Marco MAL Loprieno: piano, electronics, percussion, sampling, voice, bass, ableton live, push, instant composition
Pat Lugo: photo

NEVERLAND

MONEY MONEY

Baron Samedi, the vodoo loa of death and change
Marco MAL LOPRIENO: electronics, field recordings, instant composition
Pat LUGO: photo

BARON SAMEDI

always follow the WHITE LINES !
Marco MAL LOPRIENO: electronics, percussion, instant composition
Pat LUGO: photo

WHITE LINES

Marco MAL Loprieno: Instant Composition; Electronics; Voice; Percussion
Pat LUGO: Photo
Shamanism can remedy the evils of the world

SHAMAN

Marco MAL LOPRIENO: Direction in Sound; Voice; Alto Sax; Contra-Alto Clarinet; Percussions; Electronics
Pat LUGO: Photo
THE SPEAR OF THE NATION, organizzazione di resistenza armata contro i bianchi razzisti in Sudafrica!

400 BOYS

TUTTO SCORRE, EVERYTHING FLOWS, PANTA REI
Marco MAL LOPRIENO: Contra-Alto Clarinet; Percussion; Electronics
Pat LUGO: Photo

Acoustic Cities

STOP and GO

STOP And GO

Marco MAL LOPRIENO: perrcussions; electronics
Pat LUGO: photo

ZETA

Marco MAL LOPRIENO: soprano sax, tenor sax, percussions, electronics
Pat LUGO: photo

Marco MAL LOPRIENO: alto & baritone saxes; bendir; percussion; voice
Pat LUGO: photo

Hic Sunt Leones

MAIALE

Marco MAL LOPRIENO: voice, contra-bass clarinet, electronics, percussions
Pat LUGO: photo

NO HOPE

Marco MAL LOPRIENO: direction in sound, electronics, percussions
Pat LUGO: photo
It's a Romantic Song!

PEACE 4ALL

SORRY SORRY

Marco MAL LOPRIENO: Direction in Sound; Sopranino Sax; Didgeridoo; Percussion; Electronics
Pat LUGO: Photo

PEACE

MANEKI NEKO

Marco MAL LOPRIENO: Direction in Sound; Piano; Didgeridoo; Percussions; Electronics
   Pat LUGO: Photo

DIALOG

Marco MAL LOPRIENO: Soprano Sax; Piano; Electronics
Pat LUGO: Photo
Baikal Seals... fighting for peace!

BAIKAL SEALS

Marco MAL LOPRIENO: piano, field recording, electronics
Pat LUGO: poetry, voice, photo

SONGLINES_LENGHE

SONGLINES LENGHE

Marco MAL LOPRIENO: Japanese flute; Electronics; Percussions; Field Recording
Pat LUGO: Photo

KAIROS

OTO_SENSEI

my contribution to #resist because we need now to take a stand against hate politics, mass manipulation, xenophobia, total incompetence, climate & covid 19 deniers, EXXON ...

Marco MAL LOPRIENO: saxes, flutes, clarinets, bent toys, electronics, ableton live & push
Pat LUGO: photo
Andrew WEATHERS: mastering

BABYLON

THE DONALD

Dedicated to my brother Andrea who passed away this morning. It is inspired by the François Truffaut's movie Les Quatre Cents Coups and especially by the end when the kid is on the beach and is running into the sea disappearing ... calm and serene ...
Marco MAL LOPRIENO: alto and soprano saxes, electronics, field recording, percussions, sampling, Ableton LIVE & Push, Novation  Launchpad
Pat LUGO: photo
Andrew WEATHERS: mastering

400 Colpi

400 COLPI

LA MORT, Death, Life and Death. Difficult to live Life without considering Death.Taking Life as a concept, listening to the powerful voice of Jacques Lacan

Marco MAL LOPRIENO: instant composition; tenor sax; hulusi; sheng; ROLI Seaboard; gongs; field recordings; sampling; electronics; Ableton LIVE; PUSH
Pat LUGO: photo
Andrew WEATHERS: mastering
Jacques Lacan: "prendre la vie comme un concept" (take life as a concept)

DOORS

LA MORT

the universal ZEBRA, mistery of the night, love/fear of the dark... Fire in the Lake

Marco MAL LOPRIENO: instant composition, sopranino sax, kalimba, field recordings, sampling, percussion, electronics, ableton LIVE, PUSH
Pat LUGO: photo
Andrew WEATHERS: mastering

FIRE IN THE LAKE

ZEBRA

EXIT_LAB is a laboratory, a place to meet and an informal platform dedicated to explore and promote art, performance and social action.

it is located in Anderlecht, Belgium (EXIT_LOFT) it was created 20 years ago by Pat Lugo and Marco MAL Loprieno.

Marco MAL Loprieno - instant composition, wind instruments,  toys, field recordings, sampling  and electronics; PAT LUGO - voice, photo, text and visual.  
"IN HISTORY AS IN NATURE WHAT IS ROTTEN IS THE LABORATORY OF LIFE " [Karl Marx, The Capital, book I, chap. XV ]

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