Chincy was made on a kitchen table using an Akai MPC3000, Moog Sub37 and a Korg Minilogue for hardware; plugged into a Midas Venice mixer, Crane Song STC-1, Thermionic Culture Rooster and Focusrite pre-amps for recording. Vocals by Chicago. Subs by car system tests. 808 by 808. Fingers by Landstrumm.

The tracks are live jams but they aren’t that cheap to make. No hunching over a computer for weeks on end. One take, one mistake. Just jamming on gear after listening to Mantronix , Dre’s The Chronic and many many UK hardcore records. Pizza Pie on speed dial and Mr X for nighttime sessions for added UK swagger. Recorded in a forest with a swampy back garden. 145 is the common thread of ‘Chincy’ and ‘Eighty Four’ with a 160 diversion for equal measure on ‘Cutlass’.

Neil Landstrumm - Cutlass

Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

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