Francesca Lombrado - What To Do

Francesco Rossi - Paper Aeroplane
(Clock Place Remix)

Paper Aeroplane - Remixes Part 3

www.frsound.com
booking@frsound.com

Francesco Rossi - Paper Aeroplane (Clock Place Remix)

http://www.beatport.com/release/dont-call-me-beginner-this-no/1184260

Pura Music Label Head and talented DJ/Producer, Roberto Palmero is bringing sexy back to deep house. With releases on both Noir Music and LouLou Records, Roberto's productions combine both the smooth and sensual with the deep and groovy. "Don't Call Me Beginner / This No" are two tracks that perfectly define this sound! Looking for a groovy bass line linked to an infectious hook? Look no further! "This No" is the perfect track to be stuck in your head all night. Digging into the deeper side of the genre, "Don't Call Me Beginner" combines elements of deep house and progressive in peanut butter & jelly perfection! [Written & Produced by Roberto Carlos Palmero Hernandez. King Grooves (ASCAP). P&C 2013 King Street Sounds]

Roberto Palmero - This No / Don't Call Me Beginner

Jon Sine feat. Benjamin Frankin - Walking Down The Line (Pammin Remix) EMMA MUSIC

VINYL: http://smarturl.it/syyk018_shop
BEATPORT: http://smarturl.it/syyk018_beatport
ITUNES: http://smarturl.it/syyk018_itunes
DJ FEEDBACKS: http://smarturl.it/syyk018_feedbacks

In the blink of an eye Steyoyoke finds itself approaching its second birthday. A lot has changed since the label first emerged on the scene and tremendous strides have been taken in becoming a label to reckoned with on the scene. In mark of such efforts the label has put together its second Anniversary EP, featuring four remixes from four top artists on some of the labels highlights of the last year.

‘Play Again’ was the title track and seducer of Soul Button’s engaging EP release earlier last year. Pete Oak’s remix of this gritty affair carries the same devilish charm and attitude as the original but with an added pinch. Gravitating around those, Pete Oaks remix packs a punch with couple of heavy drops.

Patrick Podage takes aim next with a well balanced remix of Florian Rietze’s ‘Treibholz’. A thunderous bassline surges this downtempo treasure into life, sending the elements scattering across a progressive and steady groove. Contrasting strings keep the raw emotion within this dreamy landscape.

Brazilian pair Flow & Zeo take a strong hand to Soul Button and Sasch’s collaborative work ‘Little People’. What was once a track that held a delicate touch, now holds charge as it moves with purpose and alarm. Rising and falling with precision, Flow & Zeo produce a rollercoaster of a remix.

Wrapping things up is Stevie R and Ian Mckenzie’s remix of MPathy’s provocative ‘I’m Yours’. Emerging slowly out the blocks, the remix builds to become the eccentric jewel in the crown. Notes that appear drunk as they dance between a steady groove make this a quirky adventure for the ears. Maintaining the same enticing vocals and original tribal percussion help keep the heat.

All tracks will be available on vinyl from the 14th of February and in digital on the 10th of March with the additional Pete Oak dub remix of ‘Play Again’. The 14th of March will see the label hitting Ritter Butzke to celebrate their second birthday coinciding with the release of the Anniversary EP. All featuring artists will be playing their part in showing that there is still plenty more to come from Steyoyoke.

TRACKLIST:
1. Soul Button - Play Again (Pete Oak Remix)
2. Florian Rietze - Treibholz (Patrick Podage Remix)
3. Soul Button & Sasch - Little People (Flow & Zeo Remix)
4. MPathy - I’m Yours feat. Amy Capilari (Stevie R & Ian Mckenzie Remix)
5. Soul Button - Play Again (Pete Oak Dub Remix) [DIGITAL BONUS]

Cover Art: Stella Gelesh


LISTEN & BUY

Soul Button - Play Again (Pete Oak Dub Remix) - [SYYK018]

Robert Babicz - Narcoleptic Super Soul (Donatello Remix) CUT

Interview: http://bit.ly/1wy3MBQ

Soundspace
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Interview

Premiere: Dilby ft. Kristina Sheli - U Used Me

Electricano feat. Diana Payton - Make Me See // Spring Tube [SPR126]
Beatport: http://btprt.dj/WYegfC 
Genre: Progressive House
Release Date: 21-07-2014
Label: Spring Tube


Electricano Feat. Diana Payton - Make Me See (Donatello Remix)

Kastis Torrau & Arnas D - Down So Long ft. Shane Blackshaw (Vocal)

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

Waiting For The Daylight (Dino Lenny Remix)

Dino Lenny - Waiting For The Daylight (Dino Lenny Remix) | Exploited

VINYL EXCLUSIVE : DIGITAL RELEASE TOWARDS THE END OF THE MONTH

We are delighted to welcome our Londoner friend John Monkman for our first vinyl release. John Monkman delivers some serious quality deep house vibes for his debut release on Kote.. This Ep raises his game with three tracks taking in funky basslines, deep-house vibes and inventive, smooth flowing arrangements. 
John Monkman’s record kicks off with the anthemic “K.I.S.S. M.E. feat. Morgan Mackintosh”. An uncharacteristically uplifting track that combines a freestyle bassline with gated 80’s drum sounds and amazing vocals by Morgan Mackintosh… 
B1 Jessica is a very special track, the descending organ riff, almost an acid house motif gives it an anthemic quality. The “You and Me” vocal offers just as much hook as it needs to be. 
B2 is a late night sleaze for the well-tuned dancefloor or the perfect track to help the crowd find its footing during the opening hour. The entire seven minutes ooze with polished future-house bass and the tracks being championed by top tier talent worldwide. Disco lasers and vocal snippets douse the track with a modern sheen we’ve heard in works from seasoned house vets, but John Monkman concoct his own chart-topping take on his debut.

http://www.deejay.de/John_Monkman-Turn_Me_On__97798

John Monkman -  K.I.S.S. M.E. feat Morgan Mackintosh. full song

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

Dino Lenny - Waiting For The Daylight (Dino Lenny Remix) | Exploited

Exploited

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