Cabin Luv Affair - Black Jukebox 37 | Exploited | Vinyl Only

Since 2018, Bizzaro Universe from Hamburg have been delivering a genre-fluid mix of Neo Italo Disco, Powerhouse, Indie Dance, and Italo Trance across German and international venues.

Their club-focused productions have been released by labels like Bordello a Parigi, Discotexas, Nein Records, Mélopée Records. DJs like Pablo Bozzi, fka.m4a, Phase Fatale, Maruwa, Tjade, Sarah Wild, Shubostar, Mystery Affair, and Perel have already integrated their tracks into their sets.

Bizzarro Universe's debut EP on Exploited Club delivers a fresh and euphoric blend of 90s Rave nostalgia and modern dancefloor energy, offering a perfect soundtrack for euphoria, dancing, and joy. Each track in the collection is crafted to ignite both daytime bliss and nighttime club vibes.

4ever – A captivating journey with bouncy basslines, nostalgic synths, and euphoric Trance textures. "4ever" blends dreamy atmospheres with infectious dance energy, creating a timeless anthem for the dancefloor.

Planetary Groove – A high-energy track combining the raw intensity of 90s Powerhouse sounds with modern club vibes. Euphoric piano and sensual vocals elevate the mood, making it perfect for both sunny outdoor sets and high-energy club moments.  

Tropic Disorder – A dancefloor anthem that channels Indie Dance with early 90s Stabs, electrifying Acid lines, and uplifting Tribal drums. This track is designed to keep the energy high, ensuring the party lasts through the summer. 

Love Dream – A fusion of raw, driving drums and playful piano elements, this track balances intensity and ease, merging Acid and Piano House influences into a nostalgic yet contemporary soundscape perfect for happy times. 

https://www.beatport.com/de/release/planetary-groove/5146645

Bizzarro Universe - Planetary Groove [Exploited Club]

3 hours of full power. Closing the beach floor at Sisyphos. Was wild from the first to the last minute. 

Shir Khan @ Sisyphos Berlin 10.08.25. (Strand Closing)

Across a string of well received records on Seth Troxlers Play It Say It, 20/20 Vision and Moan Recordings, The Mekanism has honed a refreshingly uninhibited sound - one that pops with joyful expression and works to serve the sort of free-flowing parties he regularly plays across the US and Mexico. Here, he delivers his trademark sound with Do The Disco - a rapturous cut that features percussion from Grammy Award-winning percussionist Jorge Bezerra and an alt sax replaying of Do It At The Disco by Garys Gang by Tom Barford with a gracious nod from Nervous and Uni Disc. The taught skins of Bezerras drums rattle out of the blocks and get things off to an electrifying start. Pattered into dexterous of polyrhythms, they carry that certain energy that drives a marrow-deep motivation to move while a straight 4/4 kick maintains a solid boom throughout. Jorge Bezerra is a Grammy Award-winning Musician and Percussionist who has worked alongside many great artists throughout his career, notably on Ludovic Navarres St Germain project, on stage with the wonderful Melody Gardot and as an integral member of the Joe Zawinul Syndicate that allowed him to share the stage with other greats, such as Herbie Hancock, Bebel Gilberto, Hitonari Tsuji, Cheick Tidiane and Bobby McFerrin. Barfords sax is steadily filtered in while a bossy bass line walks up and down and the mood begins to bubble. Drums, sax and bass take turns to grab centre stage and the resultant vibe is feverish, balmy and jammed full of fun.

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https://www.beatport.com/release/do-the-disco-feat-jorge-bezerra/5149919?a_aid=6897003d0f687&a_cid=0be88686

The Mekanism - Do The Disco Feat. Jorge Bezerra (Exploited)

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Buy this track: https://ffm.to/timecomes

Zeynep Erbay
https://soundcloud.com/zeyneperbayy

Exploited
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Premiere: Zeynep Erbay - Time Comes [Exploited]

Exploited Club warmly welcome in Pleasure Voyage who step up to the plate and do as they do best: casting out a wide musical net, gathering in influences from Breaks, House, Disco, Balearic and Funk whilst pulling in a hefty dose of fun, flair and ecstasy to boot.

'Cuánto Cuesta' is a simmering pot of pure joy. A bubbling bass line has the track on a low boil throughout while luscious, buoyant synths intimately jostle alongside bold but allaying piano chords. Classic breaks snap in the back while a gently acidic lead flexes in and out of focus and the resultant groove sends out a clear and cosy invitation to get loose.

A regular on Johannes Albert's Frank Music's label and Tensnake's True Romance, Claus Casper chips in with his 'No Tengo Dinero' remix - a fortified revision that packs an extra punch with a layered snare, cow bells and an open hat that seasons the groove with a little bite and snap.

Rolling snare fills punctuate the track as Claus creates ramps for sections that showcase his indisputable chops on the keys. The passion and heat of the orignal remains intact as progress tumbles towards a long, spine-tingling breakdown that pops wide open in a manner that will send the floor absolutely nuts.

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PREMIERE : Pleasure Voyage - Cuánto Cuesta (Claus Casper No Tengo Dinero Remix) (Exploited Club)

Pre-order: https://ffm.to/aceofspadez

Exploited Club welcome in power duo EMJIE and Emma B who bounce out 3 classy club cuts packed with groove, energy and panache.

