Awesome EP! what a track! pure energy and vibin'!

so true discobelle

Hello!!!
We made this remix for Thabo Getsome & Renzky - Waited So Long.
Have fun :) :)

Artist: Thabo Getsome & Renzky
Title: Waited So Long (Mat.Joe Remix)
Label: Clap Your Hands
Release number:CYH27
Format: Digital 
Releasedate: 27.09.2013 
All other stores october 11th 2013 



Please check out our Facebookpage for all upcoming informations:

de-de.facebook.com/matjoemusic

<3

Thabo Getsome & Renzky - Waited So Long (Mat.Joe Rmx) (CYH27) CUT

I've recently remastered for 2023 in 24 bit WAV and these new versions sound much better then the originals! get them here xandermilne.bandcamp.com/album/tributes 

Please support Frankie's Legacy:  http://www.thefkfoundation.org/

https://www.instagram.com/xandermilne
https://twitter.com/xandermilne

FOLLOW ON SPOTIFY 
https://open.spotify.com/follow/1?uri=spotify:artist:1ZJ0d4FIS5rGJ0Hd8NQKei&size=detail&theme=light

2023 REMASTER

Dear Chicago (Frankie Knuckles Tribute)

Whiskey Pickle Records is proud to present the debut release from European native, Xander Milne. As the assistant label manager to Alan Braxe's, Vulture Music, Xander has been steeped in house music culture for ages. Once Whiskey Pickle caught wind that he was shopping original tunes, a week's time was all that was needed for the two parties to reach an agreement and set about a release.

A-side, "I Know You," is a stunning collaboration between Xander Milne and Whiskey Pickle stalwart, Abstrakt Audio. The pair's distinctive styles blend to create a modern house jam with heavy praises to the old school. Title cut, "Let Me Fuse," is a twisted romp with notes of acid, electro and tropical flavors,  a stunning debut from a promising, new artist. 

Tapped on the remix front, Abstrakt Audio makes his second appearance to inject the usual retro vibes with some heavy swung percussion and stabby chords to get those house-heads bobbin'. Austin's own Daelo turns in a tech-infused, hypnotic stomper to round out the package.

All in all, another solid addition to the WP catalog.

Buy On Juno

Xander Milne - I Know You feat. Abstrakt Audio (Original Mix)

http://www.discobelle.net/2014/10/01/premiere-xander-milne-kristy-marie-so-true-stay-heavy-free-download/

Written and Arranged by : Xander Milne & Kristy Marie
Vocals:  Kristy Marie
Produced and Mixed by : Xander Milne

Special thanks to A+ on the mastering.... 

For all enquirers please drop us a direct message via the SC messaging system with your email and contact details. 

https://www.facebook.com/xandermilnemusic | https://twitter.com/xandermilne
| http://www.youtube.com/user/xandermilne | https://soundcloud.com/xandermilne


Stay Heavy - Xander Milne & Kristy Marie

http://www.discobelle.net/2014/10/01/premiere-xander-milne-kristy-marie-so-true-stay-heavy-free-download/

Written and Arranged by : Xander Milne & Kristy Marie
Vocals:  Kristy Marie
Produced and Mixed by : Xander Milne

Special thanks to A+ on the mastering.... 

For all enquirers please drop us a direct message via the SC messaging system with your email and contact details. 

https://www.facebook.com/xandermilnemusic | https://twitter.com/xandermilne
| http://www.youtube.com/user/xandermilne | https://soundcloud.com/xandermilne

So True - Xander Milne & Kristy Marie

Syron - Home Is Where It Hurts(Ygreek Deep House Remix)

A little house re-shuffle of a classic that Moby reworked into a hit.

https://linktr.ee/xandermilne

Bandcamp

Troubles (feat Vera Hall) [2023 Remaster]

Liked by Tiga, Marcel Dettmann, DJ Sneak, Lee Foss, Ralph Lawson, Magda, Steve Lawler, Ray Okpara, Totally Enormous Extinct Dinosaurs, Karotte, Kaiserdisco, Martin Eyerer, Wildkats, Pezzner, Philip Sherburne, Tensnake...

