why don't you keep your style anymore? you do common techhouse bs lately.. your best tracks like this one and "Lost" are all uniquely meodic and thats your style but they are all from the past

Doy gracias por esta clase de música, se nota mucho cuando algo tiene alma

Honestly fucking incredible ❤️ what a journey!! 🔥

Beatport: https://www.beatport.com/release/the-end/2690872
iTunes: https://music.apple.com/album/the-end-single/1481942205
Spotify: https://open.spotify.com/album/14SPwjeJXH0UJUdsttrzUk

Dutch prodigy Budakid returns to Exploited for his third mesmerising EP on the label, with two fresh new opuses for your delectation. 

The End is one of his typically cinematic tracks, reminiscent of 90s melodic breakbeat types Hybrid. Hovering, Reese-toned bass looms subtly over intricate, light broken beats and gently enveloping string progressions. Crisp and spacious, the arrangement is honed to perfection. Muted, gated stabs echo the ghost of 90s trance in the breakdown, fusing beautifully with the breaks when the beat drops back in. Soft cymbal rides splash across the surface as the elements fuse back together for a restrained crescendo. Perfect for the afterhours or a spot of deep meditation.

Linguistic sees Budakid in more of a deep house / melodic techno mood. Subtle synth licks waft across the stereo field as live percussion forms a groove and wildlife sounds create a heady atmosphere deep in the distance. A plodding groovy bassline drives its way into the foreground, while minimialist layers of electronics build the mood. The brain-twisting breakdown makes more great use of noise gating as a dizzying lead soars and pulses. Its a great piece of work that centres more on mood and texture than melody, and in doing so recalls classic progressive house sounds.

The End

Budakid - The End | Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

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