Hailing from Brussels, EMJIE is catching heavy acclaim off the back of records for Get Physical and Yes Yes Yes, as well as a recent B2B with Diplo, a radioshow for Keinemusik and bill-sharing with the likes of Dixon, LP Giobbi and Roman Fluegel. Her sound is characterised by stripped, Indie sonics, classic House and sleek, infectious vocals.

Working alongside her is Emma B - a Paris based producer and DJ also firmly on the ascent with releases on Shall Not Fade, BBC’s Sarah Story’s Stories and gigs at Rex Paris, Fabric London, Shelter Amsterdam, and After Caposile.

PREMIERE: EMJIE, Emma B - The Bass You Need [Exploited Club]

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Premiere: EMJIE & Emma B - Ace Of Spades [Exploited]

Claus Casper makes one hell of a return to Exploited Club with a dynamo for the dance floor designed to take the lid clean off the party. Claus Casper adds to an extensive catalogue with releases for Johannes Alberts Frank Music and Tensnakes True Romance to name a few. Here, he returns with the crystal clear intent to give DJs something to draw for when the party is at its absolute zenith. A snappy, muscular break is rooted to the ground by a tough 4/4 kick. This forms the bone structure of a groove that gradually whips up a frenzy, stacking exultation in layers as it rolls. A slick, agile bass line keeps energy pulsing in the low end as the track shifts through chapters that are marked by openings for a hands-in-the-air piano line that as the title suggests, is nothing short of glorious. Clever sequencing keeps intensity up as elements are whipped out and slapped back in - somehow feeling more and more jubilant as they return right until the end of a full throttle jam thats got tune of the night written all over it.

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https://www.beatport.com/release/glory-break/5150078?a_aid=6897003d0f687&a_cid=0be88686

PREMIERE: Claus Casper - Glory Breaks (Exploited Club)

Live Recording of my set from Wonderfruit Festival, Forbidden Fruit Stage, 12.12.24, 23.00-1.00

Shir Khan | WONDERFRUIT FESTIVAL | Forbidden Fruit  - December 12 / 2024

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Buy / Stream: https://ffm.to/takenallthistime-lp

Praise coming in from Groove Armada, Laurent Garnier, Erol Alkan, Crazy P, Louise Chen, DJ Bone, Fred P, ABSOLUTE and Horse Meat Disco.

Prolific disco/house producer James Curd is perhaps one of the undersung heroes of the scene. With hundreds of production credits to his name on every label worth its salt from DFA Records to Classic Music Company to Permanent Vacation to Lumberjacks In Hell — and of course, Exploited — he has serious skin in the game. It’s finally time for his debut album to make its mark on the world, rounding up 14 of his finest moments to date for Exploited and packaging them up into one joyous blend.
“‘Taken All This Time’ is a catalog of music that stays true to my life growing up in my critical formative years in Chicago” he explains. “I used to make tracks from beginning to end on an MPC2000. I had a studio in my room that was set up on a door that was held up by two overturned trash cans. If I was recording on the mic I had to shut my windows because I lived on the third floor above 90/94. Sometimes I would get WGCI bleeding into my speakers while I was trying to work. It was the best of times. I worked at a record store called Supreme most days. Then I would work on music till late and head out to the club. I had a residency with Derrick Carter, Gene Farris and Diz. I made so much music — especially in the brutal winters.”
You wouldn’t know that much of this record was made in the depths of winter, given the warm, balmy vibe that surrounds much of it. With his magical synth wizardry cutting against jazzy keys, disco/funk basslines, and sublime vocals, it’s a beautiful mix of sounds that is at home on the dancefloor as on the home stereo. Each track contains elements built on his MPC, with all keys, vintage synths, guitars and bass played live. “ In a time where so much music is pieced together by sample packs and drum loops this album is created brick by brick.... or beat by beat. Every keyboard sound was played on an actual keyboard in my studio. Guitars and bass were played in.”
The album draws its influences from ‘70s disco, ‘80s boogie and ‘90s deep house in equal measure, serving as a musical document of Curd’s upbringing. Beautiful vocals are provided by a diverse cast of singers and rappers, including Bear Who? Luke Million, Likasto, Natasha Lillith and KE, with other collaborative moments featuring Fred Everything and Karmon.
The prolific producer has previously worked with James Murphy for a release on his DFA Records label, and works on many film, TV and video game score projects, including for the ‘Grand Theft Auto’ series and 50 Cent’s show ‘The Oath’. But right now, it’s all about this beautiful collection of tracks, providing a milestone in his career that he will be able to look back on very proudly in years to come.
Single and Album artworks were done by James' friend Cody Hudson who is a Chicago based artist known for his graphic design contributions under the name Struggle Inc. and for the production of clean, multi-dimensional graphics, Cody's design aesthetic is part urban modernism, and part organic visual deconstruction.
His graphic work and paintings have been exhibited throughout the US, Europe and Japan including the Museum of Contemporary Art (Chicago), New Image Art (LA), Rocket Gallery (Tokyo), The Lazy Dog (Paris), & Andrew Rafacz (Chicago).

Artist: James Curd
Release: Taken All This Time
Label: Exploited
Cat: EXPDIGITAL222
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport & Streaming: 24.09.2021
Releasedate Global Download: 08.10.21

Taken All This Time (Album)

Go Wrong

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James Curd - Go Wrong I Exploited

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

James Curd - Go Wrong I Exploited

Exploited

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