Artist: Tom Haw
Song Tittle: Nothing Is Permanent
Release: "Spirit Of The 90’s” EP
Catalog: WRB005
Label: WAREBLUES
Release Date: 26/06/21 (Exclusive Beatport) 10/07/21 (General Release)
Buy link: https://www.beatport.com/release/spirit-of-the-90s/3424149

Tom Haw, young producer and WAREBLUES owner, debuts with a 4-track Deep House EP. "Spirit Of The 90’s" opens the presentation, the jackin' rhythm and the old keys come together to turn on the dance floor. "Cry For Love" continues, deep strings, funk bass and raw sound achieve true poetry. In the middle it's "Givin' Yourself", the vowels tell a story accompanied by a stomp rhythm. "Nothing Is Permanent" closes the EP, a sentimental track that stabs directly to the heart.

Tom Haw
SoundCloud | https://soundcloud.com/tomhaw

WAREBLUES
SoundCloud | https://soundcloud.com/wareblues
Facebook | https://www.facebook.com/wareblues.official
Instagram | https://www.instagram.com/wareblues/

www.chromatic-club.com

PREMIERE: Tom Haw - Nothing Is Permanent (Original Mix)[WAREBLUES]

Out now on Crosstown Rebels: lnk.to/krustremixes

On 9th July Crosstown Rebels released ‘TTOE Remixes #3’ – the third in a trio of Eps featuring reworks from Krust’s lauded masterpiece ‘The Edge Of Everything’. The selection of top-drawer artists delighted to rub shoulders with the revered master added UNKLE, Hodge and DJ Nature to a list that has seen Masters At Work, Four Tet, Damian Lazarus, Batu, Calibre, LCY and Flynn all deliver inspired versions. Following ‘TTOE Remixes #3’ EP, the full set of reworks is now released via Crosstown Rebels as an album called ‘The Edge Of Everything - Remixed’.

Linking back to a shared history that saw Krust (alongside Roni Size) remix DJ Krush’s ‘Dig This Vibe’ and also provide their own track ‘Tribetoon’ for the seminal ‘Headz 2’ compilation, both on James Lavelle’s label Mo’Wax, now the influential DJ/producer/A&R delivers arguably his best ever work under the UNKLE alias, with deep breakbeat goodness that’s both classic and perfectly now.

A sonic son of Krust, fellow Bristolian Hodge works ‘Constructive Ambiguity’ into a proggy new school breaks monster that carves the original’s metallic bass into sharp new shapes, whilst sparkling like melodic stars is Four Tet’s take on ‘Negative Returns’, which packs a deceptively heavy punch, maintaining the original’s hurtling velocity, fuelled by a huge sub-bass engine.

In an exchange that reaches back to 1997, Krust sampled Masters At Work alias Nuyorican Soul’s ‘Nautilus (Mawtilus)’/‘Mind Fluid’ on his game-changing single ‘Soul In Motion’. This was reciprocated in 1998 by Nuyorican Soul’s remix of ‘Watching Windows’ by Reprazent, of which Krust was a key member. Here the duo individually known as Kenny ”Dope” Gonzalez and Little Louie Vega deliver pure audiophile euphony, somewhere between broken beat, real house, cosmic acid and future jazz funk.

A rugged halftime head-nodder (which again brings things full circle) is by Krust’s brother Flynn – a fellow member of 1989 ‘Wishing On A Star’ hitmakers Fresh 4 alongside Krust, and also a jungle legend in his own right, as half of veteran duo Flynn & Flora. More West Country royalty comes from Wild Bunch founder Milo Johnson AKA DJ Nature’s wigged-out Martian house by way of New York – which, in another of Krust’s many thematic circles – echoes the Latin-tinged, blunted science of Nu Yorican Soul’s ‘Mind Fluid’ and ‘The Nervous Track’.

Crosstown Rebels boss Damian Lazarus maintains Krust’s epic adventure narrative, retelling the tale in his own words, taking recognisable parts from the original and transposing them into a groovy cosmic house odyssey, whilst Calibre turns ‘It’s A Lot’ into a warm, glowing two-step roller with serrated analogue bass and masterful musicality befitting his classical training.

The spiralling beat-and-bass science of Batu’s version takes ‘Space Oddity’ and deconstructs it like a cubist portrait, matching Krust himself in pure outside-the-box original expression. Rising new school leader LCY is clearly a kindred spirit too, rivalling Krust with their future-facing breakbeat science that’s equally as compelling and inventive as the original.