Brazilian-born Joyce Muniz immersed herself in the world of electronic music after moving to Austria at the age of 12. By the age of 16, she purchased her first 1212s and became one of Vienna’s youngest DJs. When the raw and pulsating sounds of Brazilian dance music baile funk infiltrated European house and techno, Muniz connected with her origins by providing vocals for Viennese producer Stereotyp. Solidifying her stance as a multitalented artist and MC, Muniz satisfied her craving to produce by diving deep into house music, carving out her own niche through a smooth-yet-funky sound often complimented by sultry vocals and thumping basslines. 

’An early coup for Exploited was 2011's 'Morning Love', Muniz's collaboration with Louie Austen. An old school Viennese crooner who'd worked alongside the rat pack in Las Vegas, he'd risen to prominence again after the turn of the millennium, alongside the likes of Peaches and Gonzalez, on the crest of electroclash. With his lived-in vocals riding a spacey house groove punctuated by snippets of breakbeats, Austen was so impressed with Muniz that he asked her to produce his next album.

This mutual respect was to arise again in the shape of Maya Jane Coles, who helped get Muniz's music into the hands of 20:20 Vision, so far resulting in two Eps. Then Richie Hawtin got hold of an unreleased track and played it on his Ibiza Boiler Room. “I really was wondering how Richie Hawtin got it!” Joyce said. Still, got it he had, leaving just the clearance of its Kraftwerk sample from 'It's More Fun to Compute' and the addition of a vocal by ex-Jungle Brother Bam, for the modern day hip-house of 'Back in the Days' to become a hit for Exploited last year.’ (DJMag) Not to forget her collaboration track ’Warriors’ with Bpitch longstay Kiki or her recent remix of Traffic Signs aka Steve Bug and Jake the Rapper’s ’Cookie Jar’.

Her next release ’You Always Get Me High’ will drop on Exploited in May.

DMC World Magazine:
"Sao Paolo and Vienna’s fiercest exports, Joyce Muniz makes a welcomed apearance on her home label Exploited Records with ‘You Always Get Me High’ a throbbing, bass line driven, deep tech hip thruster with a spoken vocal fascinator that wobbles precariously on top like a bucket of water on a door. ‘Down Brooklyn’ is a hyper-jacked groove with saw and scissor action synths, tricksy syncopating rhythms, panning, reverbed incidentals and a warm, snuggly, comfort-blanket of an environment that you won’t ever want to leave. God bless Joyce Muniz’ and long live the underground."

Label: Exploited
Artist: Joyce Muniz
Release: You Always Get Me High
LC: 15799

Releasedate Beatport: 18.05.15
Releasedate I-Tunes, ect: 01.06.15

Art Design by Neven Cvijanovic / Floor 5. Illustration by Laura Junger.
www.nevenswork.com
www.loragearrive.free.fr

Early Feedback:

Tiga: Cool vibe.
Marcel Dettmann: Thx!
DJ Sneak: Joyce in the Zone.
Ralph Lawson: Cool.
Mia Dora: Loving Down Brooklyn.
Chasing Curt: Nice EP. Will try it out.
Pezzner: Unequivocally fabulous. Both tunes.
Karotte: Down Brooklyn is a nice one.
Mekanism: Sexy EP! Full support.
Ray Okpara: Very cool EP!
Philip Sherburne: Very nice. Just the right blend of chunky and smooth.
Tensnake: You Always Get Me High is nice.
Martin Eyerer - cool! will go to my radioshow.
Waifs & Strays - nice! liking both!
Wildkats: Full support!
Crookers: Cool groove.
Kaiserdisco: Down Brooklyn is super phat!
Mia Dora: Killer groove on Down Brooklyn!
Doctor Dru: Hi Joyce. Geilet Release. Down Brooklyn bockt. Bis bald. Dru.
James Curd: I’m Into It!
Alex Barck: Good. Will play this 4 sure.
Paolo Martini: Nice one! Full support.
Friendly Fires: Really like Down Brooklyn - thanks!
Jey Kurmis: Down Brooklyn is cool!

