☆☆☆....ein geiler Track☆☆☆👌

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21-year-old Justin Jay announces his Momentum EP, due out on Monday, March 16th via Catz' 'N Dogz' Pets Recordings. Nine months since his last EP, Instincts, on dirtybird, this Los Angeles native delivers a soundtrack from his last semester at University of Southern California  to show just how much he has matured over the last months, both personally and musically. Challenging himself to always take things one step further, Justin Jay continues to grow as an artist with sophistication, and expand his knowledge as a producer/DJ.

Produced in his college bedroom, Justin Jay's Momentum EP begins with hat tip to Motown's Gladys Knight & The Pips with "How I Knew," a hypnotizing deep house number with evolving bass lines, on-point percussion, and recognizable vocal sample. "Momentum," his second collaboration with fellow dirtybird, Kill Frenzy, follows to showcase the pair's affinity for driving, warehouse-ready techno with subtle intricacies. Closing out the EP with his buzzed about Mixmag Lab set opener, "You Give Me Butterflies," leaves listeners with carefree vibe driven by a smooth and dreamy house groove, accented with layered, mood-elevating synth work.

Justin Jay describes his Momentum EP in his own words:

How I Knew:
I don't have much to say about this one. I made it in my bedroom, and spent my fair share of late nights working on it pissing off my roommate who was trying to get rest for his midterms... (sorry Ulf!)

Momentum:
Producing "Momentum" with Kill Frenzy was a really cool learning experience for me. The idea for the song came together while Seb and I were kicking it on my living room couch playing weird sounds off of our lap top speakers, just having fun. When we sat down to properly produce the track, I kept on trying to add unnecessary ideas and overcomplicate the track. Sebastien helped me realize how simple an 8 minute song can be without getting boring - it's all in the details, although that's easier said than done. Finding the subtle changes that actually work was a long trial-and-error experience for me. It was ultimately super cool to hear how simple, yet satisfying the song was for us.
 
You Give Me Butterflies:
As I'm finishing up an incredible last year of college, and getting to do all of these amazing things in music, it's felt good making happy, lighthearted songs that really capture my mood these days. I've spent a large part of the last year exploring darker sounds and textures. I definitely want to continue experimenting in that direction, but I wouldn't want to neglect my goofy, cheerful side either. "You Give Me Butterflies" is a carefree day at the beach, spent with your friends, acting like 8 year-olds.


Justin Jay - How I Knew

Purple Disco Machine - Street Life (Original Mix)

Full Premiere: http://www.wearesoundspace.com/premiere-monday-club-after-dark/ 
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost/

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Monday Club
https://soundcloud.com/mondayclubmusic
https://www.facebook.com/mondayclubmusic

Of Unsound Mind
https://soundcloud.com/ofunsoundmind-1
https://www.facebook.com/ofunsoundmindmusic

Bumps In The Night EP

Get the full premiere!

Premiere: Monday Club - After Dark

 The dream team of Ferrer and Sydenham fabricate yet another seminal track.

Ferrer and Sydenham have been consistently knocking out superb stuff on Jerome’s Ibadan label for years. 'Sandcastles' keeps the streak going.

The original 'Sandcastles' - with its sublime piano line coming into its own late in the mix after a lengthy lead in of subtle percussion, throbbing bass drums and stellar synth play. A warm and lush track that utilizes building beats that emit a piano line and finally a wall of synth strings, round this track off perfectly.

Pressed up the same on both sides, as if he knew this one would get an extra amount of play. A confidence that can be traced back through the numerous amounts of seminal releases this man has had a watchful eye over.

If there was an essential Ibadan release – and an argument can be made for many of them in some form or another – this would certainly be high up on the list. 

http://www.ibadanrecords.com/releases/tib004

Sandcastles

♫ Buy on Ibadan Store

Ferrer & Sydenham Inc. - Sandcastles (Original 10" Mix)

‘It Makes You Forget (Itgehane)’ Out Now -
Stream / Download: https://peggygou.lnk.to/once

Taken from ‘Once’ released 2nd March 2018 via Ninja Tune.

Follow Peggy Gou  -
Spotify: http://found.ee/gou-sp
Apple Music: http://found.ee/gou-am
Facebook: http://found.ee/gou-fb
Instagram: http://found.ee/gou-ig
Soundcloud: http://found.ee/gou-sc

It Makes You Forget (Itgehane)

Peggy Gou - 'It Makes You Forget (Itgehane)'

02 City Life Feat. Cari Golden (Maceo Plex Remix)

Shakedown - At Night (Akta's Motor Acid Edit Of Peggy Gou's Acid Journey Remix)

My Favourite PETS vol. 6

Bandcamp: https://bit.ly/2XWBAcM 
Beatport: https://bit.ly/2xXPxg6 
Spotify: https://spoti.fi/2LrtSFT

My Favourite PETS vol. 6

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Catz ’n Dogz - Wave feat. Zensofly & Maxville (Kassian Remix)[PETSDIG009]

Buy / Stream: https://ffm.to/takenallthistime

Early feedback in by Catz N Dogz, Perel, Terr, Osunlade, Mixmag, Danny Howard/BBC Radio 1, Claptone, Art Of Tones, Alinka...

The title track from prolific producer James Curd’s debut album ‘Taking All This Time’ is a marker of the quality of the 14-track collection, and one of the new tracks set amongst some of his finest moments to date.
A looping jazz-funk b-line and key sample cut pumps round and round as splashy hi-hats and tense synth whirrs build the mood, before the sweet male vocal refrain is unleashed over a pleasingly mellow melodic progression. The vocal by Shyam P reveals itself more, laying on a honeyed R&B / soul feel to the proceedings before we’re dropped back into that relentless disco groove. Snatches of biting electric pianos intersperse the rhythm, and drawn out sax samples provides a moment of juxtaposition in the break. The overall feel is that of a melancholy summer jam that bridges the gap between multiple genres, concisely reflecting Curd’s tastes in the process.
Alan Dixon (Running Back) ditches the soulful feel for an acid/electro/Italo fusion on his bold remix, setting bubbling acid lines against early '90s piano chords that joyously take centre stage midway through the track.

Early feedback:
Catz N Dogz: Such a good song.
Perel: Thank you!
Terr: Beautiful work of all! Alan Dixon for my sets!
Osunlade: Love this!
Mixmag: The original is so strong and then the Alan Dixon mix takes it to my youth and I am wearing a shell suit at the roller disco.
Danny Howard/BBC Radio 1: I like the Alan Dixon remix

Taken All This Time

Taken All This Time Feat. Shyam P.

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James Curd - Taken All This Time feat. Shyam P. I Exploited

DOWNLOAD + STREAM - https://fanlink.to/eSak

Following on from his debut release on SoSure Music, Rioleval  now delivers his ‘Improvise At Noon’. 

Kicking off his production career with the aptly named ‘The Beginning’, Rioleval takes further steps to solidify his position and ‘Improvise At Noon’ holds many of the same values as his debut; funk, soul and jazz influences fused together with an underlying house sensibility. 

Rioleval takes key inspirations from the 90’s club scene and it is clear to see that the classic house sound is engrained  in his productions, keeping the faith with a genre he has explored and grown with throughout his career. ‘Improvise At Noon’  carries much of the same influences as his debut, with clear intent on providing groove driven house music, across both the title track and ‘Mini Drive. Available from Friday 26th February through SoSure Music.

Improvise At Noon

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Rioleval - Improvise At Noon

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

James Curd - Taken All This Time feat. Shyam P. I Exploited

Exploited

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