With such inspiring source material, it’s unsurprising that all of the remixers have brought their best game to this impeccable collection.

Krust

7 Known Truths

Krust - 7 Known Truths (Flynn Remix)

MERCH >> bit.ly/3a1Jnwv << T-shirts, hats, hoodies & more!

Artists: Kameelah Waheed, North Street West
Title: America The Beautiful
Label: Ramrock Red
Release Date: 2021-08-13

PURCHASE >> bit.ly/3CIc80i <<

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>> PURCHASE <<

Kameelah Waheed - America The Beautiful (North Street West Dub) [Ramrock Red] [MI4L.com]

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Artists: D:Ream, Ashley Beedle
Title: I Used To Believe In Love
Release Date: 2021-10-08

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D:Ream - I Used To Believe In Love (Ashley Beedle's NSW Love & Joy Dub Mix) [MI4L.com]

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Artists: KVRVBO
Title: Le Fleur
Label: Iron Rods Music
Release Date: 2021-10-01

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KVRVBO - Le Fleur [Iron Rods Music] [MI4L.com]

Artist: Rode Zayas
Title: Jazzy Thursday
Release Date: October 15, 2021
Catalog #: KNG897
Label: Nite Grooves

Beatport: https://www.traxsource.com/title/1676686/jazzy-thursday
Traxsource: https://www.beatport.com/release/jazzy-thursday/3524516

www.kingstreetsounds.com
www.facebook.com/kingstsounds
@kingstreetsounds
www.twitter.com/kingstreetnyc

Tracklist
1. Jazzy Thursday	
2. Melted Heart 

Joining the illustrious ranks of Nite Grooves is Rode Mayas (Little Helpers, Full Range) with his signature deep and jazzy vibes for his “Jazzy Thursday” debut 2-track EP! Kicking things off is the self-titled original mix “Jazzy Thursday,” a deep and gorgeous jazz-infused late-night anthem equally ready for the sunset or sunrise. Following suit is the original mix “Melted Heart,” a musical late-night anthem perfectly primed to mold the dance floor to your liking.

Available at Traxsource, Beatport and iTunes

01 Jazzy Thursday

Aday Chinea & Mr. V
‘We Dance’
Muzik 4 Tomorrow / M4T030
https://www.muzik4tomorrow.com
https://instagram.com/solechannelmusic

Upcoming talent hailing from Spain Aday Chinea teams up with vocal House Music legend Mr. V for the club stomper we call "We Dance" which features incredible mixes to tailor to your unique dance floor, with Mr. V delivering motivating vocals.
The Original Mix is tailored for several rooms in any size with pulsating bass and energy building tones to set the stage for where any DJ wants to take the room they are in while midas touch remixer Sebb Junior delivers the FUNK & SOUL that can take the Soulful House lovers to bliss with his interpretation of "We Dance".
Enjoy & PLAY LOUD!.

Track Listing
1 We Dance (Original Mix)
2 We Dance (Club Mix)
3 We Dance (Radio Mix)
4 We Dance (Sebb Junior Remix)
5 We Dance (Sebb Junior Remix Instrumental)
6 We Dance (Sebb Junior Remix Radio Mix)

‘We Dance’ will be released on Traxsource promo on November 12th / Full release 26th November on Muzik 4 Tomorrow.

For more information please contact Dwayne Hicks scmagency@icloud.com

We Dance

We Dance (Original Mix)

Hurlee’s ‘Favourite Jazz’ ranks very high amongst the discerning public’s best loved tracks on Suol and we are very happy to have him back with a brand new release.
The ‘Dubby Feelings’ EP is a two-tracker that showcases the latest step in the evolution of the Spaniard’s deep-yet-bouncy House style.
First up is ‘OP Bass’, which builds on a solid foundation of classic drum machines and rolling percussion. A catchy little vocal cut kicks off an infectious bass line that is joined by subtle chord stabs before Hurlee seriously turns up the glory with soaring pads that will float you through this groover with a big smile on your face.
‘Frankie Here’ takes us on a journey through shimmering crystal caves. Synth chords with heavy dub delays sparkle left and right as we use the solid groove to guide our steps and we just know we can’t go wrong.
Do yourself a favour and get your head around this one.