You Always Get Me High

Joyce Muniz - You Always Get Me High (Preview) | Exploited

Buy on bandcamp

Daveed's & Amvis - Mona Lisa (Do Moon)

Motion

Buy on Beatport

Dario D'attis - The Good Old Days (Animal Trainer Remix)- Defected

NastyFunk Records proudly present one of Deep House's hottest properties; http://soundcloud.com/finnebassen, with his first ever solo offering via an almighty EP. In addition, NF006 provides us with an all star cast to seal this diamond edged release, and ensure that this is one you have to own.

"What You Do", is a fantastic piece of dance music, fusing Finnebassen's famous funk and organic beats with a super-catchy, upbeat vocal that will have you singing while you dance… long after the track has finished. The awesome breakdown throws in more elements that make the track complete and cement the feeling.  The B Side, "A Little Somethin Somethin" is the perfect compliment to the former, a soundtrack of deep thoughts and memories, filled with hazy pads, a silky percussion and a smooth baseline.

The remixes on the do incredible justice to the original mix of  "What You Do" and are greatly diverse in what they set out to achieve. The first, http://soundcloud.com/demarzo 's take on proceedings is fully flavoured and the nastiest of the bunch, with a delicious combination of groove, funk and rhythm. Secondly, Mexican rising stars, http://soundcloud.com/nobody-knows-us, bring us a darkly inspiring piece. Thoughtful and deep, this one is a journey into our hearts and minds. The final remix is from one half of NastyFunk Records management, http://soundcloud.com/jonny-hendriks. His version of the original offers a forward-thinking dynamic, fusing contemplation with cosmic beats.

NF006 : Finnebassen - A Little Somethin Somethin (Original Mix)

NastyFunk's 8th release sees more fresh talent recruited to their ranks, in the guise of Spain's Yeray Herera. The "Get Back" EP is a rare gem, as with each of it's 2 original mixes and 2 remixes, every track has the individual power to fill any dancefloor in it's own unique way. The title track for example, Get Back, is a hugely pumping groover, and a true testament to the theory that simplicity rules in deep house music. The catchy bassline and mega-cool sporadic vocals ensure this is a cool bomb for any occasion. In contrast, the B Side, No More, keeps the feel of the release but changes the mood via an uplifting atmospheric number filled with feelgood reverberations and soft grooves, all the while hinting at an oldschool vibe, truly reminiscent of a bygone genre. 

The 2 remixes on the release are vastly different in what they achieve; Erik Christiansen's take on proceedings adds some organic touches and turns up the funkometer to 10 in his version of the original, working with the bass, vocals and percussion to create a happy, carefree vibe… whilst Toucan pulls out the stops with a superlative disco track, in a wickedly creative edit of the original, bringing a solid groove and poetic touches, coupled with an enormous bass sound, and a well polished finish. 

Get your hands on this one and you won't regret it.


NF008 : Yeray Herrera - Get Back (Erik Christiansen Remix)

Compuphonic feat. Marques Toliver - Sunset (David Keno Remix)

Supported by Maya Jane Coles, Tensnake, Huxley, David August, Ralph Lawson, Tiefschwarz, Claude Von Stroke, Axel Boman, Maxxi Soundsystem, Pete Tong, Jesse Rose, Hot Since 82, Karmon, Adriatique, Wildkats, Trickski, Kiki, Adana Twins, Doctor Dru, Kolombo, Round Table Knights, Meggy, NTFO, The Mekanism, Dyed Soundorom, Amin Edge, Andre Crom, Kaiserdisco, Emerson Todd, DJ Le Roi, Sasha, Homework, Dirty Doering, Martin Landsyk, Sinden, Hannah Holland, Telonius, Mercury.  

Fusing European, classic club sounds with distinctive and innovative influences from all over the world, Joyce Muniz succeeds in wowing her audience with yet another unique 3-track release: Trust Your Enemies, featuring Berlin-based Dominic Wirth aka Knixx.

