Part Of: Move & Body EP
Catalog: FRD278
Release Date: 04.03.22
Buy Link: https://freerangerecords.bandcamp.com/album/move-body-ep

Manuel Sahagun
SoundCloud | https://soundcloud.com/djmanuelsahagun

Freerange Records
SoundCloud | https://soundcloud.com/freerangerecords
Website | https://www.freerangerecords.co.uk

Release Text:
Time to welcome back Argentinian producer Manuel Sahagun to Freerange for his follow up to his brilliant 2019 release Awake. Manuel has been putting out quality house music since the early 2000’s and has released tunes on Berlin’s Tooman, UK’s Drop, and Detroit’s Kolour as well as remixing legends such as Warren ‘Hanna’ Harris, Robert Owens and Patrick Chardronnet. He brings a freshness and eclecticism to his productions that fits in perfectly with the Freerange ethos of forward-thinking house music loaded with warmth, bumping grooves and a touch of soul.
The three tracks on offer here range from the acid-tinged, 707 driven Body through shuffled, Detroit-inspired groove of Move and closing out on the slow-mo blissed-out Balearic mood on Ritmo Pandemico. Some great new music to keep your discerning dance floors bouncing to!

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Berlin House Music
Submit Your Music | https://berlinhousemusic.com/submission
Store | https://berlinhousemusic.com/shop
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
Facebook | https://www.facebook.com/berlinhousemusic
SoundCloud | https://soundcloud.com/berlinhousemusic

FRD278

PREMIERE: Manuel Sahagun - Body [Freerange Records]

Butch & C. Vogt - The Infamous (Full Version)[Rebirth]

VQ001 A1: Benoit & Sergio - Walk And Talk

VQ001: Benoit & Sergio - Walk And Talk

Key: Em
BPM: 124
Genre: Funky House

Published on SoundCloud: May 5, 2024

Nr. 161

I Have To Break Away (Original Mix)

BUY LINK: http://btprt.dj/1E10ZoG

Release date : 20th April 

Kate Simko and Tevo Howard rejoin forces with a new single, ‘Bring It’, from their upcoming album on Sasha’s label Last Night On Earth. Native Chicagoans, Tevo and Kate grew up on house music, and their collaboration pays homage to their home city while exploring new ideas outside the limitations of genre boxes. The forthcoming album, ‘PolyRhythmic', is a masterfully crafted production from two of the current days most dedicated purveyors of Chicago house music. 

“Bring It was a track I made for Movement Festival in Detroit a few years back, and it has very Detroit-influenced chords.  It became a staple in my live set, and then Tevo added the 303 bass line and classic Roland drums to bring in an old school feeling.” – Kate Simko

Both Kate and Tevo’s heritage shines brightly through ‘Bring it’. Their equally passionate devotions to music started at young ages. Tevo, a bassist who started mixing records in the late eighties, coupled with Kate’s love of piano and house music, makes this a completely natural pairing.  ‘Bring it’ foreshadows the essence of ‘PolyRhythmic’, an album that fuses modern inspirations with the classic sounds of house music.

The vocal version of ‘Bring It’ was re-crafted last summer in New York at Butcha Sound Studios with vocalist Amunet Shah. Also enamored by house music, Shah created raw and authentic NYC-style vocals. Kate and Tevo’s new school American sound shines through on this standout production from the album, fusing together elements from Detroit, New York and Chicago house music. The addition of Tevo Howard’s Roland-303 baselines perfectly capture and elevate the classic sound of Chicago. A menacing yet melodic sound that highlights the ‘PolyRhythmic’ project perfectly, A classic sound with a contemporary twist. 

‘This will be a larger page to open the door to the statement in sound that PolyRhythmic first set out to make through many ideas shared by us as artists’ – Tevo Howard.	
‘Bring it’ paves the way for Kate and Tevo’s long-play album ‘PolyRhythmic’. This single opens the door and invites listeners into their platform for experimentation in house music.  This exceptional production from the album is a chance for Kate and Tevo to stay true to their musical roots whilst exploring broader creative horizons.




Bring It

Kate Simko & Tevo Howard - Bring It

Diynamic welcomes one of Germany's most exciting young talents for a label debut... 
Twenty year old David August's first musical introduction was being forced into Piano lessons at the tender age of five years old. As time passed and David's ivory skills grew, he came to love the instrument and excelled in its classic format. 
 