Hurlee - Frankie Here [Snippet]

Kolour Recordings continues to build a cultural impact that stems from the Motor City featuring creative DJs, performers and musicians from the ever growing deep house and electronic music scene.

Artists as diverse as KiNK, Crazy P, Soul Minority, Kruse & Nuernburg, Atnarko, The Glue, and Delano Smith have made it their home for 10 +  years. Artists like Jimpster, Steve Bug, Cajmere, Detroit Swindle, Oscar P, MotorCitySoul, Kyodai are among its supporters.

http://traxsource.com/label/450/kolour-recordings
http://www.facebook.com/KolourRecordingsDigital
http://soundcloud.com/kolour-recordings-digital
http://www.residentadvisor.net/record-label.aspx?id=1610
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https://twitter.com/kolourdigital
https://pro.beatport.com/label/kolour-recordings/6266

Demarkus Lewis  - Holy Ghost (Oscar P Rework )

Musica Viral do Insta, agora pra soltar na pista !!!! 

Atitude 67 - Sonho (DJ MM Bootleg Mix 2025)

Buy / Stream: https://ffm.to/takenallthistime-lp

Praise coming in from Groove Armada, Laurent Garnier, Erol Alkan, Crazy P, Louise Chen, DJ Bone, Fred P, ABSOLUTE and Horse Meat Disco.

Prolific disco/house producer James Curd is perhaps one of the undersung heroes of the scene. With hundreds of production credits to his name on every label worth its salt from DFA Records to Classic Music Company to Permanent Vacation to Lumberjacks In Hell — and of course, Exploited — he has serious skin in the game. It’s finally time for his debut album to make its mark on the world, rounding up 14 of his finest moments to date for Exploited and packaging them up into one joyous blend.
“‘Taken All This Time’ is a catalog of music that stays true to my life growing up in my critical formative years in Chicago” he explains. “I used to make tracks from beginning to end on an MPC2000. I had a studio in my room that was set up on a door that was held up by two overturned trash cans. If I was recording on the mic I had to shut my windows because I lived on the third floor above 90/94. Sometimes I would get WGCI bleeding into my speakers while I was trying to work. It was the best of times. I worked at a record store called Supreme most days. Then I would work on music till late and head out to the club. I had a residency with Derrick Carter, Gene Farris and Diz. I made so much music — especially in the brutal winters.”
You wouldn’t know that much of this record was made in the depths of winter, given the warm, balmy vibe that surrounds much of it. With his magical synth wizardry cutting against jazzy keys, disco/funk basslines, and sublime vocals, it’s a beautiful mix of sounds that is at home on the dancefloor as on the home stereo. Each track contains elements built on his MPC, with all keys, vintage synths, guitars and bass played live. “ In a time where so much music is pieced together by sample packs and drum loops this album is created brick by brick.... or beat by beat. Every keyboard sound was played on an actual keyboard in my studio. Guitars and bass were played in.”
The album draws its influences from ‘70s disco, ‘80s boogie and ‘90s deep house in equal measure, serving as a musical document of Curd’s upbringing. Beautiful vocals are provided by a diverse cast of singers and rappers, including Bear Who? Luke Million, Likasto, Natasha Lillith and KE, with other collaborative moments featuring Fred Everything and Karmon.
The prolific producer has previously worked with James Murphy for a release on his DFA Records label, and works on many film, TV and video game score projects, including for the ‘Grand Theft Auto’ series and 50 Cent’s show ‘The Oath’. But right now, it’s all about this beautiful collection of tracks, providing a milestone in his career that he will be able to look back on very proudly in years to come.
Single and Album artworks were done by James' friend Cody Hudson who is a Chicago based artist known for his graphic design contributions under the name Struggle Inc. and for the production of clean, multi-dimensional graphics, Cody's design aesthetic is part urban modernism, and part organic visual deconstruction.
His graphic work and paintings have been exhibited throughout the US, Europe and Japan including the Museum of Contemporary Art (Chicago), New Image Art (LA), Rocket Gallery (Tokyo), The Lazy Dog (Paris), & Andrew Rafacz (Chicago).

Artist: James Curd
Release: Taken All This Time
Label: Exploited
Cat: EXPDIGITAL222
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport & Streaming: 24.09.2021
Releasedate Global Download: 08.10.21

Taken All This Time (Album)

High Tower

Buy / Stream

James Curd - High Tower I Exploited

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

James Curd - High Tower I Exploited

Exploited

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