Having previously collaborated for the floor filler Drop In Pressure on 2020Vision, Knixx and Muniz come together again for Trust Your Enemies.  Inspired by Joyce Grandmother's adage, 'keep your friends close and your enemies closer', the title track is uncharacteristically dark, with rolling, moody vocals while the remix has a more brazilian percussive / jackin house flavour.

Cover shoot by Vienna based Photographer Daniel Gebhart de Koekkoek. 

Label: Exploited 
Artist: Joyce Muniz
Release: Trust Your Enemies 
LC: 15799

Early Feedback:

Maya Jane Coles: Good stuff from Ms. Muniz as usual.

Tensnake: One of the most hyped label of the last year gets bigger and bigger. Nice tune.

Huxley: Original is best for me. Thanks!

David August: Thx for the music! Best. David.

Axel Boman: Super coolest chick ever, joyce! Fat bass and nice hooks. Way to go grrrrl!

Maxxi Soundsystem: Orig is great...

Jesse Rose: Nice One!

Ralph Lawson: Dub for me!

Tiefschwarz: Nice One * Exploited version is great ***Thx.

Dyed Soundorom: Amazing track. Will play it for sure!

Hot Since 82: Nice.

DJ-Mag: Reviewing for dj mag 520 electro page. Nice one!

Adriatique: Thx for the good music!

Andre Crom: Nice EP. The Remix fits best in my sets.

Round Table Knights: Love it!

Adana Twins: Joyce all night long:)

Karmon: Like the original !

Meggy: Very good. I'll go with the dub version.

Kiki: Super! I love it!

NTFO: Cool release! support for Joyce :)

Kaiserdisco: Original track is DOPEEEEEEE!!!! thx

DJ Le Roi: YAY! GREAT SONG!!!! great great great! 5*

Homework: Nice dark cut from our girl Joyce!

Doctor Dru: Full support for in your face Joyce. Love her energiaa. Cheers, dru.

Kolombo: Dub for me... thnx.

Sinden: Love this! 

Telonius: Great. Dub is in the box for sure. Thanks. Telonius

WILDKATS: Original (or Instrumental) are wicked. Thanks

Sidney Charles: Nice EP from senora Muniz! Great vibe and dynamcis...right in my case.

Dirty Doering: Geilo!!!

Sasha: Main mix is very cool. Cheers!

The Mekanism: I love it !!! Thanks

Trickski: Nice!

Martin Landsky: Nice nice...

Beni: Amazing!

Hannah Holland: YES Joyce, wicked tune, great vox :) X

Stefano Ritteri: Love Joyce style!! Will play the original for sure!! Thanx :)

Djuma Soundsystem: Hell yeah! Org + Dub!

Mercury: Wow. My favorite Joyce song…

Michael Reinboth: Yeah. Good midpace warm tunes here. Like it. Will touch the bass and beat.

Trust Your Enemies

Trust Your Enemies (feat. Knixx)

Joyce Muniz - Trust Your Enemies (Preview) | Exploited

Currently in the DMC UK BUZZCHARTS (6) and liked by Pete Tong, The Magician, Tensnake, Maxxi Soundsystem and Peter Kruder of Kruder&Dorfmeister to name a few. 

"Waiting For The Daylight" is a song about a conversation between an Astronaut and his wife. 
The spaceman has been stuck out there for years and is reaching a breaking point. 
He is a kind man on a mission but shows his fragility when he asks about his kids. 
Not knowing what time it is and not being able to listen to his music while even more frighten aliens cross his spaceship is testing very hard on his control. 
He spins between satellites but his hope for the daylight to appear is his only lifeline. 

Dino Lenny about this track: 
"I wrote this track badly playing my 100 year old Piano (recorded with my iphone)   
I was in my living room but like it often happens I felt I was out there in Space. Wondering about and feeling deep immerse in a mission that I didn't really care about.. 
I sometimes ask myself what is the point? But then as usual at the lowest step..  the light appears and I feel like a child in a sweet shop!" 

