09 Voronhil - ACT03_PART03
10 amaranth_todd - Aspirate
11 XPEL- The Commit
12 Huna - Ryoichi 
13 TALPAH - CLAM007 - VACUUM W- TANCA
14 011668 - Tendre Ael - S280F - 011668 - 𝒯 𝑒 𝓃 𝒹𝓇 𝒾𝓁 ส็็็็็็็็็้้้ ส็็็็็็็็็้้ ส้้้้้
15 Heith - Stoned Witch 
16 DJ Sniff, Son X, Kimiya Sato, Yuji Ishihara - Day 5, Take 5
17 T5UMUT5UMU - Incantation 呪術

Ice_Eyes w/ Archidi Movement Radio 210623

"Patriotic Pulse" is a powerful collection of epic Dance, cinematic Soundtracks, and melodic Pop tracks, personally created by BassTianic as a tribute to the land he loves most – the United States of America. Every beat, every orchestral rise, and every melody captures the spirit of freedom, energy, and emotion. A sonic journey across iconic American landscapes, blending orchestral depth with modern dancefloor power. This album is more than music – it’s BassTianic’s heartfelt dedication to America’s pulse.

#PatrioticPulse #BassTianic #DanceMusic #Soundtrack #PopMusic #EpicBeats #OrchestralDance #EpicSound #UnitedStates #America #FreedomInBeats #ElectronicMusic #ProducerLife #BassTianicMusic

I want to be an American (Futuristic Cinematic Soundtrack)

lost in translation

Path To Hopeless

Exiles Electronics are a small label of wonder and intrigue.

Ábris Gryllus – Parent II

EXILES

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