At fifteen David's first steps as a DJ began and it wasn't long before he gained his first residencies. A year later he made his first forays into production and in 2009 he  made his first impact on the scene by releasing his 'Praha EP' on Stil vor Talent. This was soon followed by the October release of 'Trumpet's 
Victory'. 
 
Now David readies himself to take his next step. Having recently earned the residency at Diynamic ́s Club EGO, he prepares to drop his first productions with the Hamburg label. A wonderful three track selection, showcasing the exciting talents of the young producer. Enjoy! 


3. David August - Music Is The Place To Be

Jimpster - These Times (Dixon Refix)
Out now

These Times (Dixon Refix) Preview Clip

(2003)
☆☆☆☆☆
FKEK Vocal Mix
☆☆☆☆☆
https://www.discogs.com/Moloko-Forever-More/release/152971
☆☆☆☆☆

All Back to the Mine: Volume I - A Collection of Remixes

Moloko - Forever More (François K & Eric Kupper Vocal Mix)

Buy / Stream: https://ffm.to/takenallthistime-lp

Praise coming in from Groove Armada, Laurent Garnier, Erol Alkan, Crazy P, Louise Chen, DJ Bone, Fred P, ABSOLUTE and Horse Meat Disco.

Prolific disco/house producer James Curd is perhaps one of the undersung heroes of the scene. With hundreds of production credits to his name on every label worth its salt from DFA Records to Classic Music Company to Permanent Vacation to Lumberjacks In Hell — and of course, Exploited — he has serious skin in the game. It’s finally time for his debut album to make its mark on the world, rounding up 14 of his finest moments to date for Exploited and packaging them up into one joyous blend.
“‘Taken All This Time’ is a catalog of music that stays true to my life growing up in my critical formative years in Chicago” he explains. “I used to make tracks from beginning to end on an MPC2000. I had a studio in my room that was set up on a door that was held up by two overturned trash cans. If I was recording on the mic I had to shut my windows because I lived on the third floor above 90/94. Sometimes I would get WGCI bleeding into my speakers while I was trying to work. It was the best of times. I worked at a record store called Supreme most days. Then I would work on music till late and head out to the club. I had a residency with Derrick Carter, Gene Farris and Diz. I made so much music — especially in the brutal winters.”
You wouldn’t know that much of this record was made in the depths of winter, given the warm, balmy vibe that surrounds much of it. With his magical synth wizardry cutting against jazzy keys, disco/funk basslines, and sublime vocals, it’s a beautiful mix of sounds that is at home on the dancefloor as on the home stereo. Each track contains elements built on his MPC, with all keys, vintage synths, guitars and bass played live. “ In a time where so much music is pieced together by sample packs and drum loops this album is created brick by brick.... or beat by beat. Every keyboard sound was played on an actual keyboard in my studio. Guitars and bass were played in.”
The album draws its influences from ‘70s disco, ‘80s boogie and ‘90s deep house in equal measure, serving as a musical document of Curd’s upbringing. Beautiful vocals are provided by a diverse cast of singers and rappers, including Bear Who? Luke Million, Likasto, Natasha Lillith and KE, with other collaborative moments featuring Fred Everything and Karmon.
The prolific producer has previously worked with James Murphy for a release on his DFA Records label, and works on many film, TV and video game score projects, including for the ‘Grand Theft Auto’ series and 50 Cent’s show ‘The Oath’. But right now, it’s all about this beautiful collection of tracks, providing a milestone in his career that he will be able to look back on very proudly in years to come.
Single and Album artworks were done by James' friend Cody Hudson who is a Chicago based artist known for his graphic design contributions under the name Struggle Inc. and for the production of clean, multi-dimensional graphics, Cody's design aesthetic is part urban modernism, and part organic visual deconstruction.
His graphic work and paintings have been exhibited throughout the US, Europe and Japan including the Museum of Contemporary Art (Chicago), New Image Art (LA), Rocket Gallery (Tokyo), The Lazy Dog (Paris), & Andrew Rafacz (Chicago).

Artist: James Curd
Release: Taken All This Time
Label: Exploited
Cat: EXPDIGITAL222
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport & Streaming: 24.09.2021
Releasedate Global Download: 08.10.21

Taken All This Time (Album)

Taken All This Time feat. Shyam P

Buy / Stream

James Curd - Taken All This Time feat. Shyam P I Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

James Curd - Taken All This Time feat. Shyam P I Exploited

Exploited

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