About Dino Lenny: 
Dino Lenny starts very young as a radio deejay in a small town of the South of Italy, Cassino. After a few years of experience, in the early mid nineties, he is crowned "master of ceremonies" of the Maltese nights, gathering more than 2000 people on the famous Axis' dancefloor. He grows up within an interesting group of lads such as Savino Martinez and Claudio Coccoluto, and in 1996 he decides to seek fortune in the United Kingdom, his native country. In London his career gets a boost thanks to a long series of important remixes: Inxs, Underworld, Missy Elliot, Timbaland etc and the collaborations with The Housemartins, Scissors Sisters & Madonna just to mention a few names. His productions are just as interesting as the remixes and Dino Lenny earns for three times in a row the label of " Essential New Tune" on Radio One (BBC) by Pete Tong. 
Considered "The Wizard of the Electronic music" by the Chemical Brothers, Dino Lenny explores the full range of his potentialities and starts singing. With a simplifying abbreviation of his name, Dino records the single “Call me” which becomes a terrifically popular track all over Europe. The British press defines his vocal talent as a halfway between the Talking Heads and Ian Dury. Dino shows up a perfect Serpico style and sings in front of his raving fans at Tops of the Pops. 
The successful single gives just a hint of what will happen with the release of the album "Might". 
Whilst busy with more important collaborations, Dino is invited by Hardage to take part to his project which includes Jocelyn Brown and Maxi Priest , Level 42 and Peter Gabriel, amongst the others. 
He produces with Steve Lawler under the name Sladly the well received “Unicorn” and writes the soundtrack for one episode of CSI Miami in the middle of the preparation of the next “solo” album. 
A few months later Dino Lenny flies to Montreal to open the UNICEF concert - which gathers more than 7,000 people.  
Dino warms up the audience for Avril Lavigne and at the end of 2011 he performs live with Skin & Underworld at The Brixton Academy 
Lenny has also written the soundtrack for one episodes of CSI Miami and also for Irvine Welsh's film "Ecstasy" 
After David Byrne's approval "I Wanna be Like Talking Heads/ A Dj Deep Inside" gets released on Strictly Rhythm. 
The story continues on his favourite label of the moment.. while he's still "Waiting For The Daylight" to come out soon on Exploited! 

Artist: Dino Lenny 
Release: Waiting For The Daylight 
Label: Exploited 
LC: 15799 
Releasedate Beatport: 8.7.13 
Releasedate I-Tunes, Juno ect: 22.7.13 

Early Feedback: 

The Magician: Beautiful track. 

Tensnake: Last heard about Dino about a decade ago. This seems to be quality. 

Maxxi Soundsystem: Remix sounds juicy… 

DMC UK Buzzcharts: Dino is Mr Gorgeous with his lush production skills and eccentric shorelines. Another daydream delivered and delicious. 

Tiefschwarz: Cool release! 

Peter Kruder: Love Waiting For The Daylight. Will play this. 

Jazzanova/Alex Barck: What a poppy adventure here. Love the Remix. 

Rhadow: Liking the Instrumental Version. Thank You! 

Betoko: Bravisimo Dino! Full support! 

Andre Crom: Killer EP. Love the Remix. 

Kyodai. Great track. 


The Mekanism: Beautfull! 
Grant Nelson/Grecoroman: Great production!

Stee Downes: Always quality business! 

Death on the Balcony: Dino Lenny Remix is cool! 

Purple Velvet: Cool tracks! Very Bowie-esque Lyrcis. Liking the Remix! 

Moullinex: The out of tune upright stuck with me. Excellent. 

Pete Herbert: Instrumental working nicely for me… 

Animal Trainer: Really can see the daylight!

Dino Lenny - Waiting For The Daylight (Preview) | Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

Joyce Muniz - You Always Get Me High (Preview) | Exploited

Exploited

Recent comments

RICVREDISC

Gui Conte

ertunç

Mauro Orme

Related tracks